Tag Archives: Daria Rhein

Women make amazing tattoo art in Berlin.

Daria tattooing by Suzanne Forbes June 29 2017I drew Daria tattooing at Tremuschi Ink, the studio where she creates her works.

I swung for the fences with this one, and I kinda missed. To try and apply my new techniques of mixed media coloring to such a complex, detailed drawing – with such deep space!- was perhaps an act of hubris. I barely have a grasp of this new approach, and definitely don’t feel skilful in handling pastels.

And I absolutely loved the drawing in its original state. But I felt I had to see if I could make it even better. I’m not sure I did.

Daria tattooing by Suzanne Forbes June 2017 line versionLuckily, in a moment of foresight, I photocopied the original line drawing.

Drawings by Suzanne Forbes Berlin June 2017The scan is dark, because the photocopy picked up the midtone of the kraft paper, and I hadn’t finished drawing Daria’s tattoo machine. Someone with better digital editing skills than me can sort out the values, prolly.

I was quite scared to add the mixed media (pastel, oil pastel and markers) to the line drawing, and it took me almost a month to get down to it.

Rightly so; it turned out to be a bit beyond me to fully reconcile the values so the drawing reads well.

I kinda feel like I destroyed something I really liked, and that’s good. You gotta kill your darlings in the art biz.

After all, I can always make another drawing of Daria making a tattoo. And I want to go back to Tremuschi and draw Vivi tattooing too, when she gets back from her tattoo cons of Europe tour! I might do a whole series of drawings of women tattoo artists of Berlin!

Drawing at the Drink and Draw Berlin Midnight Society Party, May 20 2017.

Kelsey in mask she made at Drink and Draw Berlin by Suzanne Forbes May 2017

Kelsey in mask she made at Drink and Draw Berlin by Suzanne Forbes May 2017

Daria, Marina and I went to the Drink and Draw party.

The theme was “Secret Society”, emphasizing “Eyes Wide Shut” and occult iconography. Fine. At Drink and Draw Berlin by Suzanne Forbes May 20 2017

On the one hand, it’s an easy theme.

catwomen at drink and draw berlin may 20 2017 by Suzanne ForbesAmazon.de surely sold out of cheap hooded costume cloaks, and even twenty-somethings have a suit or a cocktail dress and a mask or a strip of lace.

no shirt no hair by Suzanne Forbes May 20 2017And a roomful of beautiful young people dressed up Eyes-Wide-Shut style is pretty.

hooded boy by Suzanne Forbes May 20 2017The flowing capes were pretty.

On the other hand, it made the crowd of identically beautiful normative-bodied cishet or performative-queer twentysomethings even blander.

drink and draw berlin may 20 2017 by Suzanne Forbes red lanternI was passing out during live sex acts at the Hellfire Club in the Meatpacking District in 1986, so…whatever, this is fine. I certainly have plenty of practise drawing this look from the hundred hours the hub and I logged at The Upper Floor.

Kelsey and friend at Drink and Draw Berlin by Suzanne Forbes May 21 2017The organizers had decided not to hire any actual professional models or performers, so all the models were volunteers. The only ones I was really intrigued and moved by were those who’d put some work into their costumes. Like illustrator Kelsey Bass, above and in the top image, who made her amazing goat mask completely out of recycled materials (Amazon boxes!).

And corsetiere Emma Caponi, who designed and made her astonishing deco gown out of exquisite eyelash lace she got on a trip to China. Emma at Drink and Draw Berlin by Suzanne Forbes May 20 2017Her pretty boy killed the suspenders-no-shirt look, too.suspenders by Suzanne Forbes May 20 2017

These lovers posing later in the night were especially pretty, even without any effort at costuming.

lovers at drink and draw berlin by Suzanne Forbes May 21 2017I guess part of my OG/elderkinkster snark comes from the fact that we had such a great time at the last Drink and Draw Berlin party we went to.

unfinished drawings by Suzanne Forbes from Drink and Draw Berlin May 20 2017It was at the old venue, so much less fancy, so much less formal, everything so much more casual. People worked hard on their costumes, the costumes were more playful (though more problematic also!) and less “sexy dress-up”, and the model was a professional performer. I felt like my drawings were more interesting.

And the people drawing were there to draw, and they were mostly ridiculously good. Some of the Drink and Draw Berlin organizers are extremely, extremely good illustrators and draughtsmen. However they didn’t seem to have time to be drawing themselves at this huge event, with everyone drinking fairly vigorously, interactive performances going on, live tattooing and a huge dance floor. For me, so much energy at a drawing event comes from seeing other people do really good work. And certainly there was some, but it was hard to appreciate it in such a busy setting. Ah, so it goes.

roughs from Drink and Berlin by Suzanne Forbes May 20 2017So this time I just focussed on making blandly attractive slick-looking drawings that hopefully will do well on my Instagram and help grow my Patreon.

After all, I can see conventionally beautiful twenty-somethings in half-assed costume at KitKat any weekend.

Plus people my own age, real queers, and some gender, body and ableness diversity.

Damn you, San Francisco, for setting an impossible-to-follow standard for costuming, themes and costume parties!!

Balsa Man was 1/16th smaller last year by SandwichGirl 2010

Balsa Man was 1/16th smaller last year by SandwichGirl, 2010

Snow Queen/White Witch OOAK Doll with sledge and reindeer, finished!

Snow Queen Jadis with carriage and reindeer by Suzanne Forbes May 2017I finally finished her!

I am amazing, and amazed by myself! Jadis, The White Witch, The Snow Queen, the Ice Queen, as I always imagined her.

I’d been wanting to make a doll like this since the early 90s in St. Paul. At a fancy shop in Summit Hill I saw a teacup fairy by Stephanie Blythe and Susan Snodgrass.

The delicacy, the precision, the tiny, tiny crystals- there was something about it that moved me deeply.

I had no idea you could get such tiny materials. The thought of handling such tiny things was exhilarating to me. I imagined I could make tiny dolls of characters I loved. I could make a tiny world.

Snow Queen OOAK doll by Suzanne Forbes May 2017I was still waiting to start my dollhouse then, still holding a space for that project open in my future.

Snow Queen by Suzanne Forbes May 2017I didn’t want to open the door to even more collecting and supply hoarding madness, I didn’t dare try such things myself, but I bought some porcelain doll parts and kept them.

I held my love for the teacup fairy in my heart, held the space for those tiny crystals dotting her bodice in my mind, setting the image gently in my mental room for miniature art.

Every time I moved, I packed my craft materials. My porcelain doll heads and limbs, my ever-growing collection of wired ribbon and metallic organza and silver cord and microbeads and glitter, travelled from St. Paul to Hartford to DC to Arlington to Alameda to Albany to Berkeley to North Berkeley to Albany to Glenview to West O to Oakland.

In Berkeley in 2000 I began building my dollhouse at last and collecting 1/12th scale action figures.

Miniature sex toys by Suzanne Forbes 2007

I subscribed to miniature magazines and went to miniature shows.

my first polymer clay OOAK doll by Suzanne Forbes 2011

my first polymer clay OOAK doll by Suzanne Forbes 2011

I met Monique Motil, dollmaker extraordinaire. I started sculpting little things with polymer clay for the dollhouse and reading about action figure customizing techniques.

I scoured the internet for methods, materials and supplies. And at our little Craftsman flat in Oakland in 2011, I finished my dollhouse and started making dolls.

I started my Snow Queen project in 2013.

I had been home to New York for holidays with my husband’s family and I had just seen snow for the first time in fifteen years. On a magical Christmas Eve we went to church in Freehold, New Jersey and when we came out delicate flakes were falling.

The night before In the city I’d stood at the rail of the skating rink in Bryant Park; a tween wiped out and came up laughing, clapping his cold hands over mine.Snow Queen in carriage with reindeer by Suzanne Forbes May 2017

I fell in love with the cold again, the way the stars get lean in a winter sky and the way everything is so sharp.

I remembered the way I loved the cold in WInter’s Tale, the way it muffled my footsteps when I walked through a silent Chinatown to buy heroin on New Year’s Day in 1989, the sparkling lavender twilight of April snow at the treatment center in St. Paul.

iridescent microbeads from MorezmoreIn the dark California January I drove to Michael’s and JoAnn Fabrics and Beverlys and bought bags full of 90% off Christmas decor. Icicles and glitter snow and white fur and pale iridescent sequins.

I ordered Swarovski crystals in colors like Silver Shadow, Moonlight and Opal. I discovered the amazing doll supplier MorezMore. I ordered nail decals of flocked snowflakes from China and Ball-jointed Doll clothing buckles from Taiwan. I bought pearlescent microbeads and fusible fairy films.

Snow Queen OOAK Doll by Suzanne ForbesI learned the sizes Swarovski crystals come in, and where to get the very tiniest.

tiniest-swarovski-crystalsI made the sledge first. The sledge is made of three different plastic Christmas ornament sleighs, some pvc holiday ornament pieces, polystyrene sheets and strips, clear polythene sheeting, crazy glue and balsa wood.

It’s all stuck together with epoxy clay, polished and sanded smooth. The shafts are the bow pieces of dollar sunglasses!

I got so many materials in the basement of Ace Hardware in Berkeley, in the huge model and railroad hobby section. I’d lean on the counter and talk techniques with the guys there for hours.

I primed the sledge with Krylon Primer for Plastics. You can read about my adventures with priming mixed plastics here and here. Then I spray-painted it with four shades of Tamiya pearl and flake model car paints, one of the most fascinating rabbit holes of materials I went down.

I spent a lot of time on model car boards, reading about how to avoid the dread “orange peel effect” and how to clear coat.

Our back steps were my spray room, and the California drought of those years was a huge asset, I gotta admit.

Snow Queen OOAK Doll by Suzanne ForbesI used crazy glue and Zap-A-Gap to bond the styrene, plastic and balsa elements.

I used a Japanese product called Sakura 3D Crystal Lacquer, which is used by Lolis and Harajuki girls to adhere bling, aka “decoden”, to their phones, to attach a lot of the sledge decor.

The sledge is decorated with hundreds of the very, very tiniest Swarovski crystals, some smaller than the head of a pin, laboriously applied while watching all seven (at the time) seasons of Supernatural (twice!) and tiny, tiny flocked and glittered snowflake nail art decals. And upholstered with silver velvet, button-tufted using pretty antique silver scrapbook art brads and quilt batting over cardstock. I glued the velvet to the cardstock with my beloved Quick Grip/Quick Grab, which is my absolute favorite for small textile work.

As any burner or steampunk can tell you, assemblage art lives or dies by its adhesives.

tiny-buckles-from-RIo-Rondo

The reindeer is made of a cellulose acetate reindeer from the ’50s, legs sawed off and replaced with new sculpts, and head, body and neck heavily re-sculpted.

This kind of Frankensteining is a classic action figure customizing technique; the materials and techniques for creating the miniature harness come from the model horse customizing community, and the handling of the mohair mane from the dollmaking world.

(I’m allergic to mohair, like wool, it turns out.)

I also used the 3D Crystal to get a clear dome over his eyes and a gloss of mucus in his nostrils. The flocking on his ears is nail artist’s flock- much cheaper than the art store!

Snow-Queen-by-Suzanne-Forbes-May-2017-reindeer-headshot-cu

Snow-Queen-by-Suzanne-Forbes-May-2017-reindeerThe tiny silver leather strips for the harness came mostly from a handbag making supply company in Los Angeles; I found it on etsy. I bought many different silver cords and strings at a passementarie shop in the New York Garment district during my second trip back East for the holidays. And for four years I saved every single piece of silver stuff I got, from silver elastic on dress tags to silver pvc on packaging.

Then I had to make a Snow Queen figure!

Snow queen doll WIP Suzanne ForbesI was totally ok with customizing an existing figure; my many hundred hours on action figure boards has made me very comfortable with the idea of remixing sculpture.

I would never, ever, ever copy another artist’s drawing or painting- or even their style- or use elements of someone else’s drawing or photograph in one of my drawings or paintings. I just don’t do that.

But sculpture is play to me, something I do for pleasure. I like the idea that assemblage art incorporates existing elements. And dollmakers commonly use finished porcelains from well-known sculptor to paint and dress. It’s a medium where collaboration is normal.

So ultimately I decided to use the top of a commercial resin mermaid and the legs of a resin fairy to build my Snow Queen.

Snow queen doll WIP Suzanne ForbesI sawed and sanded as needed, then fit the two halves together, and then I used epoxy clay to bulk out her body. Because I love muscle on women’s shoulders, and a big butt, aesthetically! I left her ribcage and waist slim because they would have layers of tiny fabric corseting on them.

And she needed boobs too, sculpted to fit in a square Elizabethan type bodice. Then I had to completely resculpt her face, to give her the strength and archness she needed.

And I needed to bulk up her thighs and sculpt boots on her feet. And lengthen her fingers. And sand off and resculpt her ears. I think she was resculpted, primed and sanded about ten times altogether. Her final finish was partly achieved with Mr. Surfacer priming medium, which i learned about from Daria’s dollmaking. She is streets more advanced than my crazy haphazardness!

By December of this year, my Jadis was close to finished at last.

project-kit-Snow-Queen-OOAK-Suzanne-ForbesI got the project box I brought over in the shipping container out, intending to paint and dress her.

But I got nervous about working on the project suddenly and instead I used up some of the extra materials in the project box making Fearless Pink Gay Santa and his Jolly Ally Reindeer. Which came out great! And I used the fusible fairy film and it was super cool!

Then I made a whole bunch of other dolls!  And sculptures! And mixed media stuff! And a mantis doll! Was my poor Snow Queen doll ever gonna get finished?

faceup-Snow-Queen-OOAK-by-Suzanne-Forbes-2017Yes, she was. Because even though it was now April, and she was no longer seasonal, I had just finished my leafy green beaded Swamp Thing corset (reveal soon!), the second to last of the projects I brought from Oakland.

I really wanted to knock out the last unfinished thing and get rid of the last “project box”. So I can start all my new Berlin projects!

With that thought in mind, I nerved myself up and just went for it. I used nail art brushes I bought for 1€ to paint her face because I didn’t want to buy expensive tiny brushes. I’d never painted anything tiny before and didn’t know if I’d like it. But it went great! And I love her snotty smug 80s made-up face! She looks like Jennifer Connelly in Labyrinth and Mia Sara in Legend, right?

Snow Queen OOAK Doll by Suzanne ForbesWigging and dressing her was easy, after that; Daria gave me a personal doll-wigging workshop last year and I have made so many tiny corsets now it’s NBD. And then she was, done, suddenly, after four years. In the green and glowing Spring, but so what? There will always be another Winter. She will look beautiful in the dark winter nights.

I’ve learned to trust the process with making art; I finish most things when it’s time for them to be finished.

What I’m saying here is, it’s okay to have a long game as an artist. In fact, the long game is pretty much the only game in town for most of us.

 

My first art show in Berlin – what a wonderful night!

Vernissage Suzanne Forbes photo by Sarah Kilcoyne May 12 2017

Thanks to my amazing friend Daria Rhein, who is a tattoo artist there, I met the lovely folks who own Tremuschi Ink Tattoo and Art Gallery in Friedrichshain.

vernissage tremuschi ink for Suzanne Forbes May 12 2017 by Uschi Tremuschi

vernissage for Suzanne Forbes May 12 2017 by Uschi Tremuschi

I was invited to show my works and we had a vernissage (that’s what we say in Europe instead of opening!) on Friday night.

The night before, Daria and her sib from another crib Marina helped me hang the show.

What a wonderful, glorious time we had! So many dear ones new and old attended.

Here you can see Miss Natasha Enquist chatting with a fellow whose name we couldn’t pronounce!

Nathan and Daria in front of Darias mural at Tremuschi Ink by Suzanne Forbes May 12th 2017Our friend Nathan, who was hub’s acupuncture doctor in the Bay, was in Berlin for re:publica, working his awesome new Makerspace networking startup, MakerNet.

He took care of Daria’s headache problem! One of my old lovers who lives in Berlin came and bought a piece. Our friends Ben and Ursula came and took the hubbin over to Santa Cantina, and returned with delicious Mexican food for me to nom.

vernissage for Suzanne Forbes at Tremuschi Ink May 12 2017My ESDIPBerlin fam came and represented, as well as new internet friends like curator Suzanne Wegh and Rah Hell of Berlin Uke rock band Donut Heart.

Several of the hub’s co-workers made it, as well as cool hackers from CCC, and lots of Berlin-based or soon to be Berlin-based programmers and Burners we hadn’t met before.

Half a dozen pieces sold immediately. I simply had the most wonderful time. I am happier here in Berlin with my hubbin than I have ever been in my life. Fifty is amazing; I am so grateful I lived, so grateful to be in long-term remission from depression, and to be able to make art.

My Patrons on Patreon make it all possible, so take a bow, supporters of the arts! I love you.

 

Another perfect Berlin day.

The graceful violinist by Suzanne Forbes March 17 2017On Friday I was feeling a little shaky. So I went rambling around Friedrichshain in the just-a-bit-raw weather with Daria, and felt immeasurably better.

pink musician March 17 2017 Suzanne ForbesOn the train I was working on the drawing of the violinist I started last week, (when we went to Dussman Cafe, pics soon), and then:

this guy with a pink accordozylophone thing got on!

Ninja drawing by Daria Rhein photo by Daria Rhein

Ninja drawing by Daria Rhein, photo by Daria Rhein

As I drew the guy I could hear Daria’s voice in my head saying “Don’t overwork it!”, just as I hear the voices of my teachers and mentors advising me at so many moments.

To be guided by the wisdom of artist friends is the best thing in the world.

We got china markers when we went to Modulor, because I hadn’t one for decades; here’s Daria’s first china marker drawing! I used a mix of greyscale marker and china marker on the musician drawings.

There is nothing, absolutely, nothing, like living and working around true peers for an artist.

Yesterday we went first to look at a possible flat for her and the adorable auburn-haired English lad. It was a really gorgeous perfectly reno’d altbau, in the absurdly desirable neighborhood around Boxy, about 700 sq. ft., rent about $750. Yes, you should still move to Berlin. Changes in the law meant to control rising rents appear to have worked, and you can still get an incredible place for what seems like nothing.

Then we went to Daria‘s tattoo studio Tremuschi Ink!

It is the coolest place ever in the world, absolutely not kidding.

Photo: Steffen Diemer, Model: Lexy Hell, Corset: Redcat 7. Hairpiece: icing

Photo: Steffen Diemer, Model: Lexy Hell, Corset: Redcat 7.

It is open in the front half to the incredibly charming handmade burlesque fashion design shop Redcat7, where a pink-haired gal manned the counter. One of the tattoo artists was working on sketches for a throw-up style tat; in the back Sammy, the designer and owner of Redcat7, was getting ready to be tattooed by Vivien.

They have benches and a tattoo bed and rests of every kind, to tattoo any part of you comfortably, and a big lightbox for composing designs, and a screened private area.

The walls are covered with framed art and there is a tag wall too.

After we rifled through all the pretties at Redcat, we walked to Aunt Benny.

Coexist Berlin Instagram shotIt was a long walk, through all the charms of Friedrichshain, past the coolest shops and dive bars and eis cafes and music shops and print shops where people were making beautiful real screen prints like people do in Berlin.

We had to go in to Coexist Berlin, a totally amazing punk pastelgoth alternative fashion shop for local and European designers.

I told the lovely pastel-haired designer of Indyanna who was working that it was like a perfect flashback to Betsey Johnson’s first store in Soho, Manic Panic and Trash & Vaudeville in the 80s.

Patches at Coexist BerlinIndyanna designs included a biker jacket lined with blue leopard and appliqued with blue glitter flames I badly coveted.

Ragged Priest dress

Ragged Priest dress

I bought an insane Tyvek paper jumpsuit in Patricia Field in 1980 and it was just the kind of thing Coexist would sell. Daria wanted this mesh flame dress by The Ragged Priest for her next tattoo convention– comfy but rad!

We arrived at Aunt Benny and met the lovely English girl Daria painted the last time she was there. I had mint lemonade since it was St. Patrick’s Day and we shared the really, really, really quite extremely good Carrot Ginger cake.

Everything looked gorgeously fresh and delicious. We sat in a secret alcove in the secret corner room that you get to by going to the WCs. We discussed getting a visa so I could go to visit Moscow with Daria later this year and see the magnificence of her home town.

Berlin, du bist so wunderbar!

An Ode to Creative Work by Behance from Behance on Vimeo.

Unterweg Drawings Nr. 4 – March!

Berlin clarinetists by Suzanne Forbes March 3 2017Lots of amazing unterweg drawing opportunities already this month!

These clarinet guys were reconstructed from a glimpse while my train was stopped at the platform they were on. I focused on details like their different styles of coat, their backpacks behind them, their hairstyles- so I not only didn’t get the specifics of the station, I don’t remember what station it was!

Accordionists at Yorckstrasse by Suzanne Forbes March 1 2017

Me and Daria went to a cafe in a cemetery, and it was the most wonderful place you could ever imagine.

I’m not telling which one, cause it’s too precious. When we left we saw these accordionists in the station, and she got on her train but I stayed to draw them. Using the set of grayscale markers I received as a 50th b-day gift from a beloved friend-muse-Patron has been so fun and rewarding.

Longboard by Suzanne Forbes March 1 2017Me and Daria went to Modulor, the legendary amazing Berlin art supply store. They have EVERYTHING. It is a terrible, evil place, just as she had warned me. We were running around saying “Bad, this is bad,  yes it is a bad place.” “Ok I just need this one more thing-” “Of course this too-”

Also the cafe there, Rock-Paper, has fantastic American style chocolate chip cookies. Better than serviceable Snap (which luckily has just opened a branch in our U-Bahn station), better than decent Scoom, even better than quite good Shakespeare and Sons. If you are in Berlin and your heart is aching for a real, American, gosh damm actual chocolate chip cookie, you should go to Rock-Paper.

On the way there and I back I drew this guy with the longest longboard I had seen since the early 80s. He said it was 1.4m.

Berlin, du bist so wunderbar!

 

Drawing Amanda Palmer in Berlin!

Amanda Palmer in my kitchen, by Suzanne Forbes Halloween 2016

Our longtime beloved FriendMusePatron Whitney was on tour this fall with her longtime friend Amanda Palmer.

On Halloween she and Amanda and baby Ash and the whole delightful entourage of cool people came to our house. I made this drawing of Amanda in the kitchen. Daria drew the same moment!

Amanda and I had only met once before, almost a decade ago, so we had some sad quiet time in my bedroom talking about our mutual friend Conor. Amanda’s blog still sends a reader almost every day to my post about how Conor lost his battle with depression and addiction.

I’m grateful that her fans are reading my message about how depression is a medical illness, not a failing of character.

While we talked baby Ash, a sweet-tempered and happy baby, crawled around the coverlet and peered at the cats. He has soulful, deep-set eyes. I love him.Amanda and Whitney practising Paperback Writer in Berlin by Suzanne Forbes Nov 1 2016

Then on the next day me and Daria got to go to the show and be backstage and draw and it was wonderful.

This is Whitney and Amanda practising “Paperback Writer” in the empty venue before the show. The show was at a legendary Berlin venue, Huxleys Neue Welt, and the acoustics were gorgeous. Their voices rose up pure and exquisite in the open space, and the piano was amazing.

When we came into the concert hall where Amanda was at the piano, she sang into the mike, “The artists have arrived!”. I would like to be introduced this way everywhere.

Amanda Palmer and Ash in the Green Room by Suzanne Forbes Nov 1 2016

Scotty the Blue Bunny in Berlin by Suzanne Forbes Nov 1 2016In the green room Ash was looked after by his nanny, who had been an on-point Eleven for Halloween, and old friends of Amanda’s who live in Berlin. His mother’s ear was always tuned to him, even as she got ready to perform.

Scotty the Blue Bunny, another Bay Area refugee now in Berlin, opened the show with his signature baton twirling. Amanda said she would like to be introduced this way everywhere she goes.

Amanda speaks fluent German, as you may or may not know, and fans were yelling “Your German is great!”

She spoke in German quite a bit and it went over gangbusters.

Here’s Amanda taking requests by writing them on her arm!

This is her traditional method of taking requests. The audience happily complied, yelling out song titles.Amanda Palmer taking requests in Berlin by Suzanne Forbes Nov 1 2016

And Amanda playing the ukulele. I fucking love when Amanda plays the ukulele!

Here’s Daria’s. It was so great, and I’m so grateful to have had the opportunity to be there and make these drawings. You can support both me and Amanda continuing to make exactly the art that feels most authentic to us on Patreon!

Amanda Palmer playing ukulele in Berlin by Suzanne Forbes Nov 1 2016

Amanda Palmer playing ukulele in Berlin by Suzanne Forbes Nov 1 2016

Amanda is in Melbourne right now, but in the US you can hear Whitney sing with group Midtown Social all over the Bay Area.

 

Adventures on the Ku’Damm, October 2016

Daria had to go the Apple store, so this guy helped us.Apple store guy by Suzanne Forbes Oct 2016

He had a lot more tattoos than I would have thought you could have to work in a corporate android rectory like the West Berlin Apple store!Walking the Ku'Damm Oct 2016 by Suzanne Forbes

San Francisco Skater Girls in Berlin.

San Francisco Skater Girls in Berlin October 18 2016 Suzanne Forbes On my way home from teaching at ESDIP Berlin I saw these badass skater girls.

I sat across from them on the U1 and politely asked if I could draw them, as I’ve learned to in Germany. But they were American, and it was totally fine with them! Turned out they were from the Bay Area, specifically all San Francisco born and raised.

“From inside the 7×7”, they told me, just as I always make it clear that I was born on Manhattan island.

I had just a few stops to draw them, so I finished a lot of the detail later. However, it is totally accurate that the stickers on their boards were all dogged out from grinding copings. I don’t think these vital, modern young women were riding fat old-school Kryptonics wheels; that’s just what skateboard wheels look like, to me. I loved that they had big wide decks.

My best friend in high school was a skater girl, in 1981, and she rode what she called a “rolling stage”.

I showed this to Daria while we were having some lovely cake in my kiez and she said she liked the right-hand girls much better, with their casual sketchy hands. She said the hands of the left-most girl were overworked. Too much information.

“You’re so strong in technical skills, in understanding the structure of the hand, you get caught up showing too much.”

San Francisco Skater Girls in Berlin October 18 2016 Suzanne Forbes She was right, of course. The most interesting and powerful thing about the whole scene to me was the way the girl on the left cupped her hands over the nose of her board, like it was the pommel of a saddle.

And by drawing every detail of her fingers, instead of leaving some space open, I’d made her hands pedantic and overdrawn.

I had lost the shock of her dark nails against her pale skin by adding too much black line detail.

If I were drawing this for reproduction, I would have changed it, as I did when Daria suggested I give the Three Ages of Woman more space around them. Instead, I restored some of the drama and focus I’d intended by making the left-hand girl’s shirt black. Interestingly, Daria didn’t make the same criticism about space with this drawing- I think she understood that the fact the girls fill the frame is meant to create a sense of intimacy and immediacy.

I wanted to show I was occupying the same space, briefly, as these fearless young women.

Mother, Maiden, Crone- the Ages of Woman at a Berlin bus stop.

mother-maiden-crone by Suzanne Forbes Sept 12 2016This is one of those lovely Berlin scenes I just got a quick look at.

Luckily, I had my mini sketchbook with me AND two of the women got on the bus with me, enabling me to get more details of their clothes. It was a Sunday afternoon in the West. The conked-out girl in the leather jacket was obviously walk-of-faming it back from a club night (in Berlin you wear sensible shoes to the club, not heels. I had to wake her up and tell her the bus was arriving, which she appreciated!).

I worked on the drawing over a couple of days and when I showed it to Daria she said it needed more space, the ladies needed to breathe.

She was absolutely right, of course. She also suggested I push the characters a little more- make the older German lady even more grouchy and vigilant, make the Muslim lady more clearly heading home to her family. So I photocopied it onto an A4 sheet and finished the details at the expanded size.sketches-wip-by-suzanne-forbes-sept-2016

I added a grocery bag beside the “Mother” lady, with a baguette to represent grain and Demeter.

I enhanced the frown of the “Crone”, who was really quite pissed off about the bus running late. And I added more leaves, to represent the cycle of life and Persephone.

sketches-wip-by-suzanne-forbes-sept-2016-When I copy an ink drawing I often take advantage of the opportunity to make any corrections with white-out tape, as you can see here. I redrew the Crone’s right hand so her fingers popped more against the black of the Maiden’s jacket.

I also used the white-out tape to eliminate the edges from the copying; the white line is where the drawing originally ended.

Sure, I could use Photoshop, but this is way faster than trying to launch any kind of photo-editing program on my poor little Chromebook!