Especially now that he’s writing more editorial a lot of the time, I make it a point to read the movie stuff he does do.
La la la, oh I see they’re making a David Foster Wallace movie…
…huh, it’s based on the interviews David Lipsky did…Jesse Eisenberg is playing David?!?!
But I haven’t even processed him playing Lex Luthor yet!
Or that Lex Luthor has hair!
*meme humor by The Mary Sue Senior Editor Glen Tickle
Wait, David comes off as a total tool in the movie? HA HA HA HA omigod that’s hilarious.
In the Fall of 1980 I was thirteen, about to start high school at Stuyvesant. Of the ten kids in my small private school who’d taken the Stuyvesant test, most my close friends, two of us had gotten in. Me and my friend Oliver. Earlier that summer, at a birthday party at the Village apartment Olly shared with his charismatic mother Bonnie, I’d pulled a bottle of champagne out of the bathtub and tumbled on Bonnie’s bed with one of Olly’s friends.
That summer I had stripped the baby fat that protected me from my father on a three month crash diet of iceberg lettuce and sugar-free yogurt, forty pounds in three months. I felt my rage could protect me now, so I’d let my hair, which I’d cut because my father loved it long, grow again. I was blonde and blue-eyed, 33-23-36, and wearing purple painter’s pants from Reminiscence. When that boy kissed me the power came up in my veins like the speed I got onto later that year. I knew all I wanted was boys, to have them and take them, hurt them and enslave them.
The week before school started my best friend’s father said I should meet the son of a friend of his, who was a sophomore at Stuy. I asked Victoria, who has been my friend for forty years now but only five back then, if he was cute. She said yeah, actually he was fairly cute.
So I talked to David on the phone, which was next to my brother’s bunk bed. The white paper under the rotary dial of our phone was covered with ballpoint ink, from my doodling while I talked. It was still hot; summer dies like a snake by mid-September in New York, or did then, but it hadn’t broken yet.
I agreed to meet this boy the first day of school, on the steps.
Maybe Victoria’s father, Mel, thought we’d be friends. I don’t think so. Mel had an invasive voyeuristic fascination with the sexual development of children, much like my own father. When you look at pictures of me and Vicky at eleven and twelve (I was always younger than everyone else) it’s shocking; my moon face and her gaunt one. Anorexia was so new that she wasn’t diagnosed until nearly too late.
I met David on the steps in front of Stuyvesant before the first bell, so I wasn’t alone my first day. Not that I was worried; it was thousands of kids to less than 100 at Elizabeth Irwin and Little Red Schoolhouse, where I’d spent the last five years, but I was fearless and ferocious at thirteen. And Olly was a brother to me, a blond Han Solo; knowing he was somewhere in the building made me feel safe.
David was pretty cute. Not amazing, but I liked his dark curly hair, and he was tall enough, wearing those thin cord jeans that boys wore then. We talked a bit, and then I went off to class. I remember almost nothing about the school part of Stuyvesant, even now. I didn’t want to go there; I wanted to go to Music and Art, and I certainly could have gotten in. My father insisted on the math and science school, because it was the most famous. Narcissistic cathection plus lots of weed, ugh.
Later that week David called our apartment in Chelsea and asked me on a date. I did not like my father asking about it, but we did share a laugh about the hilariously outdated concept of “going on a date”. I suspected it might be my first and last date; I didn’t think dating was compatible with the vision I had of stooping like a falcon. But I was thrilled. My adventures as a seductress were beginning. I wore my painters’ pants and a white men’s shirt for my first date.
In the kitchen before leaving I dusted cinnamon behind my ears because I’d read in Glamour magazine that it turned men on.
It left a faint rusty rime on my collar. My father was leering, gleeful, as he watched me leave.
I met David uptown, probably at the Loews; I know it was a theater with multiple screens.
We argued about what movie to see. He wanted to see a DePalma thriller with Nancy Allen, Dressed to Kill.
I wanted to see anything but horror; I had had a very bad experience with Hitchcock Night at riding camp a couple years earlier. I capitulated, with the caveat that we would leave if I got uncomfortable. At some point I did, and then I pulled the first of an infinite number of dick moves I’ve pulled on guys.
I informed him that we were going next door to watch Lady and the Tramp.
Maybe it was during the spaghetti scene that his arm crept around me; I snickered into my cinnamon-scented collar, because I had never, ever expected to have this experience. Afterwards we walked across the park, I think, to his Upper East Side neighborhood. He wanted to hang around Woody Allen’s building and see if Woody came out. I didn’t; I hated Woody Allen every bit as much then as I do now.
He lived around the corner, probably with a divorced mother who Mel had the hots for, and we wound up in his bedroom, on his single bed. Which was the point of the whole endeavor, for me. I told him about the cinnamon; I felt it would make me seem both innocent and charmingly vulnerable. Bonnie’s bedroom had been dark and air-conditioned; David’s room was brightly lit.
He said, “What do you want to do now? I could do my Woody Allen imitations. Or we could make out.”
I looked him in the eye and took my shirt off. I remember our legs tangling, the first time I realized how long boys’ legs are, the feel of it; I knew it was what I wanted. I was both startled and disappointed by the explosion. I felt exactly like Kristy McNichol in Little Darlings, (which Victoria and I had seen that summer) when Matt Dillon passes out. I had had plans for that penis. There was awkward cleanup, and now my shirt smelled like cinnamon and come.
I went back downtown; I saw him the following week at school, but it was obvious neither of us could sustain interest. Two weeks later I found the boys with the drugs.
In the 90s Victoria told me he was a journalist, and I laughed; that seemed just right, like Olly actually becoming an actor, like he’d always said he would. I was going to be an artist; Olly was going to be an actor; neither of us should have had to go to Stuyvesant just because it was the most famous free school in New York.
In the oughts in Berkeley, living with my second husband, I read Infinite Jest, cherished it, and put it on the bookshelf. It reminded me of The Futurological Congress by Stanislaw Lem, which I’d read when I was fifteen. I read the short stories too, but they didn’t do too much for me. I read (probably on Salon!) that David had interviewed David Foster Wallace, had spent four days on a road trip with him. I wondered if he had offered to do his Woody Allen imitation.
When I moved in with my third husband in the teens we both brought forty boxes of books. The three duplicates were Infinite Jest, Mason & Dixon, and The Phantom Tollbooth.
I haven’t seen David Lipsky in thirty-odd years, and that’s fine with me. Would he remember me? Of course. I was dazzling at thirteen.
Is my life a disappointment, compared to the other kids who stood on those Stuyvesant steps in 1980? I don’t think anyone could possibly say, because my life is really only getting underway, and there’s actually nothing butsecond acts in American lives.
I have begun to experiment with making desserts in Europe.
Although I once made spaghetti puttanesca for my second ex-husband’s family in Melbourne, I’d never done any baking anywhere but in the US. Since we’re living in a temporary furnished apartment while we sort out getting our stuff here, I am limited to the equipment in the apartment and the Bosch hand mixer I ordered off Amazon.
Let me insert here just how fucking insane it is to replace EVERY MACHINE IN YOUR HOME. Do you have any idea how many machines and electrical devices you have in your home?¹
Years of professional baking gave me the skills to create dessert under completely raggedy-ass conditions. My best hacks and tips are revealed here!
So far what I’ve made is peanut butter mousse pie, once today for my third husband’s birthday (it’s his very favorite thing I make) and once for a potluck. I see all the time on expat boards people talking about how much they miss chocolate & peanut-butter desserts. Also, I knew the hostess of the potluck likes chocolate-peanut desserts because I’d seen her have one at Cafe Anna Blume, the delightful cafe in the American Quarter aka Prenzlauer-Berg.
I am that weird person who sneakily observes every dessert you eat and keeps a mental database, so I know what you like.
Variations of peanut-butter refrigerator pie date back at least to the 50s, and I have made many, but the basic components are a graham cracker or chocolate cookie crust, peanut butter whipped with confectioner’s sugar and cream cheese and lightened with whipped cream folded in, and a chocolate ganache. (They have a very good version at Homeroom in Oakland that skips the ganache, but I like it to cut the richness of the peanut butter.)
The recipe below is for the version I made for the potluck, as opposed to the individual dishes I made for the husband. (So he can take some to work tomorrow!)
I had been warned on the toxic expat board Toytown and elsewhere that you can’t get measuring cups and spoons in Germany.
(Europeans tend to measure baking ingredients by weight rather than volume). Actually, I’m sure you can get them at Cakeville in P’Berg, which is not as amazing as Spun Sugar in Berkeley, but a very decent baking shop. I had intended to bring mine, but in the chaos of the last days failed to.
So, here’s what I did.
Puder Zucker (confectioner’s sugar), box
2 100g bars of dark chocolate, one Lindt excellence and one of the Ja! generic brand, which was .49!!
500g Bottle of 32% fett Schlag Sahne (heavy cream)
Sleeve of Leibniz Vollkorn cookies (good approximation of graham crackers)
Then: No pie or tart pan, so I took a deep Pyrex (mirror-world Pyrex-analog?) casserole dish, buttered it and lined it with the baking parchment I had bought at the Euro store for a Euro. The parchment is brown and slightly corrugated, like the recycled parchment you buy at Whole Foods for seven dollars. I ran the parchment up the sides at the ends, so I would have something to lift the pie out with.
I needed to make sure I could bring the baking dish home, because apparently they are very intense here about the stuff in a furnished flat or sublet.
No food processor or large Ziplock bag and rolling pin to crush the graham crackers: dumped the walnuts out of a ziplock bag from Rewe, filled it with crackers, and crushed them with the heel of my hand. It doesn’t matter if there are little uncrushed pieces.
No bowl, so I used a large cooking pot with low sides.
No brown sugar, but as anyone who’s ever run a torch over powdered sugar on top of a brulee knows, powdered sugar can caramelize and bind a cookie crust too. So I dumped about a half-cup of powdered sugar (I would have used only 1/3 of brown) and a couple shakes of Zimt in with the crushed cookies and stirred well. (Peanut butter loves cinnamon. The surprisingly excellent house-made loss-leader peanut butter cookies at WF are much enhanced by it.)
I learned from my Goddess Rose Levy Beranbaum to always mix dry ingredients well before adding wet.
Put about half a tub of butter in a bowl and microwaved it til partly melted, then let residual heat melt the rest. Took the slightly-cooled liquid butter and poured half into the crumbs, stirred thoroughly, and tested the stick-to-itselfness of the mixture. I added more butter to make it less crumbly, more Play-doh or wet-sand textured, and then used my hands to press it into the casserole dish. (Surprise: in bakeries bakers use their hands to scoop EVERYTHING.)
I baked it at 180°C or 350° for fifteen minutes, which is pretty standard for a crumb or nut crust.
I was confident that the cornstarch in the powdered sugar, mixed with the water in the butter, had been heated long enough to help bind the crust as well. It felt right when I took it out: very slightly puffy and browned at the edges, and it was homogenous to the touch. I don’t know why nut and crumb crusts, which have no leavening and no raw gluten, puff up a bit in baking, but they do.
While the crust was baking I scooped most of the peanut butter out of the jar into my “bowl” and beat it til fluffier with my new hand mixer, which had a surprise feature. Click the speed wheel right you get the normal graduated speed; accidentally click it left and it goes instantly to a speed no American hand mixer I’ve ever used possessed. Yikes! I added about half a cup of powdered sugar and beat that in well, then beat in most of the tub of mascarpone.
Fluffy peanut butter mascarpone frosting! Pipes like a dream on cupcakes.
Pretty stable at room temp, so nothing needed to happen with it immediately.
I took the pan of baked crust and threw it in the freezer to cool. (When you do this, avoid setting it on plastic ice cube trays that could melt. ) Surprise- I had not allowed for the low power of our tiny German freezer, which does not chill nearly as well as a full-sized American one. Oh well.
Meanwhile I made the ganache. I normally make ganache in a food processor, using the Rose method, which is great if you hate chopping chocolate (sticky, greasy AND it stains; chocolate is the devil).
This time I used the Alice Medrichmethod², because melting chocolate in a double boiler is for schmucks.
I broke up all the Ja! bar and half the Lindt bar, and put them in a ceramic bowl. The Ja! was a little acidic and lecithiny but perfectly fine for a ganache that would be covered by a strong flavor like peanut butter. I saw I had about three tablespoons of melted butter left, so I poured that into the bowl too. Then I added about a third of a cup of cream. I stirred it well, getting liquid on all the pieces of chocolate. The liquid, as long as it’s enough and well stirred in, protects the melting chocolate from bad behaviour.
What I was going for was a ratio of slightly more liquid than chocolate, for a ganache that would be firm enough to cut but not stiff when served cold.
(Rose explains so much about ganache, including the cream ratio, in the Cake Bible.) I turned the dial (no fancy digital inputs on German microwaves!) on our microwave to low and nuked the mixture for a minute. A minute is a long time for chocolate, although dark chocolate tolerates heat better than milk or white, so I yanked it out and stirred it to distribute the heat. Another quick burst of waves and the liquid in the bowl was hot enough to melt the remaining chocolate as I gently stirred it. See the footnotes for more on melting chocolate!
I could tell by eye it was tight (chef talk for viscosity) enough for my purposes; a thread dropped from a spoon sank quite slowly into the dark pool.
I let it sit while I pulled out the crust. The pan bottom was still hot, ( German freezer bah!! ) so I knew that the crust would crumble if i touched it or tried to spread ganache on it. So instead I poured almost all the ganache into the center of the crust and pushed it out to the edges, using my square slotted wooden spatula I bought at TK Maxx our first week here. (Wooden utensils are the soul of a kitchen, I had to have at least one.)
Pushing out from a big central bolus meant most of the loose crumbs that would normally lift were trapped under the wave front of ganache.
(This is how I learned to frost cakes fast and perfect in my first finishing job, a night shift at at European bakery in DC. I never, ever bother with a crumb coat. I’ll make a video sometime.) Of course it wasn’t perfect, but it’s chocolate and cream and cookie crumbs; there’s no real pain point there. Then I zipped it back into the freezer so the ganache could cool off before the heat remaining in the crust could cause it to break, or separate into fats and solids.
In a professional kitchen, you are constantly shifting trays in and out of the walk-in and freezer, to save time and control reactions.
I poured the remaining about three-quarters of the cream into my pot and put the rinsed-off³ beaters back on the mixer. I considered taking the precaution of chilling the “bowl” and beaters, since I didn’t really know how the 32% fett compared to the organic Stornetta cream I’d been using for years and the kitchen was hot. But I said fuck it, because in my experience cream really only fails to whip if you are trying to whip a small amount in a hot-out-of-the-dishwasher bowl and you don’t ratchet up the mixer speed fast enough. Over a cup of cream that’s been in the fridge til whipping and you’re generally fine. And indeed it was, although it took longer than usual for the cream to crease and then billow.
I did take the precaution of whipping to very soft peaks.
I knew the amount of clumsy folding the cream would have to endure to incorporate with the peanut-butter mixer in a pot with a slotted spatula was enough to risk it going grainy. I am a superb folder, if I do say so, and I dumped the peanut butter mix into the pot of cream and folded fast. Watch some videos of chefs folding if you want to get a handle on technique; it’s great to be able to make a souffle without feeling nervous.
Normally I would have folded a third of the whipped cream into the mixture I was incorporating it into first, to lighten it.
But I was concerned the room temperature mascarpone might be shocked by the cold cream and start forming larger fat globules (aka gross chunks) pretty quickly, so I just went for it. It came together nicely in a fluffy cloud, which I immediately plopped onto the ganache in the crust.
Of course, the ganache hadn’t set yet (German freezer!), so again I had to spread carefully from the center. I threw the whole thing back in the freezer while I got the piping ganache ready. I’d left the remaining couple tablespoons of ganache in the bowl on the flat glass cooktop, which had enough residual warmth to keep it liquid. In commercial kitchens you always find a bowl of ganache or chocolate thinned with oil or water sitting in some 98º spot, ready for piping or dipping.
I didn’t have a plastic piping bag, so I made a paper cornet.
This is one of the things you learn to do right away in a commercial bakery, and you will never be sorry you learned it. The important part is wiggling all the points of the triangle til they line up and the point is tightly closed. Then I spooned the remaining ganache into the cornet, folded it closed, snipped the very tip off with scissors, and used it to to drizzle a zig zag over the top of the pie. Always, always cut off only a tiny bit of the tip first, and test it on a plate.
Lots of baking “tips” resources will tell you to fill a ziplock sandwich bag with chocolate chips and microwave them, then snip a corner, instead of learning how to make a cornet.
The results from this “tip” are terrible, because you’re using an oval hole instead of a round one, and chocolate chips are loaded with lecithin to survive baking; they’re not meant to be eaten straight or melted.
The melted chips will almost always lose temper or “bloom” when refrigerated and you’ll have ugly white dots of separated fat on your piped lines.
I put the pan of pie on a dish towel, soaked in cold water and wrung out, on the counter. This was both to drop the temperature of the crust a bit more and for control.
A dish set on a damp towel won’t skid away from you across the counter.
Once I’d done the piping, I took chopped peanuts and ran them around the edge of the pie, along the sides of the pan. Then I added Raspelschokolade, chocolate flakes. This is an one of the decor products that are in every supermarket in Germany but in the US were only available from specialty stores until recently.
Layering decor is key to getting a finished look.
Done decorating, I put the pie in the fridge overnight. Whipped cream desserts ( I can’t speak for whipped topping desserts, since I’d chew off my own arm and candy it like a violet before I’d use whipped topping) need to chill in a fridge for six to eight hours to stabilize. Just freezing them won’t do it, because it’s not just about dropping the temperature. Something happens with the fat molecules so they firm up. I don’t know what, I’m not a food scientist, I’m just an artist who’s been lucky enough to hustle food service jobs whenever I was in danger of starving.
In the morning, I took the pie out of the fridge and put it in the freezer. We were travelling a good half-hour across town, to a party where the pie would likely sit on a sideboard for an hour or two before it was eaten. I knew that freezing it wouldn’t affect the flavor in any way, and would make transporting it much safer and eating it much pleasanter. Whipped cream desserts are much better almost still frozen than warm at all.
Things that are mostly flour or mostly fat can be frozen without suffering any ill effects, if handled correctly.
(Rose goes into freezing desserts and dessert components in incredible detail in the Cake Bible. It’s perhaps the most useful information in a book that is 110% useful information.) Trust me, if you’ve ever had some crazy fancy cake I made or been to a party where I made a dozen different desserts, those babies had been frozen. The secret to freezing is plastic wrap. You have to wrap the dessert completely in plastic wrap. You must protect it from the freezer environment, and even more importantly, you must keep it protected as it thaws.
You want the condensation created by the temperature differential of thawing outside on the plastic wrap, not on the surface of your dessert.
Commercial bakeries, even the very very fanciest ones, have trays and trays of cakes and pies and mousses in the freezer. If you’ve had wedding cake, it was frozen at some point. Often the freezers have drawers, so the frozen goods are in a secure, cake-only environment, safe from contaminating flavors or smells.
When we served the pie at the potluck, it had been sitting on a sideboard long enough that the butter between the parchment lining and the pan had softened, making it super easy to lift the pie out of the pan.
Think of butter as a miracle adhesive/lubricant.
You can use a smear of buttercream to hold a cake tier in place on a cardboard circle once it’s cold, or use it to slide a bombe out of a buttered mold if you warm the outside of the mold by running a hot, moist dish towel over it.
The pie was a huge hit, and late that night my husband asked mournfully, “Is there any peanut butter pie here?”
I had only made enough for the party, as he well knew, so I had to make it again for his birthday…
¹Replacing every machine in your home: The only ones we didn’t sell or donate were our computers, which are designed to run on either type of current, and my sewing machine, since it was the most expensive machine I’ve ever bought besides the dishwasher I left in my long-lost house in Berkeley. Step-up step-down transformers run to a hundred bucks each and are notorious for frying electronics, but I’m going to try one with my sewing machine anyway, because I cherish it so.
Here’s our list:
Halloween electric lights, 10 sets
Halloween fog machine, strobe lights
Christmas electric lights, 5 sets
extension cords and power strips, dozen or so
space heaters, 2
electric mattress heater
Washer / Dryer
3 table lamps
lots of other “back massagers”
2 Curling Irons
2 electric lightboxes
2 Full Spectrum artist lamps
Crazy, right? So far we’ve bought German-power-compliant versions of the toaster oven, the microwave, the printer, hub’s hair dryer, a fan and a hand mixer. Long way to go.
²Alice Medrich’s Cocolat shop was the first San Francisco bakery I ever went to, in 1987, and Cocolat was the first serious baking book I ever bought. I learned from Cocolat that melting chocolate in a double boiler is for schmucks.
Here’s the thing: a small quantity of liquid introduced when chocolate is melting makes it seize. Double boilers involve steam and drips of water. Instead, I ALWAYS melt chocolate, finely chopped, in a bowl in the microwave. You must wipe out the microwave thoroughly first to make absolutely sure there are no condensation drops waiting to fall or off flavors from leftover food dribbles (white chocolate is especially vulnerable to invasive flavors).
If you will be adding the chocolate to a recipe that has ANY liquid at all, you can take a few tablespoons (at least two T per 8oz, I think) of one of the liquids (water, milk, cream, melted butter, oil, orange juice, rum) and stir it well into the finely chopped unmelted chocolate. Then cover the dish of chocolate, or chocolate and liquid, with plastic wrap to protect it from off flavors and moisture, and microwave it in ridiculously short low-power bursts, stirring every few seconds, until most of the chocolate is melted.
Once it’s removed from the microwave it will continue to melt, so err on the side of caution. Perfect, glossy melted chocolate, with no danger of scorching or seizing. I’ve made hundreds of desserts, including a bunch of wedding cakes, and I have never used a double boiler for chocolate since 1993.
³About washing: if you’re just going fat-to-fat, like creamed butter and sugar to whipping cream to beating ganache, a quick rinse of your stainless steel bowls (all I ever use at home) and utensils is plenty. Egg whites can’t tolerate fat or water, so if you’re beating eggs you must wash the beaters with soap and hot water and dry them thoroughly. If you’re cooking with eggs, you must ALWAYS wash anything that has touched raw egg the same way, so your buttercream doesn’t get bacteria in it. An immunocompromised person or pregnant lady could eat it and get very sick, even if you use free-range organic eggs like I always do (because most of the salmonella cases from eggs come from battery hens).
I also always taste a bit of the mix with the raw eggs, since when I’m baking a cake it’s usually at least a day before serving and there’s time for me to get sick if there’s any danger. I know my immune system can handle it, and I’d rather I got sick than a pregnant lady. When I started seriously baking a lot of my friends had HIV, so I’m super-careful.
I finished two ridiculously time-consuming embroidery pieces this week.
I figured they deserved gold frames. I hadn’t gold-leafed anything in a really long time and I’d forgotten how fun it is. I’m putting all my embroidery work up on flickr too, licensed CC. If anybody ever wants to copy these for their own embroidery, be inspired by them, use them as tattoos- I would be very pleased!
One of my patrons mentioned she’d love to see drawings of the marathon culture in Berlin. I had no idea that there was marathon culture here until recently…
A couple weeks ago I was taking a taxi because I had to rush to get to an interview at a startup.
My cab driver was a friendly guy in his 70s. Like many people do, he asked where I was from- to my great surprise, older Berliners often don’t see much difference between an English accent and an American accent.
I explained that I was from San Francisco recently but that I grew up in NY.
He told me that he had been to New York, once, in 1991. To run the New York marathon! In under four hours.
I was very impressed and asked a lot of questions.
He described the difficulty of the conditions compared to Berlin: almost the entire Berlin Marathon run is flat, while the NY course has several significant hills.
He had obviously studied the route extensively before his run, and still remembered the names of the neighborhoods and the streets he had run down clearly. Then he told me about the hotel he stayed in.
He stayed at the Hotel Salisbury, which is the only hotel in America wholly owned by a church.
It’s owned by the Calvary Baptist Church, which occupies the first five floors, with a sanctuary and a practising choir. “Then the hotel is just stuck on top of him! like brot in a sandwich!”, my cabdriver said delightedly.
He went on to imagine a situation where a fellow might go on a business trip, with his secretary very nice, and have to make his peace with God over his indiscretion on the spot!
To a secular Berliner, the idea of a hotel in a church was just such a good joke he had been enjoying it for 25 years.
Despite living the first 22 years of my life in New York, I had never heard of this hotel, and I’m so incredibly glad I did. I looked up its history and found it absolutely fascinating.
It was built as a 16-story “skyscraper church” in 1931, and has two Steinway Grand pianos, and its own radio station, with over 200 hotel rooms.
Nowadays it has a charming blog, where you can meet Bell Captain Al, who has served at the hotel for 32 years, and Dixie the bedbug-sniffing dog! The blog has some really good tips on things to do in the city, including an excellent list of vegetarian and vegan restaurants!*
New York mag‘s site notes that visitors arriving back at the hotel after 1am must show id at the front desk- so no unregistered guests can join your revels.
It’s across the street from Carnegie Hall, and next to the Russian Tea Room. The hotel is also very close to The Art Students League, the classical atelier where I first started studying drawing at 10 (I used to take the subway there myself, can you imagine) and returned when I dropped out of Stuyvesant with my parents’ consent at 16.
“Excuse me, how do you get to Carnegie Hall?” “Practise!”
It’s near Coliseum Books, a large midtown bookstore. Paperbacks I shoplifted from there as a teenager include all the James Bond novels, one at a time, one per day, and the original 9½ Weeks, which is actually quite a disturbing little book.
As I was typing this and thinking about 57th st., someone walked by outside our ground-floor Berlin apartment playing the harmonica. Playing the harmonica intro to “Piano Man”, in fact. “Was that– ” my husband said. “Yep.”
During most of the 80s, my mom worked for Billy Joel. More precisely, she worked for his manager, Frank, whose trial and FBI investigation she was later deposed for.
Billy, however, was a sweetheart of a boss, who kept a bottle of high-end bourbon in the supply closet for the cleaning lady (“She needs to take a break too!”). And their office was just a block from Coliseum Books and the League; I must have passed the Salisbury Hotel a hundred times.
One time I’d stopped by my mom’s work after class. I was in her office, drinking Grand Marnier out of the bottle at her desk, and Billy stuck his head in looking for her. He saw me and gave me a big smile and a thumbs up.
In the 80s, nobody cared if a sixteen-year-old was day drinking in your corporate HQ.
Although the trip wasn’t in my mom’s wheelhouse I remember a lot of the details of Billy’s historic trip to Russia in 1987, including the food supplies- Christie was terrified of baby Alexa being exposed to irradiated milk, as it was not long after Chernobyl.
“The tour was controversial at the time because Joel was really the first American rock ‘n roll act to play in Russia after the Berlin Wall went up. It is largely credited as bringing rock ‘n roll to the young people of the communist country.
It was also seen as an enormous goodwill gesture. Joel lost hundreds of thousands of dollars of his own money on the trip, but he thought it was an important thing to do. Joel says that his whole point was to “make friends.” “Have them know what kind of people we are, make some people happy with my music and get something that can be continued more and more, maybe it’ll grow,” says the singer.”
If you’ve never seen any footage of Billy in Russia, it’s worth seeing. The goodwill shown to him had a huge impact on my ability to understand the humanity of the people behind the Wall of Communism. In the 80s, when a crack of thunder would wake me and I’d think for a disoriented minute that it was the first bomb, it was impossible to imagine an end to the Cold War.
I never imagined I’d be typing this just a kilometer from the Berlin Wall Memorial, and my cab driver never imagined he’d travel to New York in 1991. Or that he’d finish in under four hours!
*Sadly, the veggie restaurant I loved best, Arnold’s Turtle in the West VIllage, is long gone, as is Dojo on St. Mark’s where the veggie burger was so good. But macrobiotic Souen where friends of mine worked is still around, and so is Angelica, where hairy, scary hippies used to bully us Stuyvesant students to eat every single bite of our food because, the planet.
There is so much to do with a move like this for two people and two cats. Plus we’re both partially disabled and just don’t have the bandwidth some people do.
So it was only this Friday, three months after we arrived, the day after we got our two-year visa, that I finally made it to an artist’s networking event.
It was at ESDIP Berlin, a co-working space and art school in Friedrichshain.
I took the subway, even though the tram would have been more efficient, because I love the subway so much. Across from me there were three blond German kids; I noticed them because one girl had a face that interested me as a potential model. I don’t have cards yet though, and although I have been known to accost total strangers and demand they pose for me, I prefer to have a card to give them.
I got off at Frankfurter Tor, which smells slightly like pee, as do many Friedrichshain stations.
I deeply appreciated that the event didn’t start til 8, and when I got there at 8:30 everyone was eating delicious vegan food from Flambé. After staggering asthmatically up the eight million stairs, I entered the room full of young artists in full-on perimenopause hotflash hell.
Luckily, there was a gallery space serving as smoking room with open windows, and I saw a woman my own age, standing in one of them. I asked if I could share her window, since I was having a change of life moment.
She said in the most glorious, smoky, Marlene Dietrich voice, “Dahling, you know I understand you!”
I had a lovely chat with her, and then found a seat next to Clairikine, a transcultural maker of comics who I was delighted to meet. There is an incredible generation of young women in comics now, fearless and funny. They were never wounded by the battle to break in at the Big Two as I was, because they’ve never cared about working at Marvel or DC. They make comics and post them, and scrape together a living, and they don’t have to get sexually harassed by editors to do it.
That’s him in the top picture, Jorge Chamorro. I was so happy to be in a room full of artists, with beautiful work on the walls, with people holding sketchbooks, with people talking about making visual art. There were people from all over Europe, and of course plenty of Americans because there are Americans everywhere in Berlin, and everyone there cared about DRAWING. (And eating tasty vegan food. And drinking beer, or delicious Fritz-Kola, like me.)
It was like taking a bath in hope and welcome, especially because of the usual ghastly Berlin humidity.
The presenters were from Spain, France, Scotland and Germany; I was enchanted by French animator Perrine Marais and her fucking adorable mobile game, Pony Style Box. I was also impressed to see that “Kommunikations Designer” Jonas Heidenreich has solid actual drawing skills under his graphic design chops. I don’t think they teach drawing to design students in the US anymore.
I felt like I was in an environment where traditional draughtsmanship was actually valued, for the first time in decades.
I drew this picture below after the talks were over, especially for one of my patrons, since she has a taste for a certain look in boys.
I headed home early, just past midnight, because I’m an old, but I was deeply glad to have gone and so excited about art in Berlin.
I stopped at a very cool little crepe shop and bought two goddam excellent macarons, for just €3, and on the subway I saw the three blond kids again, sitting across from me again. “You guys were–” I said, laughing, and they said, “Yes! Berlin is small.”
Berlin is an amazing combination of good-citizen law-abidingness and cavalier scofflawry.
Obeying the law seems to be, iike many things in Germany, left to your good sense. You may have read that German people will shout at you if you cross the street on a red light; one phrase that they shout translates to “Think of the children (you monster)!”. It’s not actually so much about obeying the red light as setting a careful example to kids.
Besides, nobody in Berlin is in such a hurry that they really need to jaywalk.
The European sense that the law should be obeyed when appropriate and disregarded otherwise is particularly noticeable on the public transit system. Technically, it is illegal to eat, drink, drink alcohol or smoke on the U-Bahn, S-Bahn, trams and buses. Absolutely everyone ignores this.
Since you can get an espresso, a noodle stir-fry and a six-pack on the subway platform, it’s not difficult.
(You can also get a pack of cigarettes, from an actual cigarette machine, but I haven’t seen anyone smoking on the transit system yet. )
You’ll be on the bus and someone will be eating a pastry; the person across from them will notice and remember that they have a sandwich in their bag. Pretty soon everyone is crunching away.
Here you see a picture of a girl cheerfully eating french fries- which you will note are SPECIFICALLY forbidden- while the ticket inspector gives her friend a ticket for riding without one, which everyone does all the time, of course. You can see my hand drawing the U-Bahn signs, which are hidden by the ticket inspector’s head.
I was waiting for her to offer him some fries, but she rudely did not.
I love all this lawlessness, of course. One of my patrons requested that I make some work about the similarity between Berlin now and New York in the 80s, so I drew this picture of me and my best friend Skenney and our friend Naomi on the subway in 1982 or ’83. We used frisbees as drink trays during our “Mobile Tequila Sunrise” phase; you can see Naomi is daintily adding the grenadine.
These embroidered insects are the thing I’ve been working on the most for the last two months, since we got to Berlin. Embroidery is a wonderfully portable art form because it’s very cheap, has a tiny footprint and doesn’t risk mess-making like painting does.
I loved embroidery as a teenager, but it took a craft day at a yoga spa with porn stars to get me doing it again in my forties.
During my years as a sex-positive artist in the Bay Area, I did a lot of work with Madison Young. I’m so very grateful to have had the opportunity to participate in shows and performance art at her gallery, benefits she produced for sex-positive institutions, and shows her gallery arranged for me. (you can see some of the work here- NOT work-safe, and you’ll need to be signed in to Flickr with the adult safeties off to see some of it.)
One of the things we did was a day of handwork in the backyard of a fancy yoga place. As I recall the work produced was to benefitLyon-Martin, and was exhibited there. Kira Scarlet, the lovely lady shown here, brought embroidery supplies and re-taught me how to do it.
When I went into remission from depression, I started to play around with needlework. You can see my last couple years of embroidery work here.
Thanks to PInterest, my embroidery has been inspired by Game of Thrones.
Original embroidery art by Michele Carragher for HBO’s Game of Thrones
No, that doesn’t mean *spoiler* has *spoilered* my *spoilers*.
Instead, I discovered master textile artist Michele Carragher, who does all the embroidery for the costumes on the show. She is very generous in sharing her process and techniques, and there are lots of pictures of her work on her site.
Her work with sheer fabrics and metallic lace is amazing. I was inspired to start using organza, lace and tulle as well as beading and ribbon in my needlework.
This mermaid is the first embroidery I did with mixed media. It was the last thing I worked on in the Bay besides the three portraits I finished in March, and I was working on it til our last week- I think it actually got packed the day we left.
All the materials were leftover from my insane mermaid costume project. The ribbons and net were burned and torn to distress them. Eventually she’ll have clamshell sequin pasties but I couldn’t find them in the chaos of final packing.
One of the ideas I’m interested in is using tulle or net as a callback to Zip-A-Tone, a 20th Century artist’s material now completely obliterated by Photoshop.
Also, bead embroidery is my equivalent of smoking pot- it is relaxing and meditative and luscious to me. Here in Berlin, I didn’t have my stash of beads and fabric, but you can buy oval hoops in the craft store! Oval hoops are the business. My art materials stash has been growing thanks to a friend who is both generous patron and muse, and I bought some German metallic thread.
“This is way better than regular metallic thread”, I said to my artist sister-in-law over Skype. She said, “You mean it’s only the seventh circle of Hell instead of the ninth?” Exactly!
You can see the layers of metallic lace and organza ribbon in this bug- and also its surprising Fauvist palette.
People who have only seen my paintings from 2005 on might be surprised to know that my earliest paintings were all in the colors of Gauguin and Matisse, not Manet. The mantis was inspired by the poetic bug photographs of Igor Siwanowicz.
Also, I have been obsessed with mantises for a long time. Creepy.