Tag Archives: contemporary crafts

October/November bricolage roundup: More Extreme Gothic Crafting.

Between Halloween and the Orange Catastrophe, I never posted most of the things I made in October.OctNov Bricolage Suzanne Forbes

And of course I’ve been making more in November, because handwork is my safe place.

Suzanne Forbes crazy quilt mantel scarf Halloween 2016I worked on the beaded crazy quilt mantel scarf for quite a while after Halloween, once I finally got my sewing machine working here.Suzanne Forbes crazy quilt mantel scarf Halloween 2016

You need a step-up step-down transformer to operate a US sewing machine in Germany.

However my machine is a computerized one with great automatic thread tensioning and I was terrified that the sheer power of European wall current would fry it. Finally I nerved myself up, plugged in the transformer and it was fine. The transformer gives off a bit of a chemical smell as it heats up, but that kind of thing never bothers me.

I’m still a raging helpless amateur on the sewing machine, anything I sew looks like wombat knitting.

Of course, I’ve spent a lot of time around extraordinary couture seamtresses and costumiéres, and I know I’ll never be even a regular competent sewer. But I don’t care. Using the machine makes me feel powerful and capable and it’s just so magic and fun.

My plan is to take the mantel scarf out before Halloween every year and add more beading, embroidery and quilting.

Halloween mini top hat project Suzanne Forbes

Halloween mini top hat project Suzanne Forbes

 

This hat is one of my “Uplift” projects. I found it in a 75% off bin at Michaels the fall before we left, coming apart, and threw it in the “Halloween Crafts on Arrival” box for the shipping container.

I love to carefully glue crappy things, and fix their carelessly made bits, and then add hours of careful crystal decoration and a vintage jet bead. I had these rooster feathers that precisely matched some scraps of sequin in the sequin trim scrap bag I got at Discount Fabrics for $5 years ago. Isn’t that nuts how they match?

black-horns-suzanne-forbes-2016black-horns-detail-suzanne-forbes-2016

I also spent a lot of time adding Swarovski crystals to a deer skull.

gilt horns Suzanne Forbes 2016And gold leafing another skull. I used this weird star-patterned variegated gold leaf I got at Idée for super cheap; with my usual fingerpainting leafing technique, it didn’t really show.

After I leafed it I varnished it with acrylic glaze, then rubbed the still-tacky glaze with this pure bronze pigment powder. I bought the jar at the art-school art supply store in college in 1990 ’cause it was in a discount bin; I’ve still barely made a dent in it and I have used it for SO MANY THINGS.

Daria thought the black crystal-decorated skull was a little passé. Like, so gothsterday. Ah well, there’s no pleasing the young.

I also cleverly framed this creepy eye I painted back in February in this creepy frame.Eye painting by Suzanne Forbes 2016

passementarie-embroidered-pillow-editedCreepy, right? And I did the first test of using my machine to add passementerie trim to one of my pillows that for some unknown reason, did not already have trim on it.

I had been feeling bad for this poor, undecorated pillow for years.

target-halloween-talking-old-time-radioAlso, I got this incredible animatronic talking vintage radio at Target in the US in September, and carefully brought it home.

halloween-haunted-radioHowever, it needed work; both Daria and I felt that the way the lights flashed around the top was overkill and not so nice.

So I painted the white faux-Bakelite strip black, applied varnish, roughly gold-leafed it with the same cheap variegated leaf, then used the bronze powder on it. And then Daria distressed it with more black paint, because she said it was still too glitzy. She was right, of course.

making cupcakes Suzanne Forbes 2016I probably would have made a lot more stuff in October, but I was really busy baking for Halloween.

And in November I was so stressed before the US election and so gutted afterwards that I lost a lot of creative time. And Leonard Cohen died. What the fucking fuck, 2016.

I’m trying to catch up.

At least cats are on hand to supervise.Halloween cupcakes Suzanne Forbes 2016
cat-supervisors

Halloween 2016 recap – our first Halloween party in Berlin!

Designing, planning and cooking for Halloween parties is one of my deepest creative passions.

Halloween 2016 Suzanne Forbes photo Skye Estes

I made a bunch of vegan and gf desserts for the first time this year. Some of them were good!

I learned the white chocolate drip glaze technique to make the glazes for my beloved brother and sister in law’s wedding cake; you can see it here!

Halloween 2016 Suzanne Forbes photo Skye EstesI started my craft projects in September, and my baking October 1.

I am bugfuck crazy about Halloween.eyeball bouquet Suzanne Forbes Halloween 2016

Hallway Suzanne Forbes Halloween 2016So even though I’m still reeling with horror about the US election, I’m going to post some pictures of the creative things I did for my favorite holiday.

Hallway Suzanne Forbes Halloween 2016

Seeing other people make beautiful things and follow their passions has been sustaining to me.

I hope seeing my weird stuff feels good to you.

I decorated the house. I can no longer tell what I put up for Halloween and what was already there.fridge-ma-edited

fridge-cats-editedLike this note from my mom from last Halloween, which is basically just part of our kitchen now. And these magnets Daria got me on one of her trips. Eyeball bouquet by Suzanne Forbes Halloween DIY

I don’t even know where this other eyeball bouquet I made and the creepy hand are in the house now.

So it’s not like I could put them away.

I guess it’s all staying up! Santa hats for all the bats!

mcardle-library-2016-edited

Paper and fabric flowers by Anandamayi Arnold and Aimee Baldwin

I finally found a glass dome big enough for my bridal bouquet of paper and fabric flowers made by amazing artists Anandamayi Arnold and Aimee Baldwin. All I had to do was sand and paint the base, which was some hideous pale oak color, black.

 Daria Rhein art framed by Suzanne Forbes 2016 1 This work of art made by beloved friends displayed in our home was one of the visions I held onto tightly during our whole move and housing search.

daria-rhein-art-framed-by-suzanne-forbes-2016-2-edited

Creating a safe space to honor the works made by the cherished creative people I have known and loved is a huge part of who I am and how I am motivated.

Holding onto so many precious, delicate, completely unique things is a lot of work and a lot of stress. I used a lot of acid-free tissue and bubble wrap to get them here.

But without weird object-attachment people like me, there’d be no museums!

 

(I also made these sparkly creature-frames for Daria‘s new postcards, because I love mass production too!)

horrible OOAK doll by Suzanne Forbes 2016I made this hideous dolly kind of in my spare time in parallel to my Gothic Burlesque Elsa Lanchester Bride of Frankenstein. Isn’t she lovely? Not so much? Oh come on, you like her right?

Bride of Frankenstein custom OOAK doll by Suzanne Forbes WIP 2016Well, she came out exactly as I saw her in my head, and it’s a rare project you can say that about, especially one involving a rubber spider, hair ties, epoxy clay and faux fur.

Fun fact: the boots I used for Elsa were the boots that were on the feet of this Living Dead doll before I, um, cut them off with a hacksaw.

I packed them with epoxy clay to give my Bride more weight and structural stability at her base. And I also used epoxy clay to make a dollar-store zombie hand candleholder more normal.

You know, I just wanted a regular creepy disembodied hand.

I wish it was still the week before Halloween, before the darkness and terror of November 8. I wish I wasn’t so afraid for the US and the world. I wish I could go back in time to when I bought this poster, when it seemed impossible such a creature could win the election.  I hope and pray by next Halloween the world will be less insane. I thank you and love you for all that you do.

 

Halloween Doll Custom: OOAK Bride of Frankenstein!

I made a fabulous gothic burlesque outfit for my Bride of Frankenstein doll!Suzanne Forbes Sideshow Bride of Frankenstein custom

Suzanne Forbes Sideshow Bride of Frankenstein customSuzanne Forbes Sideshow Bride of Frankenstein custom doll corsetI just finished this project barely in time for round one of our Halloween week celebrations, and I am so proud of her!

This is a Sideshow Collectibles Bride of Frankenstein that i’ve had for like a decade.

I originally got her mostly for her laboratory accessories, for my dollhouse laboratory.Suzanne Forbes action figure dollhouse laboratory

Young Elsa Lanchester Burlesque RevueI loved her face, but the slightness of her base figure model and her outfit, though very screen-accurate, bored me. Elsa Lanchester is just much more fierce.

I wanted to reference her dance training, her cabaret and Victorian numbers from her burlesque revue days.  She and Madeline Kahn had so much in common as performers, and yet you only see a glimpse of it in “Bride of Frankenstein.” She plays Mary Shelley as well, in the “Bride” prologue. Shelley calls her “an angel”, and the devil is the corner of her mouth as she smirks, “You think so.”

Sideshow Collectibles Bride of Frankenstein Doll or action figuremadeline-kahn-young-frankenstein

 

I always had the idea I’d do a custom outfit for my Sideshow Bride, something sassy and exciting.

As I began to make my Horribella dolls, I amassed tiny doll-making trims and miniature buckles.Suzanne Forbes Sideshow Bride of Frankenstein custom doll corsetSuzanne Forbes Sideshow Bride of Frankenstein custom doll corset

Suzanne Forbes Sideshow Bride of Frankenstein custom doll bootsI got stuff from model horse tack suppliers Rio Rondo (boy, don’t try to load that site on your phone!) and BJD clothing-making suppliers all over the world.

I got amazing tiny silver leather trim from a handbag company in Los Angeles. I saved every bit of ribbon from every bag of fancy cookies, every inch of silver elastic from a dress tag, for my Snow Queen project (reveal next year!). For my mermaid doll and my corset customizing projects I got a zillion different kinds and sizes of Swarovski crystals, beads, sequins and chains.

I learned how to bulk out the hips of a figure and smoothly sculpt them with epoxy clay when I was making the tiny doll corsets for my Horribella dolls.

I give them big curves to match the silhouette of a Modern Edwardian underbust, my own favorite corset style. Then I draft a tiny corset pattern and cut and glue a miniature corset over them.

Suzanne Forbes custom doll corset

Suzanne Forbes Sideshow Bride of Frankenstein custom

Now that my workshop is complete, I keep powering through long-awaited projects.

So I finally made my Bride of Frankenstein Gothic Burlesque Elsa Lancaster Showgirl!

Isn’t she marvelous?

 

Horribella Mark V, a hideous Gothic-Rococo Dolly!

Horrible dolly sunlight shot Suzanne Forbes Sept 2016I had absolutely no intention of making another Horribella at 8pm last night.

Horrible dolly miniature corset laces Suzanne Forbes Sept 2016I particularly had no intention of using a single strand of embroidery floss to make tiny corset laces and tying tiny bunny loops with it, because I hate tying the tiny bunny loops. I went out the door for a night walk, and wandered a few blocks to the main shopping plaza.

I “accidentally” stopped in at TKMaxx to check out the Halloween stuff. There wasn’t much Halloween stuff (they get a little because they share inventory with the US TJ Maxx stores) but I saw this display cloche- with the base already painted blue.

Horrible dolly by Suzanne Forbes Sept 2016I had an instant vision of a Gothic Rococo Horribella.

Horrible dolly hero shot Suzanne Forbes Sept 2016The last one lives in the library, because she matches the colors in there; I suddenly wanted one for the salon!  I bought the cloche and a foot massager for the hubbin and hurried home.

Then I spent the next ten hours working nonstop like a fiend on the new dolly.

Even though I’ve been teaching, drawing, painting, embroidering and writing all month. I was so excited I never even took off my bra when I got home. Normally my front door is an Instant Bra Removal Field.

Making these dollies demands a kind of flow state where I grab things and glue things and melt things without stopping to think.

If I stop to think, I remember I have virtually no training in mixed media or sculpture and never intended to make this kind of art. So I don’t stop.

During the year of packing for the move, I had episodes where I managed my stress by meticulously, dementedly organizing every scrap of craft supplies I own. It was not an efficient use of my time, but it kept me sane. I had a vision of using all this stuff, in Berlin.

dollmaking worktable Suzanne Forbes Sept 2016Horrible dolly back with miniature corset Suzanne Forbes Sept 2016That meant when my workshop was finished, all I had to do was pop all the neatly bagged/sorted/labelled supplies into the drawers, and I now know where everything is.

My workshop is a decent imitation of the greatest art & crafts workshop I know, that of my friend Monique Motil.Horrible doll wings Suzanne Forbes Sept 2016

I’m busting through projects and finally, finally using things I have had for years. Decades.

I used four different scraps of wired pink French ribbon on this dolly, and two of them dated back to the craft projects for my first marriage.

These scraps of ribbon have moved from St. Paul to Hartford to DC to Arlington to Alameda to Albany to Berkeley to North Berkeley to Albany to Oakland to Berlin. They have been in storage three times. I’ve had fifteen apartments, dozens of jobs, and three husbands.

Horrible dolly salon Suzanne Forbes Sept 2016

You know what’s fantastic about getting older, being happy and feeling safe?

Horrible dolly in salon Suzanne Forbes Sept 2016You can finally say, if not now, when? If not me, who? There will never be a better project to use any of these things on than the one in front of me right now.

Every piece of ribbon from a present I carefully saved, every pair of feet I cut off a plastic monster or pair of wings I cut off a plastic bug- all of this stuff is going in the hopper. I used a satin-covered button from a silk nightshirt I owned in 1992 to make the base of this Horribella’s hat. It took four tries, four little pieces of embroidered stag beetle ribbon used up, to get it to look right.

Don’t care! It’s my weird stuff and my weird lifelong decorator crab shell of crap, I’m gonna use it all!

Horrible dolly Suzanne Forbes Sept 2016I used eleven different ribbons/trims, four adhesives, epoxy clay, primer, spray paint, plastic toys, nail flocking powder and parts of three plastic bugs to make her, and I think she is the best Horribella yet. She is truly a Horrible Dolly. I am going to make all the horrible things.dolly feetz Suzanne Forbes Sept 2016

dolly spider Suzanne Forbes Sept 2016I didn’t just make a new Horribella last night.

I also started a hideous Spider Lady with monster feet. She is going to be truly dreadful. I have lots of tutorials to study on my dollmaking Pinboard!

Look for continued unpleasant doll developments this September.

As always, when I make a doll I am deeply indebted to the incredible inspiration of Monique, creator of the incomparably creepy and beautiful Sartorial Creatures.

WIP: beaded green velvet leaf pagan Mayday corset!

This corset is one of those projects I’ve been planning for years.beaded corset WIP Suzanne Forbes 2016

beaded corset WIP Suzanne Forbes 2016I brought all the raw materials for it to Berlin in the shipping container. It took a decade to collect all the velvet leaves, beads and leaf-shaped lace.

I have no idea what I’ll do with it when it’s done. Who cares, it’s the making of it that’s the incredible joy.

Maybe we’ll have a Midsummer dinner party and I’ll wear it, maybe I’ll get a red wig and go to some comic thing as Victorian Gothic Poison Ivy.

.beaded corset WIP Suzanne Forbes 2016 This is my third heavily beaded/embroidered corset project, and I’ve learned a few things. Such as to do the heavy beading on a sheer fabric on a hoop first, to save wear and tear on my hand/wrist and reduce the amount of crappy random stitchery on the back. (You can see the previous two corsets here. The blue mermaid one is the same corset model as this one.)

I learned this from the generous and amazing website of Games of Thrones textile artist Michele Carragher. She creates the incredible, breathtaking detail of the costumes for GoT and other productions.

If you have never looked at these works in detail I cannot encourage you strongly enough.

I love Michele Carragher’s work and the way she is so generous in sharing her process.

I love her story because although she has a degree from the London College of Fashion she also has had a somewhat meandering career and is suddenly achieving great success well into her professional life. I wonder if she has a helper like I do?beaded corset WIP Suzanne Forbes 2016 helper

An off-the-rack corset like this one from Orchard Corset has only a 10-12″ difference between waist and hips, so I have to modify it to add an additional four inches at the hips. That will be the next stage, after I finish seasoning it. I don’t usually bother to season corsets, because I’m lazy, I have a very corset-shaped body and I know exactly how to buy an OTR corset that fits me really well. (Don’t be like me! Season your corset!) In this case however I want to make sure changes in the shape happen before there’s additional decorative stitching, so as not to strain it. I started the beading first though, cause I needed its comforting, trancelike pleasure.

Although my daytime PTSD symptoms are much better now that the anniversary of Rob’s death and San Diego has passed, I’m still having sleep trouble. I have been kicking my husband awake fighting off nightmare assailants. I have to be very careful about how much I embroider since the tendonitis problems of 2013, but I’m clocking as much as I can.

I am so grateful I can work on this wonderful, soothing project. Hope you like it so far!

Horribella Mark IV: an unpleasant Victorianish doll-thing!

Horribella Mark 4 by Suzanne Forbes July 2016 Look at this horrible thing I made!

I am blowing through projects that have been waiting over a year, now that my workshop is finished. It’s so easy and comfortable to use and access all my tools and materials, and the light is so good in our kitchen. I’m especially thrilled to have finished my own Horribella doll at last!

Horribella Mark 1 by Suzanne Forbes coll. Ramon

The first Horribella was made as a host gift for a fae-themed party thrown by one of my beloved friend-muse-patrons. Her wings were hand-decorated with many crystals.

I particularly like the way the corset of this one came out.

The second was bought by one of my beloved friend-muse-patrons and lives in her SOMA loft.Horribella Mark 2 by Suzanne Forbes coll. Eva

Horribella Mark 3 by Suzanne Forbes coll. AimeeAnd the third was traded to my friend Aimee Baldwin, for one of her extraordinary vegan taxidermy creations ( a mantis of course!).

I was really devastated to give up the third one, since it was so specially unpleasant, but I wanted that mantis badly.

Horribella Mark 4 by Suzanne Forbes July 2016 So I saved the other half of the iridescent flower at the top of the corset (originally scavenged from the wings of some drugstore fairy doll that became a mermaid in a shadowbox at least a decade ago).Horribella Mark 4 by Suzanne Forbes July 2016

Then I saved the particular trims I used, and enough of the superfine damson-colored leather strips I ordered from a purse company in LA, and a tiny bit of the pleated burgundy lace, and just enough of the bug-printed emerald green French wired ribbon.

 

 

I sculpted a new body and head and painted them, but there was a reaction between the paint and primer.

Horribella Mark 4 by Suzanne Forbes July 2016 trainSpray painting plastic, no matter how much time you spend on The Fwoosh, is unpredictable. So I had to scrape off the paint and reprime the pieces, and then pack them, because it was time to move to Berlin.Horribella Mark 4 by Suzanne Forbes July 2016

I was terrified that off-gassing primer/paint reaction could start a fire, so I waited to pack them ’til the very last day, and wound up throwing the pieces in a little box within one of the randomly packed boxes of the morning we left. Even though this project was incredibly important to me! And the materials to dress her were packed separately of course.

I am a crazy person, and sadly not always in a fun way.

Horribella Mark 4 by Suzanne Forbes July 2016

(Yes, I started packing one year before we left, and I was still packing the DAY we left. Probably I shouldn’t have spent so many nights obsessively organizing my mixed media materials before we left. But it did make unpacking them an utter delight.)

Horribella Mark 4 by Suzanne Forbes July 2016

 

 

 

 

So it was all horribly stressful! And I was still afraid that my Frankenstein mix of paints and solvents would start a fire and burn up our storage unit or shipping container!

But there was no fire, and the ship didn’t sink, and the train didn’t crash, and the truck didn’t go into a snowbank, and the box didn’t get dropped, and nothing got lost, and so I was able to assemble a Horribella of my own at last. She is not for sale!

As always when I make a doll, I am deeply indebted to my beloved friend-muse-Patron Monique Motil, creator of Sartorial Creatures and the most inspiring dollmaker I know.

 

Amazing art collab night!

Daria and Ian came over to work on stuff.Daria and Ian By Suzanne Forbes June 16 2016 Berlin

Me and Daria are going to have a table at Berlin Graphic Days.

Daria Rhein's artwork on textiles, June 2016

Daria Rhein’s artwork on textiles, June 2016

Just the Friday night, not the whole event, because tabling for a whole weekend is totally out of range for me spoon-wise.

So we are making lots of stuff for our table.

 

 

 

 

Daria Rhein's artwork on textiles, June 2016

Daria Rhein’s artwork on textiles, June 2016

We tried out all kinds of cool printing stuff, like vinyl stickers and fabric transfer printing and temporary tattoo printing.

It all worked pretty well. The stuff you can make yourself with an ordinary printer these days is incredible. I cut up an old tablecloth to see if we could transfer images to it and it totally worked.

I traded Daria an embroidery moth for the original drawing of the breathtaking moth.

I’m going to frame it in a really ornate black frame I have, I just need to get glass cut. We traded tattoo time for two of my hand-sculpted necklaces too- she now has a tentacle and an anatomical Heart of Gold.

Here’s Ian!Ian by Suzanne Forbes June 16 2016

Ian drew the whole time when he wasn’t pitching in on graphic design or Daria’s website.

Ian made this beautiful drawing of me and I grabbed a frame out of my beautiful new workshop cabinets and framed it and hung it up right away!

I don’t have the Instagram because I don’t have a telephone but I can look at things on it!

Drawing of Suzanne Forbes by Ian Bowden June 2016

Drawing of Suzanne Forbes by Ian Bowden June 2016

Ian and Daria graphic design-ified this old drawing of mine for stickers.Suzanne Forbes mantis sticker 2016

I am the happiest I’ve been since I was 19.

This month’s bricolage roundup.

I mostly think of myself as a horribly lazy person who keeps terrible hours, sleeps a lot and wastes huge swathes of time every day.Suzanne Forbes May Bricolage Collage

But sometimes I think of myself as a highly effective person whose productivity is just really weirdly distributed.

Here are the various bricolage projects I did this month, in between building the workshop, unpacking my mixed media materials, teaching a new class, starting a new painting, and drawing.

These flies are what I call “Uplift Projects”, after David Brin’s “Uplift” series.

They’re commercially produced decorative items I bought somewhere for almost nothing and am “improving” (according to my weird personal lights). I got these awesome glitter flies for 90% off at Cost Plus after Halloween. WIP Uplift Fly on the left, completed one, with beading, Swarovski crystals, more shades of glitter and micropearls on the right.

Mixed Media Suzanne Forbes 2016Mixed Media Suzanne Forbes 2016

 

 

This decoupage table originally came from Ross.

Insect and roses Decoupage Table Suzanne Forbes 2016I made them give me 10% off because it had a chipped corner. I repaired the corner with epoxy clay and spraypainted the whole thing with matt fuchsia acrylic from Dupli-Color, the German spray paint company that has a special line for graffiti artists.

Then I cut out all these amazing German decoupage pieces.

Insect and roses Decoupage Table Suzanne Forbes 2016Insect and roses Decoupage Table Suzanne Forbes 2016These are reproductions of the decoupage elements that have been produced here since the Victorian era.decoupage stag beetles

I used acrylic varnish to attach them in my weird little bug-infested way, painted the trim on the table with artist’s acrylic, and covered the decoupage with twelve coats of acrylic varnish. That actually was a pain in the ass. But worth it, I think. I’ve had the Alphonse Mucha coaster you see on top of the table since I was fourteen years old.

This dresser is a piece I got on Amazon.de through their repacking program.

dresser by Suzanne Forbes 2016You can often buy things that are brand new and perfectly good but have been returned and repacked at the warehouse for a fraction (20% in this case) of the original cost. It was stuffed all higgledy-piggledy into the box but all the (many, many) pieces were there, so I carefully assembled it.

Then I stained it with ten coats of Hazelnuss dunkelbraun stain (the equivalent of  the exploding-on-Pinterest General Finishes Java Gel stain). Ten coats may sound like a lot but with water-based gel stain, the coats go on and dry so fast it’s really no hardship.

perry gargano knobThe knobs are ones I’ve been collecting for years, like the brass verdigris tentacles from Perry Gargano for Anthropologie. (Of course I got mine all on clearance!). I’d learned from my research before we moved that German apartments have ZERO closets or built-in storage. BlueBayer Bat knobsSo I planned for buying a lot of furniture, and even splurged on four bat skull knobs from Blue Bayer on Etsy two weeks before we left.

 

Buying handmade items directly from an artist is the one time I’m happy to pay full price.

ombre table Suzanne ForbesI’ve had this table for almost twenty years- I got it at the Berkeley flea market.

It’s been spray-painted black, then pink, then black again. But this is the first time I tried making it ombré. I’m pretty thrilled with the results.

I used a deep sapphire blue, a dark forest green, and a pale celadon, all gloss finish from Dupli-Color. I built a sorta cheapass spray booth on the balcony out of boxes to paint it in.

ombre table1

 

Don’t spray paint indoors, dude. You don’t want to get what we used to call Technicolor Phlegm.

shadowbox Suzanne Forbes 2016I made this little shadow box out of some ribbon roses I made for my first wedding, hoarded velvet leaves and a frame I got at the Berkeley Flea, also like 20 years ago.

I got this plaster deer head from a German eBay dealer who specializes in vintage hunting lodge taxidermy.

deerhead

Taxidermy is so cheap here, Williamsburg craft beer bar owners would lose their minds. My dealer has been very kind about accepting my “Best Offers” for the most weird, kinda messed up pieces he lists.

I repaired the big chunk of missing plaster with epoxy clay, and repainted it. I left the rest of the damage ’cause I like it. deerheadebay

Now I’m waiting til the next time our handyman James comes over with his magic SuperStudFinder, which can detect metal and electrical wiring in the walls. Our walls have a LOT of janky old wiring in them so I like to check before I drill a great big hole for an anchor.

I think that’s all my bricolage this month.

Oh, and I decorated the frame for the octopus!Octopus Mixed Media Suzanne Forbes May 2016

Giant Octopus finished at last!

This is the biggest thing I’ve ever embroidered.Embroidered Octopus Suzanne Forbes 2016

Embroidered_Octopus Suzanne Forbes 2016I started it a few years ago, when I had just begun embroidering again as an adult. I had trouble keeping the fabric from wrinkling on such a big hoop and wasn’t sure how to finish it. But now I am much more expert and confident, and have lots more colors of thread!

It’s amazing how much embroidering is like painting.

Embroidered_Octopus Suzanne Forbes 2016Just like with every canvas I paint, I made sure to leave a few small areas of the original blank surface. Here’s a peek at the back, for the curious. It is a mess, as usual.

Moar Mixed Media!

My recent embroidery works involve pipe cleaner and plastic wrap, plus a return to French wired ribbon.

(In the early 90s I was obsessed with French wired ribbon techniques, making Victorian roses and shirred cockades. I love its sculptural quality and moiré grosgrain texture.)mixed media embroidered insects Suzanne Forbesmixed media embroidered insects Suzanne Forbes

I wanted something that would give the wings of the fly a really unpleasant, transparent quality.

(and wow, as I typed that I had another idea- embroidering latex. Now, latex is not archival, and normally I would never use a material that is not archival. It’s part of my training to maintain a covenant with the buyer of a work that the work will endure to the very best of my knowledge. But the decay of latex, the way it dries and melts and chips and shrinks, is aesthetically fascinating and intrinsically beautiful. Artists have done a lot of work with the way latex changes over time; it can be part of the value proposition for a work. It’s a natural material, like skin. If I embroider a portrait of a face on latex !??!? It could be like Pablo Picasso’s portrait of Gertrude Stein. She said, “But Pablo, I don’t look like that”. “You will.”)

Anyway, watch this space for embroidered latex.

So I decided to embroider plastic wrap!

embroidered mixed media fly Suzanne Forbes 2015I was concerned that making hundreds of tiny holes in the plastic wrap would make it essentially perforated, since plastic lacks the warp and weft of fabric. And I wanted more texture, so I added an overlay of lacy stuff.

The lace overlay holds the plastic wrap in place, provides additional structure for the thread to catch onto, and provided a raised surface for the final touch- a little gold paint!

I rubbed gold paint on my fingertips, then brushed them over the surface of the wings.

 

I’m quite pleased with the results.

This little guy got a gold-leafed frame, even though I usually only gold leaf the frames for works that have more than forty hours of labor, because he is so creepy. The fly was a popular Victorian naturalist motif and apparently a symbol for humility. Also, creepy.

He is for sale for $250 to Bay Area collectors- I can bring him on my trip next week!