Tag Archives: art in berlin

Another perfect Berlin day.

The graceful violinist by Suzanne Forbes March 17 2017On Friday I was feeling a little shaky. So I went rambling around Friedrichshain in the just-a-bit-raw weather with Daria, and felt immeasurably better.

pink musician March 17 2017 Suzanne ForbesOn the train I was working on the drawing of the violinist I started last week, (when we went to Dussman Cafe, pics soon), and then:

this guy with a pink accordozylophone thing got on!

Ninja drawing by Daria Rhein photo by Daria Rhein

Ninja drawing by Daria Rhein, photo by Daria Rhein

As I drew the guy I could hear Daria’s voice in my head saying “Don’t overwork it!”, just as I hear the voices of my teachers and mentors advising me at so many moments.

To be guided by the wisdom of artist friends is the best thing in the world.

We got china markers when we went to Modulor, because I hadn’t one for decades; here’s Daria’s first china marker drawing! I used a mix of greyscale marker and china marker on the musician drawings.

There is nothing, absolutely, nothing, like living and working around true peers for an artist.

Yesterday we went first to look at a possible flat for her and the adorable auburn-haired English lad. It was a really gorgeous perfectly reno’d altbau, in the absurdly desirable neighborhood around Boxy, about 700 sq. ft., rent about $750. Yes, you should still move to Berlin. Changes in the law meant to control rising rents appear to have worked, and you can still get an incredible place for what seems like nothing.

Then we went to Daria‘s tattoo studio Tremuschi Ink!

It is the coolest place ever in the world, absolutely not kidding.

Photo: Steffen Diemer, Model: Lexy Hell, Corset: Redcat 7. Hairpiece: icing

Photo: Steffen Diemer, Model: Lexy Hell, Corset: Redcat 7.

It is open in the front half to the incredibly charming handmade burlesque fashion design shop Redcat7, where a pink-haired gal manned the counter. One of the tattoo artists was working on sketches for a throw-up style tat; in the back Sammy, the designer and owner of Redcat7, was getting ready to be tattooed by Vivien.

They have benches and a tattoo bed and rests of every kind, to tattoo any part of you comfortably, and a big lightbox for composing designs, and a screened private area.

The walls are covered with framed art and there is a tag wall too.

After we rifled through all the pretties at Redcat, we walked to Aunt Benny.

Coexist Berlin Instagram shotIt was a long walk, through all the charms of Friedrichshain, past the coolest shops and dive bars and eis cafes and music shops and print shops where people were making beautiful real screen prints like people do in Berlin.

We had to go in to Coexist Berlin, a totally amazing punk pastelgoth alternative fashion shop for local and European designers.

I told the lovely pastel-haired designer of Indyanna who was working that it was like a perfect flashback to Betsey Johnson’s first store in Soho, Manic Panic and Trash & Vaudeville in the 80s.

Patches at Coexist BerlinIndyanna designs included a biker jacket lined with blue leopard and appliqued with blue glitter flames I badly coveted.

Ragged Priest dress

Ragged Priest dress

I bought an insane Tyvek paper jumpsuit in Patricia Field in 1980 and it was just the kind of thing Coexist would sell. Daria wanted this mesh flame dress by The Ragged Priest for her next tattoo convention– comfy but rad!

We arrived at Aunt Benny and met the lovely English girl Daria painted the last time she was there. I had mint lemonade since it was St. Patrick’s Day and we shared the really, really, really quite extremely good Carrot Ginger cake.

Everything looked gorgeously fresh and delicious. We sat in a secret alcove in the secret corner room that you get to by going to the WCs. We discussed getting a visa so I could go to visit Moscow with Daria later this year and see the magnificence of her home town.

Berlin, du bist so wunderbar!

An Ode to Creative Work by Behance from Behance on Vimeo.

Horrific insect Gothic Rococo mirror project for the Salon!

By Suzanne Forbes Gothic Rococo insect mirror 2017I made this hideous pastel nightmare of a rococo mirror over last weekend.

bug bricolage art and sculpture by Suzanne Forbes 2017I documented the process extensively for the folks who enjoy DIY how-ya-dos and the backstory to my bricolage projects!

First, I washed the lightweight plastic mirror frame I got at our local Woolworth’s for 2,99. Then I used a glue gun to attach a selection of plastic bugs, also thoroughly washed with hot water and soap.

Always wash plastic items well before attempting to paint!

There may be mold release still on them, there could be skin oils, cooking grease, anything. And any foreign substance will reduce primer adhesion.

A glue gun is really my favorite medium for attaching plastic bugs. It makes a nice solid bond to most plastics, which many adhesives of vaunted power cannot do. There is none of the risk of frosting your surfaces which cyanoacrylates like Super Glue and Zap present. Of course, I would never use only glue gun glue, because – it melts when it gets too hot! How hot?

Many glue stick glues will soften in a hot car, at least on the dash.

By Suzanne Forbes Gothic Rococo insect mirror 2017Plus, I wanted the bugs to look they were sculpted out of or onto the surface of the frame, like a bas relief. I added a bunch of plastic flowers left over from my various jewelry projects, and then I used my beloved epoxy clay, in my favored Apoxie Sculpt White (which is gray), to further secure and incorporate the bugs.

I did a rough pass with the clay, filling in gaps, and then hit the whole thing with primer. I was tormented about choosing spray primers here, because I had a good system going in the US but this is the Land of No Krylon.

It’s VERY hard to find a primer for plastic that will really bond to hard plastic items like bugs and action figures and allow you paint over it with acrylics, glue things to it and spray paint shiny finishes on it.

I’ve spent many hours reading action figure customizing sites, model car boards and model magazines, puzzling over primer and paint and plastic.

Here, I finally found and bought the Primer for Plastic by the ubiquitous (and excellent) German spraypaint company Dupli-Color. I also bought a can of Dupli-Color plain white primer. Good thing, because imagine my surprise at learning the primer was CLEAR! I shouldn’t have been surprised, because the cap was clear. Oh well.

Reading some full-size car detailing sites, I gathered it is a chemical scuff or so-called chemical sander, a surfacing agent that creates “tooth” for the paint to adhere to. People raved about the performance, but noted it’s hard to see if you’re getting good coverage with a clear primer. And since I wanted a white base, I needed to spray the whole mirror white next. Then I added color!Suzanne Forbes Gothic Rococo Insect frame 2017 collage WIP

The last picture is after the second color pass, with initial detail cleanup and color unification by means of dry brushing, washes and scumbling.

By Suzanne Forbes Gothic Rococo insect mirror 2017Here’s a detail shot of the frame after the pearl pass, made with a sheer pearl finish acrylic from the craft company Plaid’s FolkArt line. After the pearl coat, I added black glitter in clear acrylic varnish, “Extreme Glitter“. I used the pearl on the highlights and the black glitter on the midtone transitions into dark areas, but not the dark areas themselves.

I like these crafts paints for final coatings because they have a tough finish and will go on over most surfaces.

By Suzanne Forbes Gothic Rococo insect mirror 2017The last thing I added was a scattering of Swarovski crystals and iridescent crystal eyes.

By Suzanne Forbes Gothic Rococo insect mirror 2017I’m really happy with how the whole thing came out!

This piece is a hilarious mix of my BFA in Fine Arts/Painting, and thousands of hours studying action figure customizing and model making techniques.

I made an earlier version of this, a round bug mirror in blue and green shades, but I finished it right before we left for Germany.

I was terrified about leaving it in a hot storage locker in San Leandro for months, because there were so many coats of primer and different solvents involved in making it- not all of which might be fully off-gassed!

So I gave it to my friend Molly, instead.  And now I have my own.

A tribute piece to two women artists I admire, Judy Chicago and Annie Sprinkle, and a charity raffle.

By Suzanne Forbes March 8 2017 tribute JudyChicagoxAnnieSprinkleBy Suzanne Forbes March 8 2017 tribute JudyChicagoxAnnieSprinkleAfter last week’s feminist art salon, I was thinking about Pussy Power and the history of making vagina icon art.

By Suzanne Forbes March 2017 tribute JudyChicagoxAnnieSprinkle WIP

I went home last Friday and started a pussy piece, and of course I was thinking of The Dinner Party. You can’t think about pussy art and embroidery without it.

It was sometime in the 80s that I first saw Judy Chicago‘s Dinner Party. It was as a black and white photo in the Village Voice, and I remember it so clearly. It was still shocking then; it’s still revolutionary now.

By Suzanne Forbes March 8 2017 tribute JudyChicagoxAnnieSprinkle CUI have a lot of green materials around for the Green Woman project I’m working on. I had a sudden flash of inspiration for an image that would honor Annie Sprinkle and her Ecosexual work.

I became acquainted with Annie while I lived in the Bay Area and was exhibiting and drawing at Madison Young’s queer art gallery, Femina Potens.

We talked about my painting a portrait of Annie, but could never organize the timing. I still hope to, as Annie will be in Germany this summer!

I am going to raffle off this piece to raise money for Planned Parenthood.

Anyone who sends me a copy of their March $20 or more donation to Planned Parenthood (with your name, but personal details obscured of course!) will be entered to win the piece. As embroidery works take me a minimum of twenty hours, and this one took about twenty-five, it’s a chance to win a piece I would have to charge a lot for!

Calendar of Annie’s many world-wide feminist and ecosexual art activities here.

Teaching resources for The Dinner Party.

The Dinner Party long-term installation at the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum.

A feminist art salon in Berlin.

dr laura by Suzanne Forbes March 3 2017A friend of mine, Miss Natasha Enquist, invited me to come along to see a movie her friend Gia Balestra has directed and produced.

The movie is called Clitorissima. It was being shown at a long-running sex-positive feminist salon. I arrived a bit late, but luckily there was a fellow outside who spoke English and told me which buzzer to press and what floor, and I went up in the lift. With my asthma, the usual Berlin staircase marathon is a no-go.

On the landing there were dozens of pairs of shoes, as you often see; it is customary to take your shoes off outside the home in Germany. I was nervous about leaving mine, because I was wearing my precious bottle-green granny boots that are a homage to proto-genderqueer YA novel Nightbirds on Nantucket. It took me almost two years of daily eBay search alerts to find a pair. And I am a New Yorker, and assume anything not nailed down will be stolen and anything nailed down defaced or set on fire.

But this is Berlin, and my shoes would be fine, and I entered a room packed with all kinds of women and a few cismen, and someone made space for me on the floor and gave me a pillow to sit on.

Sexclusivitaeten‘s house sexpert Dr. Laura Méritt was displaying a beautiful vagina hand puppet, with detailed anatomical features, wonderful for therapy and education.

Gia Balestra by Suzanne Forbes March 3 2017 BerlinAnd then the film was introduced; I had arrived just in time. Here’s Gia introducing the film.

It is a mixture of documentary and animation. As she talked about interviewing the women she made this beautiful, graceful gesture with her hands, describing the shape of the vulva and clitoral arms. Inscribing it in space, a reiterative dance, so lovely.

About Clitorissima:

Giancarla Balestra (Vulvah Van Klitt Productions), directed/produced the short documentary “Clitorissima” which is a series of interviews with women asking the same question: “At which age, and on which occasion, did you have clitoris awareness?”. She teamed up with the Danish Animator and Illustrator Sara Koppel (Naked Love Film & Koppel Animation) with the mission to normalize and facilitate the first mother/daughter conversation about clitoris and clitoris awareness, told through interviews with various clitoris owners, and storytelling through animation.

It was the winner of ‘Outstanding Creative Vision Award’ at the CineKink Film Festival, NYC, USA, March 2016!

CLITORISSIMA – Official Trailer (Italian subtitles) from Vulvah Van Klitt Productions on Vimeo.

Sara Koppel AnimatorThe film is so beautiful and magical. It would be wonderful for parents to show their young kids; it is elegant, cheerful and not graphic.

The artist who drew the exquisitely blooming animation sequences is Sara Koppel of Naked Love Film and Koppel Animation, left. She is so very extraordinarily talented.

Her previous sex educational work, which came out of talks with Gia in the Berlin sex-positive scene, is a short movie called “Little Vulvah and her Clitoral Awareness“. Which has won just buckets of awards and would also be a treasure to show your young child. You can watch the trailer and buy it here.

The vibe at my first Sexclusivitäten event was cozy and warm, and everyone was friendly. My drawing was enjoyed and supported. It was like the first time I went to SF Citadel and met August; I felt so at home. I got stickers!

puzz powerI am enormously excited about the upcoming event celebrating menopause; I find it is really necessary to learn more about this process as I go through it and I am thrilled to be meeting members of a community that has such an open and creative dialogue.

In the Bay being involved with Midori‘s fundraisers, supporting her performances and creating work with her was so important to me, as was working and exhibiting with Madison Young and her Femina Potens gallery. I look forward to getting to know and doing creative work with kindred spirits here.

Upcoming Sexclusivitaten salon events can be seen here! And workshops!

“For the whole month of March sex-expert Laura Meritt and her team offer an insight into the evolution of pussy power. 10 years ago the (Women’s) March was declared the month of vulvas to push its popularity forward and strengthen the sexual confidence of every vulva owner. All the events take place in the rooms of Exclusivitäten and offer a diverse program consisting of an exhibition, films and workshops around the female sexual organ. Viva la Vulva!”

 

 

 

Unterweg Drawings Nr. 4 – March!

Berlin clarinetists by Suzanne Forbes March 3 2017Lots of amazing unterweg drawing opportunities already this month!

These clarinet guys were reconstructed from a glimpse while my train was stopped at the platform they were on. I focused on details like their different styles of coat, their backpacks behind them, their hairstyles- so I not only didn’t get the specifics of the station, I don’t remember what station it was!

Accordionists at Yorckstrasse by Suzanne Forbes March 1 2017

Me and Daria went to a cafe in a cemetery, and it was the most wonderful place you could ever imagine.

I’m not telling which one, cause it’s too precious. When we left we saw these accordionists in the station, and she got on her train but I stayed to draw them. Using the set of grayscale markers I received as a 50th b-day gift from a beloved friend-muse-Patron has been so fun and rewarding.

Longboard by Suzanne Forbes March 1 2017Me and Daria went to Modulor, the legendary amazing Berlin art supply store. They have EVERYTHING. It is a terrible, evil place, just as she had warned me. We were running around saying “Bad, this is bad,  yes it is a bad place.” “Ok I just need this one more thing-” “Of course this too-”

Also the cafe there, Rock-Paper, has fantastic American style chocolate chip cookies. Better than serviceable Snap (which luckily has just opened a branch in our U-Bahn station), better than decent Scoom, even better than quite good Shakespeare and Sons. If you are in Berlin and your heart is aching for a real, American, gosh damm actual chocolate chip cookie, you should go to Rock-Paper.

On the way there and I back I drew this guy with the longest longboard I had seen since the early 80s. He said it was 1.4m.

Berlin, du bist so wunderbar!

 

Learning to sculpt: an ongoing relationship with epoxy clay.

Sculpted goat foot candleholder by Suzanne Forbes Feb 28 2017I finally finished this terrifying goat foot candlestick!

WIP goat foot candleholder sculpted by Suzanne Forbes Feb 28 2016I started it in 2015, at our first apartment in Berlin.

I had seen something similar on some luxury housewares or design website, and I was like, I can make that! Plus, it’ll be great sculpting practice!

It’s built on a tall narrow glass caper jar, the lid of the caper jar, tin foil and wooden rings from the craft store.

It was months before our stuff arrived in the shipping container, so I used what was around!

Once I had built the base, I had to cover it with fur.

Each row of fur tufts has to harden before the next one can be sculpted (unless you want to be really careful, and I never manage to be careful enough; I always wind up squishing what I just laboriously sculpted).  So each time I worked on a project that used epoxy clay, I would save a little bit at the end to add a row of fur tufts. There are roughly fourteen rows, so that’s a lot of projects!

Once I added the last row of fur last night, I started a new project.

bug bricolage art by Suzanne Forbes 2017 WIPI bought this rococo mirror* made of some weightless extruded foam plastic during my art supply mission on Saturday.

used a glue gun to quickly affix the bugs and flowers and fill in any space between them and the frame. Then I did a first pass with epoxy clay.

I used it to reinforce the attachment of little legs (it’s very strong) and sculpt new curlicues to incorporate the bug shapes.

When we get a warm sunny day I’ll hit the whole thing with white primer for plastic (which I finally found here, in the excellent DupliColor brand) so I have a uniform surface and can add detail better. Then add paint and Swarovski crystals!WIP bug bricolage art and sculpture by Suzanne Forbes 2017

Done with that, I hauled out all my other sculpture projects from 2015 and started finishing them up!

Diana bust WIP sculpture by Suzanne Forbes 2017Diana bust WIP sculpture by Suzanne Forbes 2017One of the wonderful things about epoxy clay is that you can apply it directly over practically anything, including baked polymer clay, like the mantis.

You can read about the start of the mantis here, and you can read in great detail about my experience beginning to sculpt and learning to use epoxy clay here.

It’s so much easier to work on the hair of my Diana bust now that I’ve had all this experience making fur!

I’ll keep you guys posted on the process of all these projects, unless I get derailed by some new obsession and they go back in the queue!

goat foot candlestick by Suzanne Forbes Feb 28 2017 WIPWhile I was painting the goat foot with many layers of metallic paints, I mixed up too much blackened gold-umber-bronze.

When the only tool you have is a brush full of bronze paint, everything looks like it needs to be painted bronze. I changed the zombie hand I resculpted at Halloween from glitter black to bronze and FINALLY dry-brushed highlights onto the ram’s horn mirror I bought for our hallway before we left the US. Always be finishing!

*You can see the reflection of one of Daria’s drawings in the mirror, from one of our earliest art trades.

A four-hour portrait painting of Victoria Victrola in Berlin!

Victoria Victrola by Suzanne Forbes Feb 27 2017When you live in Berlin, your friends tell you when their friends are coming to town.

victoria victrola by Suzanne Forbes Oct 2008Our latest visitor from the US is Miss Victoria Victrola, a Bay Area based musician, entertainer and event creator.

She is well known in the Bay for her music and her delightful tea parties, enjoyed at such events as the Edwardian Ball. (There’s an upcoming one with Edwardian Ball house band Rosin Coven too!)

When Whitney sent me her contact info, I thought, she looks familiar! I’ve drawn this woman at an event somewhere!

 

I looked through my hundreds of drawings on flickr and found one I’d done of Victoria doing a living statue performance in 2008, as seen above.

So I asked Victoria if she would pose for me again, and she came by on Sunday afternoon and we made this lovely painting.

Victoria Victrola by Suzanne Forbes WIP Feb 27 2017

Her attire, a true vintage suit and hat, was so charming.

Victoria Victrola by Suzanne Forbes WIP Feb 27 2017

She works one day a week at OverAttired, the exquisitely sourced and curated vintage clothing shop of my friends Sam and Monica.

Victoria Victrola by Suzanne Forbes WIP Feb 27 2017

We had a wonderful visit, catching up on news from our community in SF, Oakland and Berkeley. After we’d finished the sitting and gone downstairs to the pub for some hearty German fare, I explained that I would finish the picture the next day.

Victoria Victrola by Suzanne Forbes WIP Feb 27 2017

The final adjustments to a portrait, like tuning in on a radio station, are best made the following day with fresh eyes and hands and a clean palette. Above is the picture the way it looked when I picked it up this “morning” (around 2pm, after coffee) and below is after the final corrections.Victoria Victrola by Suzanne Forbes CU Feb 27 2017

I’ve been painting on board for the first time in decades and really enjoying it. A smooth surface is so receptive to detail. I’m very grateful to Whits for connecting me with Victoria, and to Victoria for a bright dose of gothic rococo vintage chic and charm in late winter!

 

Something beautiful for a sad month: bead embroidery!

beetle embroidery by Suzanne Forbes Feb 2017I made this embroidered beetle to lift my heart and give me the strength that working with color and sparkle does. It was part of my automatic-writing-for-art approach this month, like the Monster doll armada.beetle embroidery by Suzanne Forbes Feb 2017

I just reached into my textile materials drawer and grabbed some scraps and bits, and told myself, You gotta make something with these.

bead embroidery appliques Suzanne Forbes 2017 1There are four different types of lacework fabric and delicate cotton paper layered on a blue felt base, bits left from the very first materials I bought at my earliest trips to the art store in Berlin.

I used them in my mantis project our first summer here, and in some bug embroideries with sheer wings.

The blue felt undersurface is left over from the backing of the Hearts Afire pieces I made for my Cake Level Patrons in 2016.

beetle embroidery by Suzanne Forbes Feb 2017Plus bead overflow from the Green Woman corset I’m working on, which is related to the Green Leaf Crowns I made last summer! I planned that project back in 2013-14 and brought all the materials in the shipping container.

You can see my project kit* for the Green Woman project at the top of these pics; I just raided it for beads and bling! This is the mess on a day I worked for eleven hours straight, just fiending on colors and sparkle.

I learn so much from studying the work of Game of Thrones embroidery artist Michele Carragher.

bead embroidery appliques Suzanne Forbes 2017 She has really radical approaches to layering sheer or lacework materials and doing bead embroidery in three dimensions.

I look forward to exploring ideas I borrowed from her for the mantis, like a wire lattice for sheer wings. Maybe this summer!

I also learned from her to do my bead embroidery in a hoop, whether or not it’s going to remain in the hoop.

Doing bead embroidery on the surface you plan to display it on – especially clothing- is for suckers. It’s like melting chocolate in a double boiler.

Much easier, stronger, safer and neater to embroider or bead embroider on a sheer surface in a hoop. If your threads aren’t meltable you can iron a light interfacing onto the back to protect the finished embroidery, cut around the embroidery design, then sew it onto your clothes or lampshade or corset or whatever.

If your threads are synthetic and meltable, but you’re really worried about the strength/structural integrity of the piece, you can wipe a thin coat of archival gel glue on the back. Like E6000! I touched every knot on the back of this beetle with a bit of Tacky Glue, just to be sure it’s heirloom solid. I have to charge a lot for embroidery pieces, since they take a minimum of 30 hours to make, so I like to be sure they’re for the ages.

*project kit: I have a half dozen project kits still neatly boxed up and waiting in my workshop cabinets. I organize all the materials and supplies I need for a project into a “kit” that makes it easy to bust into and tackle. All those 90% off post-holiday sales at Michaels and JoAnn’s, all those years of saving every scrap of ribbon from a present, every bit of wrapping paper for a shadowbox or decoupage! I’ve been blazing through projects, I’ve finished at least a dozen since I finished building the kitchen/workshop, but I brought a LOT in the container.

Bat Monster Woman!!

Bat Monster Woman Embroidery by Suzanne Forbes Feb 20 2017Bat Monster Woman Embroidery by Suzanne Forbes Feb 20 2017It’s a gray day in Berlin but this gold and bronze Bat Monster Woman I just finished is glowing.

She is inspired by my beloved Archie McPhee Monster Women rubber toys, a gift from my oldest friend Victoria.

I used what may be my last scrap of silver velvet, some old-gold colored wired organza ribbon that I bought with a coupon at Jo-Ann for my first wedding, and gold tulle.

Plus my favorite Black Pearl metallic thread from Rico Design, which is the only good metallic embroidery thread available in the world.

Bat Monster Woman Embroidery by Suzanne Forbes Feb 20 2017And two citrine Swarovski crystals for her eyes, some brass rhinestuds, a scrap of teeeny gold dollmaking braid trim, and plain dark green cotton thread, doubled, carefully stitched around the border of the design.

Using a fine dark thread to go around the edges of important shapes really helps me control and refine the line, I highly recommend it.

It’s especially great where a regular back-stitched embroidered line butts up against a satin stitch area. The tiny needle you can use for a single strand of floss or regular thread means you can stitch into the satin stitch without disturbing or spreading it, yet stabilize it at the same time.

I also added brass stud stars, both to reference Wonder Woman iconography and because I love studs.

When I was a child, about seven to nine, I had a babysitter I adored. Her name was Melissa, and although she was a hardcore drug addict and a total flake, she was so mellow and gentle with me. Some friends of her and her sister Nadine had a clothing store on 8th Avenue between 20th and 21st, a funky hippie store where everybody hung out. I don’t know if they ever sold anything but drugs.

Sitting on the floor in there under racks of fringed and embroidered and patched rocker clothes impacted my aesthetic so much.

Bat Monster Woman Embroidery by Suzanne Forbes Feb 20 2017There was a barrel of studs for your jeans or jean jackets, all different shapes and designs, stars and moons and pyramids and other shapes I can’t quite summon. Like, a barrel- they must have bought them by the kilo at some surplus place. I would run my hands through them, gently so the points wouldn’t poke me.

I felt completely safe there. Years later the friends became famous Deadhead t-shirt silkscreeners, and I went to a party at their loft on 14th st. I came home drunk at dawn and gleefully told my mom about their huge ball python Clyde who had cuddled me. They were such nice people, and such incredible artists.

Everything you do or see or feel goes in the hopper for creative work. 

Everything I remember, here in this safe-at-last place, surfaces and turns and shines under the light. I don’t know where the synthesis will take me. Or what the meeting point will be between painting and drawing, the skills I trained a decade for and made a career in, and the making things I’ve always loved.

A three-hour portrait painting.

When you live in Berlin and have a large flat, your friends send their friends to stay with you.Bryce in library by Suzanne Forbes Feb 12 2017

And when you come to stay with us, you may be asked to pose.

Bryce in library by Suzanne Forbes eb 12 2017 WIP.Bryce in library by Suzanne Forbes Feb 12 2017 WIP.

Our recent houseguest Bryce graciously agreed to pose while reading in the library with my hub.
Bryce in library by Suzanne Forbes Feb 12 2017 WIP.
Bryce in library by Suzanne Forbes Feb 12 2017 WIP.

 

Now that I have an Instagram, I’ve been trying to document my process more. It’s fun to see how fast it happens.

ryce in library by Suzanne Forbes eb 12 2017 WIP. 2 - Edited
This 15″ by 20″ acrylic on board portrait was completed in just under three hours.Bryce in library by Suzanne Forbes Feb 12 2017 face