Category Archives: Embroidery &Mixed Media Art

Beauty is my medicine: Making pretty things for comfort.

 Embroidered insect by Suzanne Forbes 2017 Embroidered insect by Suzanne Forbes 2017This is the second large embroidery piece I started and finished this month.

I did this one mostly over the Women’s March Weekend.

 Embroidered insect by Suzanne Forbes 2017

It’s super pink!

embroidered insect by Suzanne Forbes 2017 work in progress   embroidered insect by Suzanne Forbes 2017 work in progress

I really need to make things of beauty at dark times, when I’m not personally depressed but the world is frighteningly fucked up.

embroidered insect by Suzanne Forbes 2017 work in progressI’ve been posting snippets of my works in progress and moments in the life of a working artist, plus kitties, on my new Instagram account. People seem to appreciate seeing art a lot right now.

I hate being in the ecosphere of a Zuck property, but it’s the best place to keep up with my loved ones these days, and an amazing place to connect with what other artists are doing.

Maybe I’ll see you there!

Fearless Pink Gay Santa and his Jolly Ally Reindeer: a holiday dream of love.

Fearless Pink Gay Santa by Suzanne Forbes Dec 2016I got this pink Santa, with his lavender combat boots, in the 75% off bin at a Beverly’s store in Alameda.

Fearless Pink Gay Santa by Suzanne Forbes Dec 2016I had to have him, obviously, and I had a vague notion he could hang out with my Snow Queen and her reindeer, when I finished her.

That was in 2014, and I’m hoping to have the Snow Queen done by my 50th birthday on January 8th of 2017. Projects take what they take, it’s fine.

Meanwhile, a couple weeks ago I found these adorable fuchsia flock reindeer at TK Maxx, the German version of TJ Maxx. They were 1,99! Obviously, I was supposed to buy them.

As soon as I got them home I knew they were Pink Gay Santa’s reindeer.

But they needed to be fancified. Ever since I finished my workshop I’ve been tearing through long-unfinished projects, because I have instant access to all my lifelong hoard of materials. Every bit of ribbon I ever saved, every scrap of velvet, every tube of fingernail decals.naked-reindeer-editedpink-gay-santa-in-process-suzanne-forbes-edited

I’m like a cross between Smaug and Divine.

santahacksaw-editedI had to use a hacksaw on Santa’s base to fit him into the sleigh, then build the fur trim on his coat to fit the sleigh with epoxy clay.

I was so inspired in this project, and all my bricolage work, by Elizabeth McGrath. I discovered her in Culver City in 2005 at her exhibition Altarwise by Owl-Light.

I feel like she really opened my eyes and my heart to the idea that art could be both silly and mysterious, glittery and meaningful, pink and terrifying.

I love her work for showing me serious art can be completely covered in Swarovski crystals and fake fur, and for its mythic stories and secret chambers of hilarious fucked-upness.

I got on Instagram recently, and starting following her and other “Pop Surrealist” or “modern Outsider” artists. I found Mab Graves, who also makes pink things that are scary, and can both draw superbly and sculpt/make/craft. I discovered the astonishing work of Caitlin McCormack, who crochets skeletal creatures out of dissolving lacy thread. I get to keep up with the work of Jessica Joslin, an art hero of mine for years.

I’ve been finding a web of validation and confidence in the work of women artists who are successful making art that is both pretty and hideous, cute and political.

reindeerpartway-editedI’ve had so much to do the last couple months, and I’ve been so shaken by the terrible events in the US.

I fell into the sweetness and hope and joy of this project like it was a feather bed. Doing anything else felt overwhelming. Though of course I did a lot anyway.

I’ve felt that my job as a working artist who simply does some work, any work, was so essential these last five weeks.

Maybe it’s foolish to think art matters at such a precarious time, but you know, I live in Berlin.

I’ve felt a deep desire to renew my commitment and lifelong work of supporting visibility for the “othered”. I want to spend 2017 documenting queer and trans life with more beauty and tenderness than ever. I know how much the work of the Weimar artists mattered, and I am inspired to try and matter too.

Fearless Pink Gay Santa is a vision of hope and love, the Santa I pray will land lightly on a million roofs this year. He is photographed with one of my mom’s beautiful crochet pieces!earless pink gay Santa by Suzanne Forbes December 201

His list holds “Safety”, “Freedom to Love”, “Marriage Equality”, “Health Care”, “Kids”, and space for other things.

I’m mostly just an ally; I can’t know what LGBTQIA people are putting on their wish lists this year. I’ll be listening, though.

Sacred Heart: Only Love.

I started working on this project after the tragedy of the US election.Sacred Heart mixed media milagros by Suzanne Forbes 2016

This piece is about how our love and passion and true, yearning hearts are indelible, unsurrendered.

I had no idea when I started it how it would be transformed by fire. I was already so desperately, wildly grateful to be here, to have escaped the unbearable precarity and pressure of Bay Area living.

“I feel like we were pulled from a burning building”, I wrote in my journal just two weeks before the Ghost Ship fire.Sacred Heart mixed media milagro by Suzanne Forbes 2016

There has been a terrible tragedy in the artist community in Oakland. We lived there for years, and it could have been any of us, or any of our friends, any time.

Sacred Heart mixed media milagro by Suzanne Forbes 2016The situation is devastating and unbearable. We could barely save ourselves from it; we needed every ounce of help our community could give to get to a far safer home in Germany. And yet all the strength, all the great love in my heart, is bound up with our loved ones there, and I yearn to see them safe too.

I made this heart and frame and framed two others while I was thinking about that fierce love we have for each other and our work.

It is a prayer that we can fight to keep doing what we must, despite the election results, despite everything. A prayer for our community to find the strength to keep going in the new USA.

The Oakland Ghost Ship Fire is a synecdoche. It is what it is, and it is everything about the life of artists in the United States.leonard cohen album cover

The older generation of artists and musicians is dying at a shocking, anguishing rate this year.

MIlagro_Heart_Embroidery_Suzanne_Forbes_2015We must save every single one we can of the new generations. All I can do is help you with bureaucracy if you move to Berlin- but I will help with that! Come to our house for a moving-to-Berlin workshop on New Year’s Day, if you’re in Germany for CCC.

People are creating fantastic tools to help people take action to become safer in DIY spaces. These tools are priceless.

Please remember, though, that the disabled, the disenfranchised, the traumatized, the depressed, the sick, are limited in how much they can use tools.

We do our very best, always; we’re exhausted, not lazy.

Those who are feeling stronger can help by setting up support teams and buddy sessions to facilitate making spaces safer.

It’s always easier to deal with someone else’s problems; make a commitment to help a friend go over their space for risk factors. Ask a friend to role-play negotiating with a scary landlord with you. Form a triad of mutual support and meet weekly with two friends to work on your safety action list.

Understand that those who are fighting daily to survive need help to do anything more than they’re already doing.

“People will always seek what spaces like Ghost Ship offer,” Aaron Muszalski, an artist who has spent the past two decades living and working in warehouses across the Bay Area. “What we need are solutions that don’t seek to eradicate these spaces, but which allow them to come safely into the light and support them economically in becoming safer and more accountable — something that is impossible so long as we pretend they don’t exist.”

-Aaron Muszalski interviewed in The New York Times.

The YouCaring fund for the survivors and families of the fire victims.

Ian Baker’s fire and emergency safety for warehomes post.

Gui Cavalcanti’s guide to fire safety in industrial spaces.

The response site SaferSpaces. Harm Reduction for DIY Venues google doc.

Gabe Meline on KQED, It Could Have Been Any One of Us.

About the human beings lost, and why they chose to be there at that moment.

I copied the idea of making a frame from a candy-box heart lined with velvet from my beloved friend-muse-Patron Monique Motil. She does it with far more richness, beauty and mystery than my little attempts; you can see her mandala-form meditations on love and death in heart-shaped boxes here. I find them deeply consoling and spiritual.

 

October/November bricolage roundup: More Extreme Gothic Crafting.

Between Halloween and the Orange Catastrophe, I never posted most of the things I made in October.OctNov Bricolage Suzanne Forbes

And of course I’ve been making more in November, because handwork is my safe place.

Suzanne Forbes crazy quilt mantel scarf Halloween 2016I worked on the beaded crazy quilt mantel scarf for quite a while after Halloween, once I finally got my sewing machine working here.Suzanne Forbes crazy quilt mantel scarf Halloween 2016

You need a step-up step-down transformer to operate a US sewing machine in Germany.

However my machine is a computerized one with great automatic thread tensioning and I was terrified that the sheer power of European wall current would fry it. Finally I nerved myself up, plugged in the transformer and it was fine. The transformer gives off a bit of a chemical smell as it heats up, but that kind of thing never bothers me.

I’m still a raging helpless amateur on the sewing machine, anything I sew looks like wombat knitting.

Of course, I’ve spent a lot of time around extraordinary couture seamtresses and costumiéres, and I know I’ll never be even a regular competent sewer. But I don’t care. Using the machine makes me feel powerful and capable and it’s just so magic and fun.

My plan is to take the mantel scarf out before Halloween every year and add more beading, embroidery and quilting.

Halloween mini top hat project Suzanne Forbes

Halloween mini top hat project Suzanne Forbes

 

This hat is one of my “Uplift” projects. I found it in a 75% off bin at Michaels the fall before we left, coming apart, and threw it in the “Halloween Crafts on Arrival” box for the shipping container.

I love to carefully glue crappy things, and fix their carelessly made bits, and then add hours of careful crystal decoration and a vintage jet bead. I had these rooster feathers that precisely matched some scraps of sequin in the sequin trim scrap bag I got at Discount Fabrics for $5 years ago. Isn’t that nuts how they match?

black-horns-suzanne-forbes-2016black-horns-detail-suzanne-forbes-2016

I also spent a lot of time adding Swarovski crystals to a deer skull.

gilt horns Suzanne Forbes 2016And gold leafing another skull. I used this weird star-patterned variegated gold leaf I got at Idée for super cheap; with my usual fingerpainting leafing technique, it didn’t really show.

After I leafed it I varnished it with acrylic glaze, then rubbed the still-tacky glaze with this pure bronze pigment powder. I bought the jar at the art-school art supply store in college in 1990 ’cause it was in a discount bin; I’ve still barely made a dent in it and I have used it for SO MANY THINGS.

Daria thought the black crystal-decorated skull was a little passé. Like, so gothsterday. Ah well, there’s no pleasing the young.

I also cleverly framed this creepy eye I painted back in February in this creepy frame.Eye painting by Suzanne Forbes 2016

passementarie-embroidered-pillow-editedCreepy, right? And I did the first test of using my machine to add passementerie trim to one of my pillows that for some unknown reason, did not already have trim on it.

I had been feeling bad for this poor, undecorated pillow for years.

target-halloween-talking-old-time-radioAlso, I got this incredible animatronic talking vintage radio at Target in the US in September, and carefully brought it home.

halloween-haunted-radioHowever, it needed work; both Daria and I felt that the way the lights flashed around the top was overkill and not so nice.

So I painted the white faux-Bakelite strip black, applied varnish, roughly gold-leafed it with the same cheap variegated leaf, then used the bronze powder on it. And then Daria distressed it with more black paint, because she said it was still too glitzy. She was right, of course.

making cupcakes Suzanne Forbes 2016I probably would have made a lot more stuff in October, but I was really busy baking for Halloween.

And in November I was so stressed before the US election and so gutted afterwards that I lost a lot of creative time. And Leonard Cohen died. What the fucking fuck, 2016.

I’m trying to catch up.

At least cats are on hand to supervise.Halloween cupcakes Suzanne Forbes 2016
cat-supervisors

Halloween Doll Custom: OOAK Bride of Frankenstein!

I made a fabulous gothic burlesque outfit for my Bride of Frankenstein doll!Suzanne Forbes Sideshow Bride of Frankenstein custom

Suzanne Forbes Sideshow Bride of Frankenstein customSuzanne Forbes Sideshow Bride of Frankenstein custom doll corsetI just finished this project barely in time for round one of our Halloween week celebrations, and I am so proud of her!

This is a Sideshow Collectibles Bride of Frankenstein that i’ve had for like a decade.

I originally got her mostly for her laboratory accessories, for my dollhouse laboratory.Suzanne Forbes action figure dollhouse laboratory

Young Elsa Lanchester Burlesque RevueI loved her face, but the slightness of her base figure model and her outfit, though very screen-accurate, bored me. Elsa Lanchester is just much more fierce.

I wanted to reference her dance training, her cabaret and Victorian numbers from her burlesque revue days.  She and Madeline Kahn had so much in common as performers, and yet you only see a glimpse of it in “Bride of Frankenstein.” She plays Mary Shelley as well, in the “Bride” prologue. Shelley calls her “an angel”, and the devil is the corner of her mouth as she smirks, “You think so.”

Sideshow Collectibles Bride of Frankenstein Doll or action figuremadeline-kahn-young-frankenstein

 

I always had the idea I’d do a custom outfit for my Sideshow Bride, something sassy and exciting.

As I began to make my Horribella dolls, I amassed tiny doll-making trims and miniature buckles.Suzanne Forbes Sideshow Bride of Frankenstein custom doll corsetSuzanne Forbes Sideshow Bride of Frankenstein custom doll corset

Suzanne Forbes Sideshow Bride of Frankenstein custom doll bootsI got stuff from model horse tack suppliers Rio Rondo (boy, don’t try to load that site on your phone!) and BJD clothing-making suppliers all over the world.

I got amazing tiny silver leather trim from a handbag company in Los Angeles. I saved every bit of ribbon from every bag of fancy cookies, every inch of silver elastic from a dress tag, for my Snow Queen project (reveal next year!). For my mermaid doll and my corset customizing projects I got a zillion different kinds and sizes of Swarovski crystals, beads, sequins and chains.

I learned how to bulk out the hips of a figure and smoothly sculpt them with epoxy clay when I was making the tiny doll corsets for my Horribella dolls.

I give them big curves to match the silhouette of a Modern Edwardian underbust, my own favorite corset style. Then I draft a tiny corset pattern and cut and glue a miniature corset over them.

Suzanne Forbes custom doll corset

Suzanne Forbes Sideshow Bride of Frankenstein custom

Now that my workshop is complete, I keep powering through long-awaited projects.

So I finally made my Bride of Frankenstein Gothic Burlesque Elsa Lancaster Showgirl!

Isn’t she marvelous?

 

Beadwork in Progress- Halloween crazy quilt mantel scarf and leaf corset.

Halloween spider bead embroidery by Suzanne Forbes 2016When we got back from the US last week I yanked the box marked “Halloween Craft Projects” off the shelf and tore into it.

Halloween spider bead embroidery by Suzanne Forbes 2016I was basically crazed from exposure to American craft store Halloween displays.

The first thing I wanted to work on was beading this mass-market Halloween mantel scarf or banner that I bought at PierOne during an after-Halloween sale for my usual 75-90% off.

This is what I call an “Uplift” project, after the science fiction novels by David Brin.

I have never beaded anything as fast in my life as I did this project.

I love taking commercially made items that I bought for almost nothing and investing hours of meticulous labor in making them more beautiful.

Halloween spider bead embroidery by Suzanne Forbes 2016It’s obviously fraught to buy mass-produced items in the first place; I always think of the person who made them.

I wonder how my buying these items at the end of their retail life, when they have basically become junk in the eyes of the retailer, impacts the commercial production cycle in other countries of Halloween crap for American consumers.

Halloween spider beadwork and beaded leaves by Suzanne Forbes 2016I don’t know the answer, but I do feel a connection when I do this, like my labor and the mystery factory worker’s labor is of equal value.

As if by adding hours of my highly trained privileged-artist love-labor to their object of work, I’m giving it more space in the world. A better chance of lasting.

As you can see I’ve also been working very slowly on the beaded leaf corset project.

I made the perhaps injudicious decision to individually bead some of the velvet leaves. And hand apply glass hotfix rhinestones to them. Heaven only knows how far I’ll go down that rabbithole.

I have an Instagram now, where you can see the delightful loot haul of green beads and crystals I recently obtained for the leaf corset!

September bricolage roundup- frames and framing!

creepy Halloween bug frames by Suzanne Forbes 2016Lots of frames!

postcard-back-editedI am always catching up on framing. I wanted to frame two of the lovely drawings of me by students from the ESDIP Summer Illustration Program, as well as more creepy dollar store lenticulars I brought from the US for Halloween decor.

And I finally found a copper frame that was just right for this postcard from beloved friend-muse-Patron Audrey Penven‘s 2011 show.

Floating frames are perfect for postcards because you can look at the back as well. blue frames

For the student’s drawings I bought frames that were blue to start with, since they would be going in the salon.

(I have a gallery of portraits of me drawn by other artists, because I really believe in portraiture for life documentation. “I’m not just the President, I’m also a client!”.)

I wanted the frames to be a little more special and integrate with the mostly silver and gold existing frames, so I silver-leafed them.

To give the glossy frame a little more tooth on its surface, I scuff-sanded it with a nail file.silver-leafingsilver-fingertipsThen I quickly glazed the frames with some clear polyurethane craft varnish (I was out of my other clear glazing mediums) and stuck bits of silver leaf all over them.

My VERY unorthodox method is to then tap and rub the leaf on the still-sticky frame, picking up bits of leaf with my tacky fingertips and tearing the pieces already attached.

Once I had a nice pattern of distressed leafing, I mixed up a little acrylic paint and used a sponge brush and my fingertips to roughly add some variegated color that partially obscured the leaf.

I found the blue plastic adhesive-backed curleques, made for scrapbooking, when I pulled out the leaf package, so I threw them on there too. More rococo!adding-curliques

safety-third-editedOnce I was done with the painting and the frames were dry, I gave them a thin coat of translucent pearly-gold craft acrylic.

Please note that as is the tradition of my people, I completely disregarded the safety instructions on the back of the large frame. Safety Third!

I’m pleased with the results and happy to have my students’ work hanging in the gallery. Viviane is impressed with my efforts as well, apparently.leafed-frames-edited

Meanwhile, I was also working on the Halloween projects.creepy Halloween bug frames by Suzanne Forbes 2016bug frame in progress by Suzanne Forbes

salt-and-watercolor-mat
rhinestone flourishesFor the frames, I used the last of the laser-cut wood frames I bought at Michael’s a couple years ago. 

I had painted them black in Oakland, so I just needed to add some black bugs and some of these pre-formed glass rhinestone motifs.

I find these “rhinestone flourishes” useful for Extreme Crafting situations, where you have multiple projects going and need to bust out some finished projects tonight.

creepy Halloween bug frame by Suzanne Forbes 2016creepy Halloween bug frames by Suzanne Forbes 2016I cut the designs up and move them around as needed, and supplement with actual glass hotfix rhinestones from my stash to finish the details.

I also take a brush and quickly paint black over the most obvious areas of the vinyl adhesive strip that the crystal “flourish” is on.

The greenish bugs had white undersides, so I dry-brushed them with black at the same time to help them integrate into the frame.

I painted the whole green bug frame with multiple coats of Plaid FolkArt “Extreme Glitter” (hey, that’s what it’s called) transparent acrylic glaze with glitter.

creepy Halloween bug frames by Suzanne Forbes 2016I’m not generally a fan of the “craft” acrylic paints that come in bottles for anything, but I make an exception for sheer glitter, metallic or pearl glazes.

They go on very smoothly, they’re buildable and the tough, rubbery finish stands up to household use. If I could paint my hair with them, I would.

Next month’s bricolage roundup will be all Halloween, all the time- I’m working on half a dozen other Halloween projects besides the beaded mantel scarf I’ll post tomorrow.

 

Horribella Mark V, a hideous Gothic-Rococo Dolly!

Horrible dolly sunlight shot Suzanne Forbes Sept 2016I had absolutely no intention of making another Horribella at 8pm last night.

Horrible dolly miniature corset laces Suzanne Forbes Sept 2016I particularly had no intention of using a single strand of embroidery floss to make tiny corset laces and tying tiny bunny loops with it, because I hate tying the tiny bunny loops. I went out the door for a night walk, and wandered a few blocks to the main shopping plaza.

I “accidentally” stopped in at TKMaxx to check out the Halloween stuff. There wasn’t much Halloween stuff (they get a little because they share inventory with the US TJ Maxx stores) but I saw this display cloche- with the base already painted blue.

Horrible dolly by Suzanne Forbes Sept 2016I had an instant vision of a Gothic Rococo Horribella.

Horrible dolly hero shot Suzanne Forbes Sept 2016The last one lives in the library, because she matches the colors in there; I suddenly wanted one for the salon!  I bought the cloche and a foot massager for the hubbin and hurried home.

Then I spent the next ten hours working nonstop like a fiend on the new dolly.

Even though I’ve been teaching, drawing, painting, embroidering and writing all month. I was so excited I never even took off my bra when I got home. Normally my front door is an Instant Bra Removal Field.

Making these dollies demands a kind of flow state where I grab things and glue things and melt things without stopping to think.

If I stop to think, I remember I have virtually no training in mixed media or sculpture and never intended to make this kind of art. So I don’t stop.

During the year of packing for the move, I had episodes where I managed my stress by meticulously, dementedly organizing every scrap of craft supplies I own. It was not an efficient use of my time, but it kept me sane. I had a vision of using all this stuff, in Berlin.

dollmaking worktable Suzanne Forbes Sept 2016Horrible dolly back with miniature corset Suzanne Forbes Sept 2016That meant when my workshop was finished, all I had to do was pop all the neatly bagged/sorted/labelled supplies into the drawers, and I now know where everything is.

My workshop is a decent imitation of the greatest art & crafts workshop I know, that of my friend Monique Motil.Horrible doll wings Suzanne Forbes Sept 2016

I’m busting through projects and finally, finally using things I have had for years. Decades.

I used four different scraps of wired pink French ribbon on this dolly, and two of them dated back to the craft projects for my first marriage.

These scraps of ribbon have moved from St. Paul to Hartford to DC to Arlington to Alameda to Albany to Berkeley to North Berkeley to Albany to Oakland to Berlin. They have been in storage three times. I’ve had fifteen apartments, dozens of jobs, and three husbands.

Horrible dolly salon Suzanne Forbes Sept 2016

You know what’s fantastic about getting older, being happy and feeling safe?

Horrible dolly in salon Suzanne Forbes Sept 2016You can finally say, if not now, when? If not me, who? There will never be a better project to use any of these things on than the one in front of me right now.

Every piece of ribbon from a present I carefully saved, every pair of feet I cut off a plastic monster or pair of wings I cut off a plastic bug- all of this stuff is going in the hopper. I used a satin-covered button from a silk nightshirt I owned in 1992 to make the base of this Horribella’s hat. It took four tries, four little pieces of embroidered stag beetle ribbon used up, to get it to look right.

Don’t care! It’s my weird stuff and my weird lifelong decorator crab shell of crap, I’m gonna use it all!

Horrible dolly Suzanne Forbes Sept 2016I used eleven different ribbons/trims, four adhesives, epoxy clay, primer, spray paint, plastic toys, nail flocking powder and parts of three plastic bugs to make her, and I think she is the best Horribella yet. She is truly a Horrible Dolly. I am going to make all the horrible things.dolly feetz Suzanne Forbes Sept 2016

dolly spider Suzanne Forbes Sept 2016I didn’t just make a new Horribella last night.

I also started a hideous Spider Lady with monster feet. She is going to be truly dreadful. I have lots of tutorials to study on my dollmaking Pinboard!

Look for continued unpleasant doll developments this September.

As always, when I make a doll I am deeply indebted to the incredible inspiration of Monique, creator of the incomparably creepy and beautiful Sartorial Creatures.

WIP: beaded green velvet leaf pagan Mayday corset!

This corset is one of those projects I’ve been planning for years.beaded corset WIP Suzanne Forbes 2016

beaded corset WIP Suzanne Forbes 2016I brought all the raw materials for it to Berlin in the shipping container. It took a decade to collect all the velvet leaves, beads and leaf-shaped lace.

I have no idea what I’ll do with it when it’s done. Who cares, it’s the making of it that’s the incredible joy.

Maybe we’ll have a Midsummer dinner party and I’ll wear it, maybe I’ll get a red wig and go to some comic thing as Victorian Gothic Poison Ivy.

.beaded corset WIP Suzanne Forbes 2016 This is my third heavily beaded/embroidered corset project, and I’ve learned a few things. Such as to do the heavy beading on a sheer fabric on a hoop first, to save wear and tear on my hand/wrist and reduce the amount of crappy random stitchery on the back. (You can see the previous two corsets here. The blue mermaid one is the same corset model as this one.)

I learned this from the generous and amazing website of Games of Thrones textile artist Michele Carragher. She creates the incredible, breathtaking detail of the costumes for GoT and other productions.

If you have never looked at these works in detail I cannot encourage you strongly enough.

I love Michele Carragher’s work and the way she is so generous in sharing her process.

I love her story because although she has a degree from the London College of Fashion she also has had a somewhat meandering career and is suddenly achieving great success well into her professional life. I wonder if she has a helper like I do?beaded corset WIP Suzanne Forbes 2016 helper

An off-the-rack corset like this one from Orchard Corset has only a 10-12″ difference between waist and hips, so I have to modify it to add an additional four inches at the hips. That will be the next stage, after I finish seasoning it. I don’t usually bother to season corsets, because I’m lazy, I have a very corset-shaped body and I know exactly how to buy an OTR corset that fits me really well. (Don’t be like me! Season your corset!) In this case however I want to make sure changes in the shape happen before there’s additional decorative stitching, so as not to strain it. I started the beading first though, cause I needed its comforting, trancelike pleasure.

Although my daytime PTSD symptoms are much better now that the anniversary of Rob’s death and San Diego has passed, I’m still having sleep trouble. I have been kicking my husband awake fighting off nightmare assailants. I have to be very careful about how much I embroider since the tendonitis problems of 2013, but I’m clocking as much as I can.

I am so grateful I can work on this wonderful, soothing project. Hope you like it so far!

Is this prettiest creepy thing I’ve ever made? I think so!

Suzanne Forbes beaded beetle August 2016I’ve been pretty much reeling with exhaustion after the sprint to finish (95%!) the house for the party, so I haven’t done that much art this month.

Suzanne Forbes beaded beetle August 2016I opted to ease back in with bead embroidery, which is the most pleasurable creative work imaginable to me.

Painting a portrait for me feels like a mix of a final exam you’re decently prepared for, a job interview ( I like job interviews though), a workout-to-exhaustion with weights, and learning to rollerskate (which I have not succeeded in).

Making a drawing varies from feeling like going to the office midway through a tough project that you have a good handle on, with co-workers you like, to going to the gym for aerobic exercise (which I hate doing but never regret having done).

Bead embroidery is like a cross between eating a delicious black-currant mousse cake and getting a back rub.

Suzanne Forbes beaded beetle August 2016I’d say it’s my version of smoking pot, except I quit smoking pot when I was fourteen because it did NOT agree with me- I fall in the very paranoid from thc camp. After the very, very bad month I had in July with PTSD and nightmares, I needed soothing art-making, and this project delivered.

I’m thrilled with how the flourishes of beadwork on the sides came out- I foresee quite a foray in this direction.

This one is not for sale, as I chose the colors specially for the salon, using the very last scrap of lime velvet from Aimee‘s grandma’s garage, but I could easily (and pleasurably) make similar ones, in the color themes of your choice.