Tag Archives: art in berlin

Live Drawing at “Loving the Alien”, Monster Ronson’s Berlin.

Shlomi Wagner as Anastasia at Loving the Alien by Suzanne Forbes July 20 2017

Shlomi Wagner as Anastasia at Loving the Alien by Suzanne Forbes July 20 2017

I finally went to Monster Ronson’s!

Iggy swan song at Loving The Alien by Suzanne Forbes July 20 2017

Iggy’s swan song at Loving The Alien by Suzanne Forbes July 20 2017

After a year and a half of passing it whenever I went to and fro from teaching at ESDIPBerlin!

Loving the Alien by Suzanne Forbes July 20 2017I went with Suzanne Wegh, to see “Loving The Alien”, a musical that several folks I know are involved in. Delighted surprise when a woman I know was also manning the door!

Iggy and Mandy by Suzanne Forbes July 20 2017We were kindly seated in the front row, so I could draw.

It was a great show with really terrific songs, a cracking band and fabulous dancers.

Spaceman at Loving the Alien by Suzanne Forbes July 20 2017Lots of homage not just to Bowie but to other icons of glam like my beloved T. Rex.

Afterwards I went backstage and finished my drawings while the performers changed, just like Degas or Toulouse-Lautrec, except gayer and with more glitter!

Further info with performer name links as I get them sorted, the drawings are licensed Creative Commons Attribution NoDerivs and can be downloaded here.

Big new portrait, coming along sweet!

Rah second sitting med by Suzanne Forbes July 19 2017Pretty damn pleased with myself and my amazing rockstar model @rah_fookinhell after our second sitting.

Rah second sitting by Suzanne Forbes July 19 2017You can see the first sitting here!

I love the small portraits I’ve done this year, every one of them. However this is the first large personal project I’ve done since moving to Berlin and it is thrilling.

Having a big canvas and a model who really fits my aesthetic is like a deep dive into the source of my strength.

I’ve struggled to find muses like my amazing Bay Area loved ones here. That I was able to find such great working chemistry with such gorgeous and powerful people seems like a miracle to me now. That so many made time to work with me, some of them over and over, was such a gift.

Nearly all my paintings these last two years in Berlin have been of Bay Area folks who were visiting!

In Germany, even in Berlin, it’s not as easy to ask a total stranger or acquaintance to just come to my house and sit still for hours.

Rah second sitting longshot by Suzanne Forbes July 19 2017I feel absolutely blessed to have met Rah, who has a true feel for the work and also keeps the same hours I do!

She is very young, as was my Never-Muse when I began painting her, and it is really fun to be painting a fiery young person again. I was able to work for four hours straight in the second sitting, which is a big deal.

The Great Recession, my last bout of severe depression and treatment, and my devastating second divorce seemed to have broken my strength as an artist.

I haven’t been able to paint for more than a couple hours for years. Let alone for for two or even three four-hour sittings in a day as I did in 2005, when I first went back to working as an artist and committed to portraiture. I finished dozens of paintings a year, along with hundreds of drawings, the first four years.

But in 2009 things were sputtering to a halt and in 2010 I was working for another startup. My two 2010 paintings, the couple 2011 and 2012 paintings, one 2014 painting and four 2015 paintings were done in multiple short sittings. I just didn’t have the stamina.

Now I am recovering, at last. Yesterday I taught gesture drawing class AND drew at an event for four hours. I know it’s my Patrons and the freedom they give me that’s making this possible.

I am so very grateful to my #Patrons who support me on @patreon and make it possible for me to do this work.

Pride is Love. Pride is War. Pride is Warriors.

Wonder Woman at Berlin Lesbian and Gay Festival by Suzanne Forbes July 15 2017Pride is Warrior Princesses and Warrior Queens.

I went to see Donut Heart perform at the Lesbian and Trans* stage at the Berlin Lesbian and Gay Festival last weekend. The festival is one part of the Berlin Pride Month activities, which culminate next weekend in Christopher Street Day. It was a warm and wonderful crowd, a lovely joyful vibe.

I had a great time and was so glad I fought my fear of crowds and went!

Painting a new large portrait at last!

rah wip cu July 2017 Suzanne ForbesI am so excited and happy to be working on this portrait of amazing Berlin rockstar Rah Hell.

rah wip cu July 2017 Suzanne ForbesI met Rah IRL for the first time when she came to my art show at Tremuschi Ink.

Then I drew her performing in Donut Heart for their video release party and at Uke Boogie. We were talking about a plan to make a painting but had not sorted the details.

rah wip July 2017 Suzanne ForbesWhen I went to see Donut Heart again at the Lesbian and Trans stage at the Berlin Lesbian and Gay Festival last weekend, Rah was wearing the perfect outfit.

You all know how I like style and how a great outfit truly inspires me! I was like, would you please wear this awesome outfit to be painted and she said yes! She is wearing a sequined fedora, you will be able to see it better as I work on the details. We’re working again tomorrow, so there will be an update with the progress of this piece soon 🙂

yay I love painting portraits I love my life I love my Patreon Patrons who make it all possible so much!!

July unterwegs Nr. 1 – Love on the U-Bahn

love bugs by Suzanne Forbes July 6 2017I had to draw these two!

These beautiful mid-life German lovebugs were clearly tourists from a smaller town, consulting directions and reassuring each other.

tween by Suzanne Forbes June 20 2017 This poised tween was reading a paper book and wearing 80s style jeans.

Ah, the cycle of life.

You can see the drawings before adding mixed media on my Instagram, and previous unterweg drawings here:

June

May bonus round

May round one

April

March 2

March

January

December

November

Women make amazing tattoo art in Berlin.

Daria tattooing by Suzanne Forbes June 29 2017I drew Daria tattooing at Tremuschi Ink, the studio where she creates her works.

I swung for the fences with this one, and I kinda missed. To try and apply my new techniques of mixed media coloring to such a complex, detailed drawing – with such deep space!- was perhaps an act of hubris. I barely have a grasp of this new approach, and definitely don’t feel skilful in handling pastels.

And I absolutely loved the drawing in its original state. But I felt I had to see if I could make it even better. I’m not sure I did.

Daria tattooing by Suzanne Forbes June 2017 line versionLuckily, in a moment of foresight, I photocopied the original line drawing.

Drawings by Suzanne Forbes Berlin June 2017The scan is dark, because the photocopy picked up the midtone of the kraft paper, and I hadn’t finished drawing Daria’s tattoo machine. Someone with better digital editing skills than me can sort out the values, prolly.

I was quite scared to add the mixed media (pastel, oil pastel and markers) to the line drawing, and it took me almost a month to get down to it.

Rightly so; it turned out to be a bit beyond me to fully reconcile the values so the drawing reads well.

I kinda feel like I destroyed something I really liked, and that’s good. You gotta kill your darlings in the art biz.

After all, I can always make another drawing of Daria making a tattoo. And I want to go back to Tremuschi and draw Vivi tattooing too, when she gets back from her tattoo cons of Europe tour! I might do a whole series of drawings of women tattoo artists of Berlin!

Huge bead embroidery project finished: my Green Woman bead embroidered corset.

Beaded Green Woman corset by Suzanne Forbes June 2017Wow, this was a big project!

Green beadwork corset by Suzanne Forbes in our library May 2017Green beaded corset by Suzanne Forbes May 2017This bead embroidered, velvet leaf-covered corset is the second to last of the now-finished project “kits” I brought in the shipping container from the Bay Area.

(The Golden Jubilee insect carriage was the very last of the dozen or more projects! They’re all done!! I am amazing!! Sometimes both life and art are long!)

Bead embroidered green woman corset by Suzanne Forbes June 2017I saw Annie Sprinkle and Beth Stephen’s EcoSexual wedding clothes exhibited at Femina Potens gallery years ago.

I got the idea of a pagan-y, Green Woman kinda Ecosexual corset.

Sexecology postcard by Annie Sprinkle and Elizabeth Stephens

Sexecology postcard by Annie Sprinkle and Elizabeth Stephens

Then cosplay exploded in the media, over this past decade, and so many people did amazing Poison Ivy corsets.

I enjoyed them so much, and decided to take my own pass at a leafy, viney, flowery corset.

I made some sketches, and then I got consumed with my Winter Queen/Snow Queen/Mermaid corset embellishing projects. So I didn’t get around to the Green Woman project til 2014. I spent months ordering beads and velvet leaves and green metallic rhinestuds and green Swarovski crystals from all over the world.

I amassed a huge stockpile of green bling, and bought a discounted Orchard Corset 511 to use as my base.

Bead embroidered green woman corset by Suzanne Forbes June 2017The green corset was one of the projects I didn’t get to before we left, so I packed all the green jewels and beads and appliques and trims up in a “project kit” and boxed it up.

.beaded corset WIP Suzanne Forbes 2016I unpacked it with the other 400+ boxes last winter. Once my workroom was set up, I started opening project kits and finishing projects. I moved through them at a pretty decent clip! I made the leaf crowns to go with the corset early on, last summer.

I took out the corset and got started on it last August. First I created a bunch of beaded and crystal-covered appliques with some pale green leaf-shaped Venise lace.

I tacked the lace down to netting in an embroidery hoop, then embroidered and bead embroidered it. Then I added velvet leaves (bead embroidered too).

This took about a million years.

Which never bothers me. I like to do textile art slowly, to balance how fast I draw and paint.

bead embroidery appliques Suzanne Forbes 2017 1Once I had finished a bunch of appliques and had test fitted them on the corset, I modified the corset itself.

beaded corset WIP Suzanne Forbes 2016The Orchard Corset 511 is a reasonably curvy OTR, with a 10″ “hipspring” or difference between waist and hip; I just added a 2″ gore on each hip to push the hipspring to 14″.*

Bead embroidered green woman corset by Suzanne Forbes June 2017Otherwise the corset wouldn’t lace nice and parallel, and it would distort the embroidery and structure of the corset to have a big gap at the bottom.

Sloppily adding handsewn gores like I did is a good way to ruin the structural strength of your corset, but I knew I’d be adding thousands of stitches and layers over the gores. So I wasn’t worried.

When I’m done with one of these beaded corsets it’s basically a cuirasse, an armored breastplate!

Bead embroidered green woman corset by Suzanne Forbes June 2017It took several months to carefully sew the appliques to the corset, adding bead embroidery as needed to fill in gaps.

I used strong green nylon beading thread I got to make beaded fringe for a lamp in Berkeley in 1999.

I also used beading thread to make strings of variegated beads to sew down onto the corset in curving lines. Because I’m insane, I always sewed back through the beads on the string as I sewed them down, in case the thread broke.

And I think maybe I might want to lend the finished corset to a burlesque dancer or performance artist someday so it should be able to stand up to some abuse.

Bead embroidered green woman corset by Suzanne Forbes June 2017Bead embroidered green woman corset by Suzanne Forbes June 2017

swampthing-34 panel by Bissette and Totleben

Panel from Swamp Thing 34, “Rite of Spring”, by Bissette and Totleben

When I started planning it I thought it would be all greens, but since then I’ve learned A LOT about color, mostly through my textile artmaking.

So as I worked on it I decided to add oranges and pinks and burgundies and browns. There are even pyrite-colored rhinestuds all over it, though they’re subtle as hell.

The oranges and warm colors make me think of the love story of Alec and Abby in Swamp Thing, and the orange yams that they shared. It’s a story that’s very meaningful to me, and the best story I know about connecting with nature and The Green.

I’m not a huge nature person, but I love natural symbology and motifs. Working with these colors and shapes really nourished my William Morris heart!

I’m pretty thrilled with the finished corset.

I don’t know exactly what I’ll do with it yet. It feels like a work about nature, and pagan things, and fae things, appropriate to Midsummer. There’s a Midsummer costume party at House of Red Doors in July, and I might wear it to that. I might loan it out for photo shoots, if I found someone trustworthy who wanted to shoot it and they had a model who fit it. I might show it somewhere if there was a show it worked for. Who the hell knows, I just needed to make it, and I’m so glad it’s finally done, almost ten years after I started planning it!

I’ll get better pix of me wearing it soon, with the jewelry and crowns I made to go with it 🙂

*everything you could ever need to know about buying and wearing a corset is here on Lucy’s website. This amazing young woman has created a resource for the corset community that is beyond price. There is info about the relative measurements of OTR and RTW brands, a corset database to guide you in your purchase, and so much more. We love Lucy!

June unterweg drawings!

Transit doggy by Suzanne Forbes June 26 2017Here’s some of the drawings I’ve made while travelling about Berlin this month.

In Berlin, where dogs are allowed on the subway at all times, dogs understand about missing or catching the train. They actually hustle to get to the doors before they close. Which I find just amazing.

Maps by Suzanne Forbes May 31 2017There are maps on the ceiling of the subway cars, which is sensible!

I am doing so much experimenting with tone, pattern and value areas in these unterwegs. They are my safe space to expand my style and way of documenting things.

Suitcase by Suzanne Forbes June 15 2017This drawing was made from a quick mental snapshot.

I glimpsed this woman wearing the HELL out of a jersey wrap dress, with great hair style, as she hustled for the M10 in Friedrichshain. I was going to the U1, and I got on the train and then realized I had no pencil or even a ballpoint for the sketch I usually do before putting down ink. However I did have a white conte crayon stick and I used that to quickly rough in the gesture and forms. You can see the faint traces of white lines if you look carefully. I could have pimped it up later with background and tone and white highlights, but I just liked the simple lines so much.

You can see previous unterweg drawings here:

May bonus round

May round one

April

March 2

March

January

December

November

New embroidered and jewelled bug creation!

Embroidered jewelled bug by Suzanne Forbes June 2017Here’s a crazy little bug embroidery piece I made during 20 hours of waiting around the hospital while my hub got a cyborg upgrade.

Embroidered jewelled bug by Suzanne Forbes June 2017I embroidered this on a cut-open green netting bag that some holiday ornaments I bought at Anthropologie for 75% in 2001 came in.

Unbelievably, when I unpacked the holiday ornaments for our first Christmas tree here, these never-used items were there, still in their bags.

My material hoarding seemed insane for so long. But now I have better health, a perfect workspace and the support of my Patrons.

I’m whipping through all my old art supplies and long-awaited projects!

I am like a cross between Smaug and Divine.

Embroidered jewelled bug by Suzanne Forbes June 2017i got this rainbow glitter vinyl for a Pride project but it did not arrive in time. That is ok! I will still make a thing with it!

Embroidered moth in progress by Suzanne Forbes June 2017Embroidering on net, mesh or tulle is wonderful because it’s so easy and restful on the hand. Since I was working with the demon metallic embroidery thread, that was important!

Most metallic embroidery thread, including these two greens that were leftover from my Green Beaded Corset project “kit”, frays as it is drawn through fabric.

It frays and breaks and makes you crazy. Waxing it is supposed to help but I’ve always feared the wax would attract dust after or not be archival. However using it on netting is a breeze. In the picture you can see I’m cutting the completed bug free of the netting. I glued some extra layers of netting on the back after I finished embroidering to add structural strength.

The outline is done in my beloved Black Pearl Rico Metallic Stickgarn, which never makes a fuss and behaves impeccably on any fabric.

Embroidered bug wings by Suzanne Forbes June 2017 I have been incredibly inspired by the couture embroidery work of Lyudmila Plotnikova, a Russian textile artist.

You can see her work below. In addition to being technically skilled at a level I can only dream of (in my dreams of going to grad school for textile arts), it is much subtler and less lurid than my efforts! Her eye and hand are equally exquisite.

Jewelled embroidered insect brooch by Ludmila Plotnikova June 2017

Jewelled embroidered insect brooch by Lyudmila Plotnikova, June 2017

She does things with materials that constantly innovate and extend the form.

She has brilliant new ideas about embroidery in three dimensions, like Michele Carragher. You can buy her art here, and hopefully someday I will! Many of her signed, unique pieces are designed to be worn as jewels or brooches. I think of the great European design and craftwork traditions, like Art Nouveau jewelry, when I see her work.

Her love of bugs has resonance with the couture legacy of Schiaparelli’s bugs. Women who create or wear insects as art continue a tradition that runs from Queen Tiye to Louise Bourgeois to the recent Sarah Burton collections that made couture bug crazy in the teens.

Gallery of bead embroidery art in progress from the Instagram of Lyudmila Plotnikova

Gallery of bead embroidery art in progress from the Instagram of Lyudmila Plotnikova, 2017

Ms. Plotnikova is also incredibly generous with her process, sharing photos of works in progress. Being able to follow other artists on Instagram is so exhilarating, as much as I hate giving clicks to that pig Zuckerberg.

Here’s a couple good pieces about how women artists connect emotionally with creepy crawlies!

 

Bug bricolage roundup for June!

grasshopper bricolage carriage and shadow box by Suzanne Forbes May 2017I’ve been working on several bug bricolage projects this month. Here are two finished ones!

grasshopper bricolage carriage harness Suzanne Forbes May 2017The copper paperart cricket seen here was a birthday gift in my forties from the incredible artist and sculptor Aimee Baldwin. I made him this carriage to ride in out of a gilt carriage I got on eBay. Then I made a harness for a metal grasshopper I ordered from some online discounter.

I had this vision before we left the US of an insect-based version of the classic Golden Jubilee or coronation coach models. In my mind’s eye I saw it in our new home, one of the lamps that guided me through the terrors and trials of the move.Pall Mall GOldsmiths State Coach model

I don’t know why it felt so important to me to make this weird thing; I never do.

grasshopper bricolage carriage left side Suzanne Forbes May 2017 I had a lot of miniature horse saddlery supplies and thin metallic leather left over from my Snow Queen project.

I had little buckles, silver leather straps and silver cord. It could not go to waste! I covered the side panels of the coach, which were white, with a variety of fine silver leathers and cording trim. Silver rhinestuds added detail. I used antique silver color filigree jewelry findings to tip the ends of the carriage shafts so they fit the grasshopper better. (They still look a little dark, Imma brush them with silver paint to blend them in better just took my silver Sharpie and fixed ’em.)

grasshopper bricolage carriage left side Suzanne Forbes May 2017 I made a little silver leather seat pillow with cord trim and scrapbooking brads for the upholstery button-tufting, and filled it with microbeads which work better than any fluffy filling on dollhouse or mini scale.

I made the harness out of silver leather straps. Some of them were silver on the tops but white on the sides, so I colored the sides with a fine-point silver Sharpie. It worked great!

When you have all your tools readily to hand it’s so easy to take care of the details!grasshopper bricolage carriage med

The new jewel bug shadowbox is lined with green dragonfly brocade scraps left over from a corset made years ago by Mina LaFleur.

Like my incredible dressmaker and costumier Monique Motil, Mina always thoughtfully returns all scraps of fabric from a project.jewelled insect shadowbox by Suzanne Forbes June 2017 You never know what you might use it for!

I buy the jewelled insect brooches on eBay using a simple system: they have to have free shipping and I will bid up to $2.00. If the bidding goes over $2, too bad. So it takes a while to accumulate a batch for a shadow box but after all it’s not like I’m in a hurry.

I’m working on slowly increasing the pink accents in the Gothic Rococo salon, so I searched specifically for pink bug brooches this time.

jewelled insect shadowbox by Suzanne Forbes June 2017

If the bug brooch arrives with any colors that don’t coordinate well, I tint the enamel or rhinestones with a colored Sharpie. Since they’re going to be in a box, it won’t rub off. I turned white areas pink and yellows to pale green for this one.

To attach the backing fabric to the board in the shadowbox I use UHU “Extra Allekleber”, my Germany dupe for my beloved Quik Grip (formerly Quik Grab). It’s an excellent adhesive for fabric to fabric or fabric to anything; it really lets you stretch and shape your fabric to a surface.

The brocade was wrinkled from years of storage but I didn’t bother to press it, just stretched it taut with my UHU. To attach the bugs to the backing board I always use a glue gun. I make little balls of tin foil and attach them to the backs of the bug pins to keep them level. They hide neatly behind wings and keep the brooches stable.

Then I glue on the bugs and there it is, a new vegan jewelled insect shadow box!