Tag Archives: acrylic portrait painting

Work in Progress: a second sitting for Q and Companion.

q and p Jan 2 2018 by Suzanne ForbesFinally got a chance to have another sitting with our friend Quinn and her companion.

CU WIP Q and P by Suzanne Forbes Jan 02 2018Who I refer to as P. or PASR, which is a private joke between two women nearly of an age. We are both much alike and extremely different, she and I.

We’ve had uncannily similar traumas, and we each have our own ways of surviving them. She is completely an LA girl, and I am a New Yorker for life, but we are both robust survivors, absurdly resilient and determinedly creative.

I posed them in the library instead of the salon because the palette suits her Autumn coloring best; this sitting was extra special because her extraordinary child was with us. Ignoring us, like any reasonable teen would!

The day before we painted I said to her, you were one of the reasons I gave my guy a shot.

I figured any guy who had a woman friend like you had to be a guy worth checking out.

“Remember what I said when you got married?” she said, and we laughed. Knowing remarkable people over a lifetime is the first greatest treasure of life. Watching their remarkable children grow up is the second greatest.

Detail WIP Q and P by Suzanne Forbes Jan 02 2018

My big new portrait finished and hanging at Ludwig!

Portrait of Rah Hell by Suzanne Forbes Aug 2017I am so proud of this painting of Rah Hell I hate to be separated from it even to exhibit it!

painting of Rah Hell by Suzanne Forbes at Ludwig photo by Suzanne Wegh

Rah Hell by Suzanne Forbes at Ludwig. photo by Suzanne Wegh

Rah Hell ukelele from portrait by Suzanne Forbes Aug 2017However I am thrilled to have it shown at Ludwig, where Thorsten took such great care in hanging it and positioning the lighting.

Ludwig is a beautiful queer space in Neukölln where art is really respected. I was so grateful to see my work handled with care. It will be the first thing visitors to our show this Saturday see upon entering!

Portrait of Rah Hell by Suzanne Forbes Aug 2017 black and white versionIt is the first big personal project portrait I’ve done in Berlin.

I see it as a companion piece, à pendant, to this big portrait I did of friend/muse/Patron Khris Brown in 2005, when I had just returned to painting after a thirteen-year hiatus. This portrait, one of many I did of Khris, is probably my favorite thing I’ve done to date. And this picture of Rah is right up there.

Portraits by Suzanne Forbes 2005 and 2017I painted Rah on a pink ground.

That means before she arrived, I painted the primed canvas an allover bright pink. I used to do this occasionally in college, but had forgotten about it until I saw the work of Natalia Fabia. She is one of the wonderful modern figurative artists I’ve discovered on Instagram. She very often paints on a pink ground.

It adds so much warmth, plus serving as a light mid-tone. Not entirely unlike the many drawings I’ve done on Kraft paper in the last few months! Since I paint alla prima and leave a few areas of bare canvas on every painting I make, you can see the pink peeking through at the edges.

Modern technology makes it so easy to photograph your work, even if you are as bad a photographer as I am.Portrait of Rah Hell by Suzanne Forbes Aug 2017 detail

I’m amazed at how easy it to record and share my new pieces. You can see the details of how I paint easily, the scumbling and bits of impasto. I used quite a bit of gel medium in this work, to get translucent layers that would capture Rah’s luminous youth. Young people’s skin has so much subsurface specularity!

You can see it in progress here and here.

This painting didn’t exist a month ago, and now here it is, on the internet and hanging at Ludwig. My Patrons made it possible.Portrait of Rah Hell by Suzanne Forbes Aug 2017 detail

I’m incredibly proud of it and so grateful to Rah for posing for three long sittings. I am so very grateful to my Patrons who support me on Patreon and make it possible for me to do this work.

If you’re in Berlin, come see our show at Ludwig, opening August 19, 2017! Check out Rah performing in Donut Heart! Celebrate queer Berlin!! YAY!!!!

Big new portrait, coming along sweet!

Rah second sitting med by Suzanne Forbes July 19 2017Pretty damn pleased with myself and my amazing rockstar model @rah_fookinhell after our second sitting.

Rah second sitting by Suzanne Forbes July 19 2017You can see the first sitting here!

I love the small portraits I’ve done this year, every one of them. However this is the first large personal project I’ve done since moving to Berlin and it is thrilling.

Having a big canvas and a model who really fits my aesthetic is like a deep dive into the source of my strength.

I’ve struggled to find muses like my amazing Bay Area loved ones here. That I was able to find such great working chemistry with such gorgeous and powerful people seems like a miracle to me now. That so many made time to work with me, some of them over and over, was such a gift.

Nearly all my paintings these last two years in Berlin have been of Bay Area folks who were visiting!

In Germany, even in Berlin, it’s not as easy to ask a total stranger or acquaintance to just come to my house and sit still for hours.

Rah second sitting longshot by Suzanne Forbes July 19 2017I feel absolutely blessed to have met Rah, who has a true feel for the work and also keeps the same hours I do!

She is very young, as was my Never-Muse when I began painting her, and it is really fun to be painting a fiery young person again. I was able to work for four hours straight in the second sitting, which is a big deal.

The Great Recession, my last bout of severe depression and treatment, and my devastating second divorce seemed to have broken my strength as an artist.

I haven’t been able to paint for more than a couple hours for years. Let alone for for two or even three four-hour sittings in a day as I did in 2005, when I first went back to working as an artist and committed to portraiture. I finished dozens of paintings a year, along with hundreds of drawings, the first four years.

But in 2009 things were sputtering to a halt and in 2010 I was working for another startup. My two 2010 paintings, the couple 2011 and 2012 paintings, one 2014 painting and four 2015 paintings were done in multiple short sittings. I just didn’t have the stamina.

Now I am recovering, at last. Yesterday I taught gesture drawing class AND drew at an event for four hours. I know it’s my Patrons and the freedom they give me that’s making this possible.

I am so very grateful to my #Patrons who support me on @patreon and make it possible for me to do this work.