Tag Archives: contemporary crafts

November bricolage roundup- shadowboxes, passementerie and mantelpieces!

mantis bricolage shadowbox by Suzanne Forbes Oct 2017More bug stuff, because it’s not like our house can have too much creepy bug decor.

I made this mantis shadowbox using some 1970s upholstery fabric I got in Berkeley in the late 90s, some vintage velvet flowers and little bees saved from the same era, and a machine-embroidered mantis from this amazing artist in Kiev, who is doing totally innovative textile art with the digital embroidery tech now available.

Egg shadowbox by Suzanne Forbes Oct 2017I’d always wanted an egg glossary display box.

No natural history, curiosity cabinet-themed library is complete without one! I used the 70s fabric again; a glue gun is my method of choice for stretching even wrinkled fabric smoothly across the particleboard backing of a shadowbox. Some of the little speckled eggs and the grapevine nest came from topiary ball displays I made for my first wedding, in 1993 or 4.
Glue gun party by Suzanne Forbes Nov 2017

I have nights where I crash around the flat asking, “What would Tony Duquette Do?”

And the answer is always, “Glue gun, Passementarie, MORE.” I added a couple trims to this silk velvet patchwork upholstered bench. After the intensity of the first three quarters of this year, with teaching and drawing and painting and my hub becoming a cyborg and being sick quite a bit, I really need this November make-cation.

jewelry holder by Suzanne ForbesI made a display holder for some of the earrings I’ve sculpted, made and modified.

I just took the glass out of a deep frame and gluegunned fabric to the backing. I used a beautiful textured knitting yarn left over from some lovely crochet blossoms my mom made me; the texture keeps the earrings from sliding around.

And most significantly of all, I got one of my first adult textile art pieces back up on display.

mantel scarf by suzanne forbes 2000I made this mantel scarf of crushed changeant velvet and celestial Czech glass buttons and bead embroidered wire and pleated ombre ribbon cockades in 1999.

I was living with my second husband in a gorgeous Craftsman fourplex in North Berkeley. It was the first place I ever painted like I truly wanted my home to be, in insane shades of aniline violet, quinacridone red, and chartreuse. It was full of built-ins I decoupaged with gilt paper Dresden trim, Victorian frogs and lizards, and accented in burnt orange.

We gave such parties there. It was such a beautiful home. I loved my second husband, or who I thought he was, so much. 

This piece was in storage for a long time, and it hurt me every time I came across it in my increasingly desperate and disenfranchised moves.

When the Great Recession finally ebbed a bit and I moved in with the man who became my third husband, I thought about getting an electric fireplace, where it could be displayed. There just wasn’t enough room in the exquisite jewelbox Craftsman apartment in Oakland that I designed to showcase his Black Irish beauty.

Here in our home in Berlin, we have plenty of room.
mantel scarf and fearless pink Gay Santa by Suzanne Forbes 2000 2016I used my glue gun to apply an emerald botanical brocade to the top of the particleboard shelf I had attached to the top of the electric fireplace I got on eBay.

Again, using a gluegun and moving fast, smoothing the glue flat with my fingers as I go, allowed me to get a nice flat surface bonded to the mantel. Then I just gluegunned the mantel scarf onto the brocade and added a few tacks to stabilize. I’ll add some finishing gimp braid and brass upholstery tacks soon as I get around to making it to Bauhaus.

Sorry I couldn’t get a better picture in our dark haus but we like it this way :))

mantel scarf and Fearless Pink Gay Santa in salon by Suzanne Forbes 2000 2016

More interior decorating and bricolage posts:

Our home, Halloween decor, decoupage and bug shadow boxes, passementerie and staining furniture, lamps and frames, more frames, No-Kill Butterfly Gallery, bas-relief rococo insect mirror, and Fearless Pink Gay Santa, as seen on the mantelpiece.

A Scottish Thistle Embroidery in honor of my mom’s visit to Berlin!

thistle embroidery by Suzanne Forbes closeup Oct 2017My mother was born in Scotland, and we are both wiry Scots thistles, determined and resilient.

Scottish thistle embroidery by Suzanne Forbes Oct 2017As I was making this work, my first fully-scratch embroidery piece in a couple months, I was astonished at how much becoming interdisciplinary has improved my art.

Working in mixed media, textiles and sculpture has given me a confidence and freedom around using color in my paintings I never had before.

And working on all these different types of projects has allowed me a priceless feeling of flexibility and relaxation with my composition.

I was so rigid and so afraid when I first went to Parsons at seventeen. I used a six-zero Rapidograph to draw, and when I was supposed to do collage or sculpture projects I would stubbornly insist on making them figurative and realist.

Abstraction terrified me. It still does!

But  practising disciplines of the decorative arts has given me trust in my own ability to makes shapes and patterns.

My mom watched me working on this and said, “You just sew it on there without any kind of pattern or reference?” I said, “Yup!” Artistic freedom is delicious.Scottish thistle embroidery by Suzanne Forbes Oct 2017

 

 

October Embroidery and Bricolage Roundup!

Embroidered insect in shadowbox by Suzanne Forbes Oct 2017Embroidered insect in shadowbox by Suzanne Forbes Oct 2017Some embroidery projects I made this month!

Embroidered insect in shadowbox by Suzanne Forbes Oct 2017This embroidered bug was finished a while back, and I wasn’t sure what to do with it.

Then i decided a shadow box was the way to go. I used lots of assorted bits of lace, beads and real plants plus a background of dragonfly satin and I love the way it came out.

Lightning heart by Suzanne Forbes Oct 2017This lightning heart was started at the same time as this piece.

It’s a callback to a piece called “Fist Heart Mighty Dawn Dart” that was purchased as a gift for a beloved friend-muse-patron by their partner.

I bought a jean jacket and embellished it with a collage of sequined appliques.

There are three pieces that make up the back, fitted together similar to how I did this floral embroidery leather jacket. The front has a sequined star, bullion stars, metal star studs and bug appliques I enhanced with black thread. I’m pretty thrilled with how it came out!

 

The gothest action figure custom ever.

Nico Minoru action figure custom by Suzanne Forbes on balcony Sept 2017Even though I don’t know much about this Nico Minoru character, I had to snap up the adorbs babybat action figure of her!

Hasbro did an incredible job with her, as they have with so many female Marvel Legends figures in the last few years. She’s so goth!

But…I felt she could be MORE goth.

I started this project as a proof of concept for the absurdly male-dominated world of action figure collectors and customizers.

I wanted to demonstrate that there are fantastic customizing resources available in lady-land. Like nail art decals, nail art stripes, nail art “dotters”, flocking, etc.

These materials are cheap, widely available and already scaled tiny as fuck. They’re perfect for action figure customs.

So I began with using nail art decals to enhance Nico’s gothic lace.

I LOVE nail art decals because they remind me of Letratype and LetraSet! Old school! The tiny packets of decals are so cheap, you can get a hundred sheets on eBay for a euro.

I masked the areas I didn’t plan to decorate off, with a cut up rubber glove and tape. Then I sprayed the figure with my clear primer for plastic.

Nico Minoru action figure custom by Suzanne Forbes wipOnce she was dry, I added glitter piping to her corset, more lace to her shirt, lace thigh-highs over her stripey stockings, and so on.

And that was great! Though very subtle.

Then I realized I could use the same miniature making materials I used for my Snow Queen and other mini projects, such as my Horribella Dolls.

Like tiny eyelash picot trim and wired ribbon and elastic ruffle tape.

And all my tiny little rhinestones and crystals and stars and moons! And my little tiny top hats!!!!

Nico Minoru action figure custom by Suzanne Forbes on balcony Sept 2017I just went bananas. I decided to dress Nico full-on San Francisco Goth, Circa 2005.

She would be an homage to all the amazing goth-girls I’ve known, all the beautiful and amazing muses I had the privilege to draw and paint in the Bay Area goth scene for ten years.

Nico Minoru action figure custom by Suzanne Forbes Sept 2017

Six more hours of ferociously focused detail work and one enormous mess later, there she was!

Nico Minoru action figure custom by Suzanne Forbes Sept 2017

Illustration by Tasha Tudor for A LIttle Princess

Illustration by Tasha Tudor for A LIttle Princess

She reminds me of the ur-goth image all little girls of my generation imprinted on, Sara Crewe in her outgrown mourning dress.

That Classic Victorian ragamuffin look commingled with circus and harlequin style in the early years of the new century, in the Bay.

My muses wore stripes and bustles and tiny top hats, and so did I. We all looked fucking great!

That look was replaced by the great wave of Steampunk starting in 2007. I loved the Steampunk just as much, so it was alright!

Look how amazing she looks on the Sorcerers’ Porch of my Action Figure Dollhouse.

Nico Minoru action figure custom by Suzanne Forbes porch with Magic Watch

Toy customizers, please note that I was able to preserve full shoulder and waist articulation under the miniature clothing. Use of stretch fabrics and gluing the clothes only to strategic, rigid areas of the figure allow her a full range of posability.

Oh, action figure customizers and Instagram toy photography bros who find this page by googling, I pity you. They’re dolls, dude. Accept it.

A poseable toy figure of a human with cloth clothing is a doll.

As is often the case, what appears to be a simple doll-making project has a deep cultural wound behind it.

Like most of the toy industry, amazing toy company Mezco (who I love and have supported since their beginnings with Silent Screamers in 2000) has a gender problem. They make dolls, and have from the early days: they make Living Dead Dolls.

They also make action figures, and since 2015, they’ve been combining the two with the 1:12 Collective, a 6″ (DOLLHOUSE) scale line of action figures with cloth clothing. (In action figure parlance, dolly clothes are called “cloth applications”.) They started slow, with a Frank Miller Dark Knight Batman (red flag? more likely the chunky design was an easy pilot project).

Then in 2016 they started releasing a cavalcade of fantastic cloth-costumed takes on the heavy hitters of the Marvel and DC universes, plus Classic Trek! These figures are unreal. They are crazy good. For 2017 they announced even more upcoming licenses and figures. Ghostbusters, Space Ghost, Universal Monsters and more. But there was only one planned female figure announced in 2016 – Harley Quinn.

Mezco Harley Quinn figure pre orderI was on their Instagram hassling them for months before she was announced, asking, “What the hell, dudes?”

Once she was announced, I thought we’d see a wave of female figures. In 2017, as the success of the Wonder Woman movie exploded on mainstream media, they announced a 1:12 Wonder Woman. But neither Harley Quinn or WW have shipped yet.

And no other female figures have been announced, despite the release of multiple male Classic Trek figures and Marvel heroes AND villains. *cough*Uhura*cough*Storm*. Know who is expected to ship by December? The Red Skull. Who is the Red Skull? He is a fucking Nazi.

That’s right, 1:12 toy collectors will get a NAZI before Wonder Woman.

As a woman, as a comics fan and former DC comics professional, as a serious lifelong toy collector, I gotta say, the optics are bad.

Mezco Wonder Woman 1 12Do better, Mezco. Do better, toy industry.

Meanwhile, guess I gotta make my own action figures with doll clothes “cloth applications”. Been plunging into male-dominated spaces since I became a graffiti writer in 1980, a hardcore comics fan in 1984 and a comics pro in 1993. Been genderqueering the toy space since the 1970s, when me and my best friend Bradley played with my Dawn Dolls. Not gonna stop, despite Nazis.Rachel Ketchum and Bradley Jankowitz 1974

See my mini projects that use similar techniques here:

Early Horribella dolls

Action figure customizing, June 2016

Berlin Horribellas: Mark V, Sept 2016, Mark IV, July 2016

and my Sideshow Bride of Frankenstein custom, October 2016.

A very old 12″ Living Dead Doll converted to a horrifying spider monster woman, October 2016.

Fearless Pink Gay Santa and his Jolly Ally Reindeer, December 2016.

1:12 scale gilt insect carriage and harness, June 2017.

Valentines Monster Doll Armada, February 2017.

1/12th scale Snow Queen/Jadis of Narnia, May 2017.

Using epoxy clay, November 2015.

 

Sacred Heart with titanium druzy.

I have had almost no time for embroidery this month.

I drew at so many events, we had an art show where I did live painting, I made the Trans Dino-Witch, I finished a big new portrait. It’s been glorious and exhilarating. Yet I really wanted to get some thread and bead time in, for the energy and comfort it gives me.

And I wanted to work with Sacred Hearts, the symbol of hope and faith.

I learn so much from beloved artist Monique Motil, aka @z0mbique, about how working with mystic powerful symbols gives you creative juice. So I used bricolage and upcycle principles to make these collage embroidered Sacred Hearts or Ex Votos.

Sacred Heart collage embroideries WIP by Suzanne Forbes Aug 2017The hearts in the center are beaded patches I bought on eBay for a couple of euros.

I sewed them to some of the last scraps of an iridescent blue-violet panne violet I bought two yards of in 1999 and have used for innumerable projects. I made the orange and blue flames out of the last pieces of some vintage velvet flowers bought at Lacis in Berkeley, also in ’99.

Then I embroidered around them with my favorite Rico Metallic thread, the Holy Grail of metallic embroidery thread.

sacred heart collage embroidery by Suzanne Forbes Aug 30 2017I sewed on iridescent and AB Swarovski bicone crystal beads and added hundreds of Swarovski crystals in many, many colors. I attached some of my new blue oil slick iridescence titanium druzy crystal beads with invisible thread. I painted the frame by rubbing it with deep madder paint, then gold paint, then tapping silver leaf onto the still tacky gold paint.

The shiny red string was saved from a gift I received – I save all my gift ribbons and bows for projects.

Like the embroidery collage jacket I did last month, this kind of collage/bricolage embroidery is a low-impact, flexible project anyone could do. I love how in the top picture the fiery heart coordinates with my sketchbook-carrying sack, a 50th-birthday gift from Daria! I plan to sew a LOT in September, along with the million new events and teaching, so I’ll finish the blue flame lightning heart soon.

Trans Dino-Witch, a vision of protection and safety for transmen and transwomen.

Trans Dino Witch sculpture by Suzanne Forbes Aug 26 2017My Trans Dino-Witch is finished at last! I’ve been working on her all month.

Trans Dino Witch sculpture by Suzanne Forbes Aug 26 2017 neo nazis running awayShe was a huge project for such a small work!

I am thrilled to have finished her and she gives me strength. I hope other folks will find strength in her too.

Look at those pathetic, evil Neo-Nazis running away from her mighty teeth!

Look at her group of friends who are riding along on her back to support her and enjoy the mayhem!

I made their tiny colored hair out of nail flocking powder, way cheaper than fancy “craft” flocking powder. You can get a set of 10 colors on eBay for a euro.

Trans Dino Witch sculpture by Suzanne Forbes Aug 26 2017 friendsShe is a companion work to my Pride piece, Queer Dino-Witch, which I made last month.

Trans Dino Witch sculpture by Suzanne Forbes Aug 26 2017It was harder to make her, because I had some harder feelings. I realized while making her that I often connect deeply with trans women partly for a very sad reason.

Most of the trans women I know have C-PTSD from repeated, systemic sexual violence, as I do.

Although my Trans Dino Witch is a work about Neo-Nazis, the despicable Alt-Right, I can’t make art about trans folk without thinking about the other kinds of attacks they suffer.

During the making of this piece the Orange Shitclown lashed out violently at transfolk.

He announced (on twitter, of course) that he intended to ban trans people from serving in the US military. Just yesterday he signed a formal memo. Since trans people have been serving with honor in the US military since at least 1862, lots of luck running the armed forces without them.

Also during the making of this piece, Chelsea Manning built a rainbow army of loving, celebrating followers who just won’t stop being brave and kind.

trans girl dinowitch in process by Suzanne ForbesSuck that, neo-fascist real estate golem!

I tweeted Chelsea a photo of our cat being cute on one of the particularly horrible days for trans people in August and she thanked me personally! So nice!!

She has made #WeGotThis a banner for the power of trans people and their unbelievable determination to survive and thrive.

 

I named the Trans Dino-Witch Catherine, after the late, legendary artist Jeffrey Catherine Jones.

My generation of comic artists was so inspired by Jeffrey Catherine Jones and her commercial and comics artwork that always transcended the commercial.  I hope she would like this tribute.

Catherine is a work built on a legacy of artists who inspire me. First, the incredible sculptor and assemblage artist Elizabeth McGrath. In 2005 I saw her show Altarwise By Owl Light at Billy Shire Fine Arts in Culver City.

She is the artist who opened my eyes to the power of modern assemblage and pop-surrealist artists. Her works are creepy, adorable, mythological and emotionally meaningful.

And some of them have little railroad miniature people in them! And they’re full of fake fur and Swarovski crystals and weird shit she found somewhere! And they’re like being hit in the heart with a bus.

So finally using tiny railroad people in a piece is my tribute to Liz McGrath.

I was also very influenced by the constant miniature close-ups on the Instagram feed of Jake and Dinos Chapman. The group of works by these YBAs called “Hell” is an intensely political anti-Nazi work that took them two years to complete and used 60,000 toy soldiers.

I decided to do dinosaur witches for Pride because of Mab GravesDinoKitty show at Red Truck Gallery in New Orleans this year.

I thought, Dino-Kitties! That’s a fine idea. I wonder why you never hear about Dino-Witches

Mab Graves has been hugely inspiring to me as an artist who never apologizes for making paintings, illustrations, sculptures (in a craft-identified medium iike needle felt!), commercially produced prints and diffusion line mass produced t-shirts all at once.

I love that she gets to make unique fine art objects and show them at the national level and sell melamine plates in her Etsy store.

She controls it all and completely owns her brand, despite enduring years of suffering from endometriosis, which she has been courageously transparent with her fan base about. Inspiring as fuck! I can’t work as hard as she does, but I am working as hard as I can.

Most of all, Catherine the Trans Dino-Witch was inspired by the Degenderettes LGBTQiA flag baseball bats made by Scout Tran.

Seeing those clear, bright flag stripes pass by in my Instagram feed day after day – seems like queer people are playing a lot of baseball lately, or something – is surprisingly comforting.

I give back 10% of my Patreon income to young queer and trans cartoonists and comic artists. Scout is one of them. So is Sam Orchard. Because fuck, the only people who have a harder and shittier time making a living as artists (especially comic artists) than women are trans people.

Trans Dino Witch sculpture by Suzanne Forbes Aug 26 2017My Patrons made it possible for me to spend fifty hours sculpting, painting and dressing Catherine. I hope she gives back some strength and inspiration.

July bricolage – glitch collage embroidered moto jacket!

Collage embroidered floral motorcycle jacket created by Suzanne ForbesI didn’t do much bricolage or embroidery this month, as I was super busy with life drawing and a new painting.

Collage embroidered floral motorcycle jacket created by Suzanne ForbesI did however drop a bunch of hours into this one project. I had been seeing these embroidered motorcycle jackets at mainstream stores, inspired by last Fall’s fashion shows.

I found one for under forty euros (in case the whole idea went badly) and ordered a bunch of commercial appliques from eBay.

Then I researched the process of sewing on appliques, learned about invisible thread, and ordered some of that from Amazon.

All of this took months of course, so it was summer by the time I finally started sewing. And the sewing on of the appliques itself took a solid thirty hours.

I just laid out the jacket, which had some embroidery on the sleeves and a little bit on the front, and started collaging appliques onto it.

Collage embroidered floral motorcycle jacket created by Suzanne ForbesI cut them up, moved them around, and tacked them down with pins.

Then I sewed them on, very carefully and slowly. It was relaxing actually. Except, to my surprise not all the collage designs worked once sewn on. Sometimes the applique was too thick and deformed or distorted the thin PU fabric, and in some places it just didn’t look cool.

Collage embroidered floral motorcycle jacket created by Suzanne ForbesSo sometimes I had to use my handy stitch picker and cut off a section I had laboriously attached.

Because it didn’t look right! On the bottom right of the back I had to try three different applique pieces to end the pattern in a way I was satisfied with. I love how it came out, though, and that mine is completely unique.

This is a project anybody could do. The only specialty skills I brought to it were a tiny bit of embroidering here and there to unify pieces and my personal aesthetic. I used colored Sharpies to tone down brights and unify colors in the applique pieces as needed. Objects we own aren’t permanent, and we get to fuck with them like we want to!

Big Gay Rainbow T-Rex Dinosaur Witch for Pride Month!

Queer dinowitch embroidery by Suzanne Forbes July 2017Pride month is July rather than June in Europe.

So I made this super gay rainbow dinosaur who is a powerful magic witch to celebrate!

Queer dinowitch embroidery by Suzanne Forbes July 2017

She is embroidered on glitter galaxy mesh, which is overlaid on rainbow glitter vinyl.

rainbowdinosaurShe is quite detailed, and I couldn’t see anything I drew on the galaxy mesh.

So I had this embroideryhack idea.

I put the paper with the sketch for her right in the embroidery hoop, under the mesh, and used a tiny short needle to stitch the outline on. The little needle skids across the surface of the paper and comes back up thru the net easily!

You can see the original sketch above. Once I had a nice outline with my beloved Rico metallic embroidery thread, which behaves so much better than other metallic embroidery thread, I removed the paper. Then I could embroider as usual.

I am loving stitch art on net or mesh for its control and precision, and it is so easy on the hand/wrist.

I talk more about that and the techniques I’m using here and here.

Queer dinowitch embroidery by Suzanne Forbes July 2017 teethLook at her terrifying teeth!

I don’t know if this kind of symbolist magic art has power in these dark times. I don’t know if I can do anything to help queer people of the world in the places where things are bad or getting worse. But I believe my intent, my love and hope for a better future, were stitched into this mighty gay dinosaur witch. I believe she is strong and fierce. And embroidery feels like a tactile, tender medium for this kind of art spell. I’m thinking about it a lot.

Here are a couple articles on how modern embroidery is operating in the art world that I like.

Huge bead embroidery project finished: my Green Woman bead embroidered corset.

Beaded Green Woman corset by Suzanne Forbes June 2017Wow, this was a big project!

Green beadwork corset by Suzanne Forbes in our library May 2017Green beaded corset by Suzanne Forbes May 2017This bead embroidered, velvet leaf-covered corset is the second to last of the now-finished project “kits” I brought in the shipping container from the Bay Area.

(The Golden Jubilee insect carriage was the very last of the dozen or more projects! They’re all done!! I am amazing!! Sometimes both life and art are long!)

Bead embroidered green woman corset by Suzanne Forbes June 2017I saw Annie Sprinkle and Beth Stephen’s EcoSexual wedding clothes exhibited at Femina Potens gallery years ago.

I got the idea of a pagan-y, Green Woman kinda Ecosexual corset.

Sexecology postcard by Annie Sprinkle and Elizabeth Stephens

Sexecology postcard by Annie Sprinkle and Elizabeth Stephens

Then cosplay exploded in the media, over this past decade, and so many people did amazing Poison Ivy corsets.

I enjoyed them so much, and decided to take my own pass at a leafy, viney, flowery corset.

I made some sketches, and then I got consumed with my Winter Queen/Snow Queen/Mermaid corset embellishing projects. So I didn’t get around to the Green Woman project til 2014. I spent months ordering beads and velvet leaves and green metallic rhinestuds and green Swarovski crystals from all over the world.

I amassed a huge stockpile of green bling, and bought a discounted Orchard Corset 511 to use as my base.

Bead embroidered green woman corset by Suzanne Forbes June 2017The green corset was one of the projects I didn’t get to before we left, so I packed all the green jewels and beads and appliques and trims up in a “project kit” and boxed it up.

.beaded corset WIP Suzanne Forbes 2016I unpacked it with the other 400+ boxes last winter. Once my workroom was set up, I started opening project kits and finishing projects. I moved through them at a pretty decent clip! I made the leaf crowns to go with the corset early on, last summer.

I took out the corset and got started on it last August. First I created a bunch of beaded and crystal-covered appliques with some pale green leaf-shaped Venise lace.

I tacked the lace down to netting in an embroidery hoop, then embroidered and bead embroidered it. Then I added velvet leaves (bead embroidered too).

This took about a million years.

Which never bothers me. I like to do textile art slowly, to balance how fast I draw and paint.

bead embroidery appliques Suzanne Forbes 2017 1Once I had finished a bunch of appliques and had test fitted them on the corset, I modified the corset itself.

beaded corset WIP Suzanne Forbes 2016The Orchard Corset 511 is a reasonably curvy OTR, with a 10″ “hipspring” or difference between waist and hip; I just added a 2″ gore on each hip to push the hipspring to 14″.*

Bead embroidered green woman corset by Suzanne Forbes June 2017Otherwise the corset wouldn’t lace nice and parallel, and it would distort the embroidery and structure of the corset to have a big gap at the bottom.

Sloppily adding handsewn gores like I did is a good way to ruin the structural strength of your corset, but I knew I’d be adding thousands of stitches and layers over the gores. So I wasn’t worried.

When I’m done with one of these beaded corsets it’s basically a cuirasse, an armored breastplate!

Bead embroidered green woman corset by Suzanne Forbes June 2017It took several months to carefully sew the appliques to the corset, adding bead embroidery as needed to fill in gaps.

I used strong green nylon beading thread I got to make beaded fringe for a lamp in Berkeley in 1999.

I also used beading thread to make strings of variegated beads to sew down onto the corset in curving lines. Because I’m insane, I always sewed back through the beads on the string as I sewed them down, in case the thread broke.

And I think maybe I might want to lend the finished corset to a burlesque dancer or performance artist someday so it should be able to stand up to some abuse.

Bead embroidered green woman corset by Suzanne Forbes June 2017Bead embroidered green woman corset by Suzanne Forbes June 2017

swampthing-34 panel by Bissette and Totleben

Panel from Swamp Thing 34, “Rite of Spring”, by Bissette and Totleben

When I started planning it I thought it would be all greens, but since then I’ve learned A LOT about color, mostly through my textile artmaking.

So as I worked on it I decided to add oranges and pinks and burgundies and browns. There are even pyrite-colored rhinestuds all over it, though they’re subtle as hell.

The oranges and warm colors make me think of the love story of Alec and Abby in Swamp Thing, and the orange yams that they shared. It’s a story that’s very meaningful to me, and the best story I know about connecting with nature and The Green.

I’m not a huge nature person, but I love natural symbology and motifs. Working with these colors and shapes really nourished my William Morris heart!

I’m pretty thrilled with the finished corset.

I don’t know exactly what I’ll do with it yet. It feels like a work about nature, and pagan things, and fae things, appropriate to Midsummer. There’s a Midsummer costume party at House of Red Doors in July, and I might wear it to that. I might loan it out for photo shoots, if I found someone trustworthy who wanted to shoot it and they had a model who fit it. I might show it somewhere if there was a show it worked for. Who the hell knows, I just needed to make it, and I’m so glad it’s finally done, almost ten years after I started planning it!

I’ll get better pix of me wearing it soon, with the jewelry and crowns I made to go with it 🙂

*everything you could ever need to know about buying and wearing a corset is here on Lucy’s website. This amazing young woman has created a resource for the corset community that is beyond price. There is info about the relative measurements of OTR and RTW brands, a corset database to guide you in your purchase, and so much more. We love Lucy!

New embroidered and jewelled bug creation!

Embroidered jewelled bug by Suzanne Forbes June 2017Here’s a crazy little bug embroidery piece I made during 20 hours of waiting around the hospital while my hub got a cyborg upgrade.

Embroidered jewelled bug by Suzanne Forbes June 2017I embroidered this on a cut-open green netting bag that some holiday ornaments I bought at Anthropologie for 75% in 2001 came in.

Unbelievably, when I unpacked the holiday ornaments for our first Christmas tree here, these never-used items were there, still in their bags.

My material hoarding seemed insane for so long. But now I have better health, a perfect workspace and the support of my Patrons.

I’m whipping through all my old art supplies and long-awaited projects!

I am like a cross between Smaug and Divine.

Embroidered jewelled bug by Suzanne Forbes June 2017i got this rainbow glitter vinyl for a Pride project but it did not arrive in time. That is ok! I will still make a thing with it!

Embroidered moth in progress by Suzanne Forbes June 2017Embroidering on net, mesh or tulle is wonderful because it’s so easy and restful on the hand. Since I was working with the demon metallic embroidery thread, that was important!

Most metallic embroidery thread, including these two greens that were leftover from my Green Beaded Corset project “kit”, frays as it is drawn through fabric.

It frays and breaks and makes you crazy. Waxing it is supposed to help but I’ve always feared the wax would attract dust after or not be archival. However using it on netting is a breeze. In the picture you can see I’m cutting the completed bug free of the netting. I glued some extra layers of netting on the back after I finished embroidering to add structural strength.

The outline is done in my beloved Black Pearl Rico Metallic Stickgarn, which never makes a fuss and behaves impeccably on any fabric.

Embroidered bug wings by Suzanne Forbes June 2017 I have been incredibly inspired by the couture embroidery work of Lyudmila Plotnikova, a Russian textile artist.

You can see her work below. In addition to being technically skilled at a level I can only dream of (in my dreams of going to grad school for textile arts), it is much subtler and less lurid than my efforts! Her eye and hand are equally exquisite.

Jewelled embroidered insect brooch by Ludmila Plotnikova June 2017

Jewelled embroidered insect brooch by Lyudmila Plotnikova, June 2017

She does things with materials that constantly innovate and extend the form.

She has brilliant new ideas about embroidery in three dimensions, like Michele Carragher. You can buy her art here, and hopefully someday I will! Many of her signed, unique pieces are designed to be worn as jewels or brooches. I think of the great European design and craftwork traditions, like Art Nouveau jewelry, when I see her work.

Her love of bugs has resonance with the couture legacy of Schiaparelli’s bugs. Women who create or wear insects as art continue a tradition that runs from Queen Tiye to Louise Bourgeois to the recent Sarah Burton collections that made couture bug crazy in the teens.

Gallery of bead embroidery art in progress from the Instagram of Lyudmila Plotnikova

Gallery of bead embroidery art in progress from the Instagram of Lyudmila Plotnikova, 2017

Ms. Plotnikova is also incredibly generous with her process, sharing photos of works in progress. Being able to follow other artists on Instagram is so exhilarating, as much as I hate giving clicks to that pig Zuckerberg.

Here’s a couple good pieces about how women artists connect emotionally with creepy crawlies!