Tag Archives: mixed media insect

Something beautiful for a sad month: bead embroidery!

beetle embroidery by Suzanne Forbes Feb 2017I made this embroidered beetle to lift my heart and give me the strength that working with color and sparkle does. It was part of my automatic-writing-for-art approach this month, like the Monster doll armada.beetle embroidery by Suzanne Forbes Feb 2017

I just reached into my textile materials drawer and grabbed some scraps and bits, and told myself, You gotta make something with these.

bead embroidery appliques Suzanne Forbes 2017 1There are four different types of lacework fabric and delicate cotton paper layered on a blue felt base, bits left from the very first materials I bought at my earliest trips to the art store in Berlin.

I used them in my mantis project our first summer here, and in some bug embroideries with sheer wings.

The blue felt undersurface is left over from the backing of the Hearts Afire pieces I made for my Cake Level Patrons in 2016.

beetle embroidery by Suzanne Forbes Feb 2017Plus bead overflow from the Green Woman corset I’m working on, which is related to the Green Leaf Crowns I made last summer! I planned that project back in 2013-14 and brought all the materials in the shipping container.

You can see my project kit* for the Green Woman project at the top of these pics; I just raided it for beads and bling! This is the mess on a day I worked for eleven hours straight, just fiending on colors and sparkle.

I learn so much from studying the work of Game of Thrones embroidery artist Michele Carragher.

bead embroidery appliques Suzanne Forbes 2017 She has really radical approaches to layering sheer or lacework materials and doing bead embroidery in three dimensions.

I look forward to exploring ideas I borrowed from her for the mantis, like a wire lattice for sheer wings. Maybe this summer!

I also learned from her to do my bead embroidery in a hoop, whether or not it’s going to remain in the hoop.

Doing bead embroidery on the surface you plan to display it on – especially clothing- is for suckers. It’s like melting chocolate in a double boiler.

Much easier, stronger, safer and neater to embroider or bead embroider on a sheer surface in a hoop. If your threads aren’t meltable you can iron a light interfacing onto the back to protect the finished embroidery, cut around the embroidery design, then sew it onto your clothes or lampshade or corset or whatever.

If your threads are synthetic and meltable, but you’re really worried about the strength/structural integrity of the piece, you can wipe a thin coat of archival gel glue on the back. Like E6000! I touched every knot on the back of this beetle with a bit of Tacky Glue, just to be sure it’s heirloom solid. I have to charge a lot for embroidery pieces, since they take a minimum of 30 hours to make, so I like to be sure they’re for the ages.

*project kit: I have a half dozen project kits still neatly boxed up and waiting in my workshop cabinets. I organize all the materials and supplies I need for a project into a “kit” that makes it easy to bust into and tackle. All those 90% off post-holiday sales at Michaels and JoAnn’s, all those years of saving every scrap of ribbon from a present, every bit of wrapping paper for a shadowbox or decoupage! I’ve been blazing through projects, I’ve finished at least a dozen since I finished building the kitchen/workshop, but I brought a LOT in the container.

Valentines Monster Doll Armada.

Monster dolls by Suzanne Forbes Feb 2017I spent sooooo much time making these dolls!

weasel claw doll by Suzanne Forbes Feb 2017I had a crazy rare week of being virtually fatigue-free and on a “normal person” sleep schedule, where I woke up between 7 and 9 and went to bed around 10 to midnight.

The last period I can remember like that was around 2008. I took mad advantage of the good light and the long days, and worked on the dolls ten or twelve hours a day.

I approached the project with a kind of relaxed enforced serendipity- I would just reach in the doll making drawer and grab and handful of materials. Then I’d see what I could make with the bits of legs, arms, fur and plastic bugs I’d grabbed. It was like putting together puzzles.wip doll by Suzanne Forbesbarbie faun maenad wip Suzanne Forbes Feb 2017

Bricoleurs are machines that make junk into art.

There is a powerful mental image for me when I work on stuff like this. I always think of the Boxmaker in Count Zero, the AI fragments/loa that uses Tessier-Ashpool relicts to make Cornell boxes. The idea of being a machine that recycles scraps and pieces of artifacts into new artifacts is so beautiful and restorative to me.

dollmaking Suzanne Forbes 2017dollmaking Suzanne Forbes 2017dollmaking Suzanne Forbes 2017

I’ve been cutting up my dolls and making them over my whole life.

Maenad Faun Barbie by Suzanne Forbes Feb 2017

My best friend Victoria and I used to chop off their hair, paint them with Mercurochrome for fake blood, and drop them out the window of her parents’ loft on Great Jones St.

They would land on the hoods of the cars in the parking lot below, tiny sacrifices.spiderella dolly by Suzanne Forbes Feb 2017

I used to use the fireplace tongs to hold my Flatsie dolls in the wood stove at our cabin in the Adirondacks, revealing their wire armatures.

I never minded the smell of burning plastic; I was too fascinated by the structure being revealed and the way the arms melted off.

Dolls are intrinsically powerful; they come pre-loaded with content.

Add pink housewife dresses and the horns of a genderbent Herne, and you have a semiotic shorthand that anyone can parse. They are little totems, little ration packs. I lavished them with the tiniest Swarovski crystals, leftover fur from one of Daria’s dolls, velvet ribbon, and microbeads, because pretty and scary are my favorite mix.

Like many artists I know, I’ve been deeply inspired by the idea of being called a “nasty woman”.

Monster doll mouth by Suzanne Forbes Feb 2017I love that idea, I love the entire notion of reclaiming my nastiness and ugliness and witchiness and harpiness and shrillness and bitey-rage-creature-ness.

I am completely ready to embrace my monsterhood and the monsterwoman-ness of all the monster people of all genders and origins and being-hoods. Be maenads, and rage!

Anyone who has a problem with the furious girl-child inside me who cut the heads off dolls can take it up with my glorious, furious, terrifying grown-ass woman monster-self. Lotsa luck, as we say where I come from.Monster dolls by Suzanne Forbes Feb 2017

 

Making is my medicine: 40 hours of moth embroidery.

Grey Embroidered Moth by Suzanne Forbes January 2017I spent a week of my life this month making this moth.

Grey Embroidered Moth by Suzanne Forbes January 2017I don’t know if it was the best use of my time at this frightening time, but I do know I wasn’t capable of going out and protesting.

I’ve been barely able to function, this month.

Making something beautiful was the only thing I could contribute to the world. So I kept doing that.

Doing handwork, “Women’s Work.” Stabbing something 6,000 times.

I’ve spent a lot of time doing what I call “running background processes” this month.

Grey Embroidered Moth by Suzanne Forbes January 2017I’m working on a very hard to write piece about sexual violence, and the words tumble around in my head like stones in a polisher.

I can think about it for tiny snippets at a time, and then I turn to the comfort of sparkle and glimmer and applying tiny hematite crystals one at a time for hours.

Everything about the Cheeto “President” triggers me. I am constantly triggered. It sucks. I can’t sleep during the American news cycle, so I’m up from 6pm to 11am.

I don’t know the name of the woman who made this protest sign for the Women’s March, but she is a hero. A real live art hero.

protest embroidery

Beauty is my medicine: Making pretty things for comfort.

 Embroidered insect by Suzanne Forbes 2017 Embroidered insect by Suzanne Forbes 2017This is the second large embroidery piece I started and finished this month.

I did this one mostly over the Women’s March Weekend.

 Embroidered insect by Suzanne Forbes 2017

It’s super pink!

embroidered insect by Suzanne Forbes 2017 work in progress   embroidered insect by Suzanne Forbes 2017 work in progress

I really need to make things of beauty at dark times, when I’m not personally depressed but the world is frighteningly fucked up.

embroidered insect by Suzanne Forbes 2017 work in progressI’ve been posting snippets of my works in progress and moments in the life of a working artist, plus kitties, on my new Instagram account. People seem to appreciate seeing art a lot right now.

I hate being in the ecosphere of a Zuck property, but it’s the best place to keep up with my loved ones these days, and an amazing place to connect with what other artists are doing.

Maybe I’ll see you there!

October/November bricolage roundup: More Extreme Gothic Crafting.

Between Halloween and the Orange Catastrophe, I never posted most of the things I made in October.OctNov Bricolage Suzanne Forbes

And of course I’ve been making more in November, because handwork is my safe place.

Suzanne Forbes crazy quilt mantel scarf Halloween 2016I worked on the beaded crazy quilt mantel scarf for quite a while after Halloween, once I finally got my sewing machine working here.Suzanne Forbes crazy quilt mantel scarf Halloween 2016

You need a step-up step-down transformer to operate a US sewing machine in Germany.

However my machine is a computerized one with great automatic thread tensioning and I was terrified that the sheer power of European wall current would fry it. Finally I nerved myself up, plugged in the transformer and it was fine. The transformer gives off a bit of a chemical smell as it heats up, but that kind of thing never bothers me.

I’m still a raging helpless amateur on the sewing machine, anything I sew looks like wombat knitting.

Of course, I’ve spent a lot of time around extraordinary couture seamtresses and costumiéres, and I know I’ll never be even a regular competent sewer. But I don’t care. Using the machine makes me feel powerful and capable and it’s just so magic and fun.

My plan is to take the mantel scarf out before Halloween every year and add more beading, embroidery and quilting.

Halloween mini top hat project Suzanne Forbes

Halloween mini top hat project Suzanne Forbes

 

This hat is one of my “Uplift” projects. I found it in a 75% off bin at Michaels the fall before we left, coming apart, and threw it in the “Halloween Crafts on Arrival” box for the shipping container.

I love to carefully glue crappy things, and fix their carelessly made bits, and then add hours of careful crystal decoration and a vintage jet bead. I had these rooster feathers that precisely matched some scraps of sequin in the sequin trim scrap bag I got at Discount Fabrics for $5 years ago. Isn’t that nuts how they match?

black-horns-suzanne-forbes-2016black-horns-detail-suzanne-forbes-2016

I also spent a lot of time adding Swarovski crystals to a deer skull.

gilt horns Suzanne Forbes 2016And gold leafing another skull. I used this weird star-patterned variegated gold leaf I got at Idée for super cheap; with my usual fingerpainting leafing technique, it didn’t really show.

After I leafed it I varnished it with acrylic glaze, then rubbed the still-tacky glaze with this pure bronze pigment powder. I bought the jar at the art-school art supply store in college in 1990 ’cause it was in a discount bin; I’ve still barely made a dent in it and I have used it for SO MANY THINGS.

Daria thought the black crystal-decorated skull was a little passé. Like, so gothsterday. Ah well, there’s no pleasing the young.

I also cleverly framed this creepy eye I painted back in February in this creepy frame.Eye painting by Suzanne Forbes 2016

passementarie-embroidered-pillow-editedCreepy, right? And I did the first test of using my machine to add passementerie trim to one of my pillows that for some unknown reason, did not already have trim on it.

I had been feeling bad for this poor, undecorated pillow for years.

target-halloween-talking-old-time-radioAlso, I got this incredible animatronic talking vintage radio at Target in the US in September, and carefully brought it home.

halloween-haunted-radioHowever, it needed work; both Daria and I felt that the way the lights flashed around the top was overkill and not so nice.

So I painted the white faux-Bakelite strip black, applied varnish, roughly gold-leafed it with the same cheap variegated leaf, then used the bronze powder on it. And then Daria distressed it with more black paint, because she said it was still too glitzy. She was right, of course.

making cupcakes Suzanne Forbes 2016I probably would have made a lot more stuff in October, but I was really busy baking for Halloween.

And in November I was so stressed before the US election and so gutted afterwards that I lost a lot of creative time. And Leonard Cohen died. What the fucking fuck, 2016.

I’m trying to catch up.

At least cats are on hand to supervise.Halloween cupcakes Suzanne Forbes 2016
cat-supervisors

September bricolage roundup- frames and framing!

creepy Halloween bug frames by Suzanne Forbes 2016Lots of frames!

postcard-back-editedI am always catching up on framing. I wanted to frame two of the lovely drawings of me by students from the ESDIP Summer Illustration Program, as well as more creepy dollar store lenticulars I brought from the US for Halloween decor.

And I finally found a copper frame that was just right for this postcard from beloved friend-muse-Patron Audrey Penven‘s 2011 show.

Floating frames are perfect for postcards because you can look at the back as well. blue frames

For the student’s drawings I bought frames that were blue to start with, since they would be going in the salon.

(I have a gallery of portraits of me drawn by other artists, because I really believe in portraiture for life documentation. “I’m not just the President, I’m also a client!”.)

I wanted the frames to be a little more special and integrate with the mostly silver and gold existing frames, so I silver-leafed them.

To give the glossy frame a little more tooth on its surface, I scuff-sanded it with a nail file.silver-leafingsilver-fingertipsThen I quickly glazed the frames with some clear polyurethane craft varnish (I was out of my other clear glazing mediums) and stuck bits of silver leaf all over them.

My VERY unorthodox method is to then tap and rub the leaf on the still-sticky frame, picking up bits of leaf with my tacky fingertips and tearing the pieces already attached.

Once I had a nice pattern of distressed leafing, I mixed up a little acrylic paint and used a sponge brush and my fingertips to roughly add some variegated color that partially obscured the leaf.

I found the blue plastic adhesive-backed curleques, made for scrapbooking, when I pulled out the leaf package, so I threw them on there too. More rococo!adding-curliques

safety-third-editedOnce I was done with the painting and the frames were dry, I gave them a thin coat of translucent pearly-gold craft acrylic.

Please note that as is the tradition of my people, I completely disregarded the safety instructions on the back of the large frame. Safety Third!

I’m pleased with the results and happy to have my students’ work hanging in the gallery. Viviane is impressed with my efforts as well, apparently.leafed-frames-edited

Meanwhile, I was also working on the Halloween projects.creepy Halloween bug frames by Suzanne Forbes 2016bug frame in progress by Suzanne Forbes

salt-and-watercolor-mat
rhinestone flourishesFor the frames, I used the last of the laser-cut wood frames I bought at Michael’s a couple years ago. 

I had painted them black in Oakland, so I just needed to add some black bugs and some of these pre-formed glass rhinestone motifs.

I find these “rhinestone flourishes” useful for Extreme Crafting situations, where you have multiple projects going and need to bust out some finished projects tonight.

creepy Halloween bug frame by Suzanne Forbes 2016creepy Halloween bug frames by Suzanne Forbes 2016I cut the designs up and move them around as needed, and supplement with actual glass hotfix rhinestones from my stash to finish the details.

I also take a brush and quickly paint black over the most obvious areas of the vinyl adhesive strip that the crystal “flourish” is on.

The greenish bugs had white undersides, so I dry-brushed them with black at the same time to help them integrate into the frame.

I painted the whole green bug frame with multiple coats of Plaid FolkArt “Extreme Glitter” (hey, that’s what it’s called) transparent acrylic glaze with glitter.

creepy Halloween bug frames by Suzanne Forbes 2016I’m not generally a fan of the “craft” acrylic paints that come in bottles for anything, but I make an exception for sheer glitter, metallic or pearl glazes.

They go on very smoothly, they’re buildable and the tough, rubbery finish stands up to household use. If I could paint my hair with them, I would.

Next month’s bricolage roundup will be all Halloween, all the time- I’m working on half a dozen other Halloween projects besides the beaded mantel scarf I’ll post tomorrow.

 

Horribella Mark V, a hideous Gothic-Rococo Dolly!

Horrible dolly sunlight shot Suzanne Forbes Sept 2016I had absolutely no intention of making another Horribella at 8pm last night.

Horrible dolly miniature corset laces Suzanne Forbes Sept 2016I particularly had no intention of using a single strand of embroidery floss to make tiny corset laces and tying tiny bunny loops with it, because I hate tying the tiny bunny loops. I went out the door for a night walk, and wandered a few blocks to the main shopping plaza.

I “accidentally” stopped in at TKMaxx to check out the Halloween stuff. There wasn’t much Halloween stuff (they get a little because they share inventory with the US TJ Maxx stores) but I saw this display cloche- with the base already painted blue.

Horrible dolly by Suzanne Forbes Sept 2016I had an instant vision of a Gothic Rococo Horribella.

Horrible dolly hero shot Suzanne Forbes Sept 2016The last one lives in the library, because she matches the colors in there; I suddenly wanted one for the salon!  I bought the cloche and a foot massager for the hubbin and hurried home.

Then I spent the next ten hours working nonstop like a fiend on the new dolly.

Even though I’ve been teaching, drawing, painting, embroidering and writing all month. I was so excited I never even took off my bra when I got home. Normally my front door is an Instant Bra Removal Field.

Making these dollies demands a kind of flow state where I grab things and glue things and melt things without stopping to think.

If I stop to think, I remember I have virtually no training in mixed media or sculpture and never intended to make this kind of art. So I don’t stop.

During the year of packing for the move, I had episodes where I managed my stress by meticulously, dementedly organizing every scrap of craft supplies I own. It was not an efficient use of my time, but it kept me sane. I had a vision of using all this stuff, in Berlin.

dollmaking worktable Suzanne Forbes Sept 2016Horrible dolly back with miniature corset Suzanne Forbes Sept 2016That meant when my workshop was finished, all I had to do was pop all the neatly bagged/sorted/labelled supplies into the drawers, and I now know where everything is.

My workshop is a decent imitation of the greatest art & crafts workshop I know, that of my friend Monique Motil.Horrible doll wings Suzanne Forbes Sept 2016

I’m busting through projects and finally, finally using things I have had for years. Decades.

I used four different scraps of wired pink French ribbon on this dolly, and two of them dated back to the craft projects for my first marriage.

These scraps of ribbon have moved from St. Paul to Hartford to DC to Arlington to Alameda to Albany to Berkeley to North Berkeley to Albany to Oakland to Berlin. They have been in storage three times. I’ve had fifteen apartments, dozens of jobs, and three husbands.

Horrible dolly salon Suzanne Forbes Sept 2016

You know what’s fantastic about getting older, being happy and feeling safe?

Horrible dolly in salon Suzanne Forbes Sept 2016You can finally say, if not now, when? If not me, who? There will never be a better project to use any of these things on than the one in front of me right now.

Every piece of ribbon from a present I carefully saved, every pair of feet I cut off a plastic monster or pair of wings I cut off a plastic bug- all of this stuff is going in the hopper. I used a satin-covered button from a silk nightshirt I owned in 1992 to make the base of this Horribella’s hat. It took four tries, four little pieces of embroidered stag beetle ribbon used up, to get it to look right.

Don’t care! It’s my weird stuff and my weird lifelong decorator crab shell of crap, I’m gonna use it all!

Horrible dolly Suzanne Forbes Sept 2016I used eleven different ribbons/trims, four adhesives, epoxy clay, primer, spray paint, plastic toys, nail flocking powder and parts of three plastic bugs to make her, and I think she is the best Horribella yet. She is truly a Horrible Dolly. I am going to make all the horrible things.dolly feetz Suzanne Forbes Sept 2016

dolly spider Suzanne Forbes Sept 2016I didn’t just make a new Horribella last night.

I also started a hideous Spider Lady with monster feet. She is going to be truly dreadful. I have lots of tutorials to study on my dollmaking Pinboard!

Look for continued unpleasant doll developments this September.

As always, when I make a doll I am deeply indebted to the incredible inspiration of Monique, creator of the incomparably creepy and beautiful Sartorial Creatures.

Horribella Mark IV: an unpleasant Victorianish doll-thing!

Horribella Mark 4 by Suzanne Forbes July 2016 Look at this horrible thing I made!

I am blowing through projects that have been waiting over a year, now that my workshop is finished. It’s so easy and comfortable to use and access all my tools and materials, and the light is so good in our kitchen. I’m especially thrilled to have finished my own Horribella doll at last!

Horribella Mark 1 by Suzanne Forbes coll. Ramon

The first Horribella was made as a host gift for a fae-themed party thrown by one of my beloved friend-muse-patrons. Her wings were hand-decorated with many crystals.

I particularly like the way the corset of this one came out.

The second was bought by one of my beloved friend-muse-patrons and lives in her SOMA loft.Horribella Mark 2 by Suzanne Forbes coll. Eva

Horribella Mark 3 by Suzanne Forbes coll. AimeeAnd the third was traded to my friend Aimee Baldwin, for one of her extraordinary vegan taxidermy creations ( a mantis of course!).

I was really devastated to give up the third one, since it was so specially unpleasant, but I wanted that mantis badly.

Horribella Mark 4 by Suzanne Forbes July 2016 So I saved the other half of the iridescent flower at the top of the corset (originally scavenged from the wings of some drugstore fairy doll that became a mermaid in a shadowbox at least a decade ago).Horribella Mark 4 by Suzanne Forbes July 2016

Then I saved the particular trims I used, and enough of the superfine damson-colored leather strips I ordered from a purse company in LA, and a tiny bit of the pleated burgundy lace, and just enough of the bug-printed emerald green French wired ribbon.

 

 

I sculpted a new body and head and painted them, but there was a reaction between the paint and primer.

Horribella Mark 4 by Suzanne Forbes July 2016 trainSpray painting plastic, no matter how much time you spend on The Fwoosh, is unpredictable. So I had to scrape off the paint and reprime the pieces, and then pack them, because it was time to move to Berlin.Horribella Mark 4 by Suzanne Forbes July 2016

I was terrified that off-gassing primer/paint reaction could start a fire, so I waited to pack them ’til the very last day, and wound up throwing the pieces in a little box within one of the randomly packed boxes of the morning we left. Even though this project was incredibly important to me! And the materials to dress her were packed separately of course.

I am a crazy person, and sadly not always in a fun way.

Horribella Mark 4 by Suzanne Forbes July 2016

(Yes, I started packing one year before we left, and I was still packing the DAY we left. Probably I shouldn’t have spent so many nights obsessively organizing my mixed media materials before we left. But it did make unpacking them an utter delight.)

Horribella Mark 4 by Suzanne Forbes July 2016

 

 

 

 

So it was all horribly stressful! And I was still afraid that my Frankenstein mix of paints and solvents would start a fire and burn up our storage unit or shipping container!

But there was no fire, and the ship didn’t sink, and the train didn’t crash, and the truck didn’t go into a snowbank, and the box didn’t get dropped, and nothing got lost, and so I was able to assemble a Horribella of my own at last. She is not for sale!

As always when I make a doll, I am deeply indebted to my beloved friend-muse-Patron Monique Motil, creator of Sartorial Creatures and the most inspiring dollmaker I know.

 

My workshop/mixed media studio, finally built!

In honor of National Week of Making, proclaimed by Obama!Workshop_Suzanne_Forbes_artist_2016

I don't love order so much as I hate chaos.

I don’t love order so much as I hate chaos.

tools2

Our apartment came with an enormous kitchen. An enormous, empty kitchen.

kitchenLike most Berlin apartments, it had no sink, stove, fridge, cabinets or counters. Just pipes sticking out of the wall. We bought an initial basic kitchen setup through a very kind gift from D’s grandfather.

I designed the overall kitchen wall, figured out what the minimum to start was, had the IKEA cabinets delivered and built them. Then a handyman named Tyler helped me install them.kitchen plan Suzanne Forbes 2015

That was only the beginning. I had never thought about combining kitchen & office & craft room, but the minute I did I was sold 100%.

So I came up with the idea of making the other big empty wall my workshop/machine room. Here’s the first rough iteration, made in November.workshop rough Suzanne Forbes 2015

Normally, the tools and appliances of an office and workshop look awkward as hell in any (Gothic-Rococo-Victorian Brothel) room I design.

But it happens I like a white kitchen, and our kitchen happens to have incredible lighting.

So it was the perfect place to put things like a printer and my sewing machine, and hopefully eventually a 3D printer and milling machine.

workspace table plan Suzanne Forbes 2015

I was enjoying doing my embroidery at the kitchen table, in the bright, even light, enormously.

So I decided there should be a worktable in the center, where we could eat if we ever wanted to eat in the kitchen instead of in the library while watching Silicon Valley.
island rough Suzanne Forbes 2015

 

 

At New Year’s when we had friends cooking in the kitchen it became clear we needed a good-sized island as well.

islandI agonized over the aspect ratio and measurements before finally going with a simple design that could be both sewing table and food prep surface. The whole thing cost less than 130 euros in the end, but it’s very solid.

It will have nice cute handles like the machine wall eventually, I just ran out of money.

Then I designed the machine wall in detail. workshop plan Suzanne Forbes 2015

There had to be a place for the ladder, and for blank canvas storage, and the, um, annoying amounts of recycling German living generates.

I needed big flat shelves to store drawings and shelves and lots of deep drawers for materials. And of course it had to cost as little as possible. Since food comes slightly before making stuff, I focused on the kitchen part first.

kit2

Kitchen side, not quite finished but getting close!

I found a great handyperson, James, an Australian fellow who has all the tools in the world, and we worked together to build the rest of the kitchen side wall. It came out pretty well! We haven’t had money for a dryer yet, but in time.

There will be cool newsprint curtains over the open shelves- I hate open shelving, no matter how hot it is on Apartment Therapy.

This month we finally had enough cash to buy the cabinets for the machine wall.

tools3Ikea delivered them and then I spent five gruelling days building them. It was a lot of work but saved us easily 300 euros even at cheap Berlin labor rates.

James and Jason, another Ozzie, hung the cabinets and suddenly there it was, my workshop.

 

My organization of mixed media materials is very much inspired by my beloved friend/muse/patron Monique Motil, an artist who manages her studio space as beautifully as she creates.

fabric storageThis Thursday was the shakedown cruise. Daria and Ian came over and we ran all the systems- printing, drawing, ironing decals onto fabric, using every tool in every drawer.
bins

Doll hospital and um, laboratory.

Doll hospital and um, laboratory.

 

 

 

 

 

 

 

toolsI can honestly say my design worked beautifully.

I opened the second leaf on the table and we all had room to sit and work, and any time we needed something- “Let’s cut the stickers with deckle-edge scissors!” or “Let’s see if we can use the decals to make pendants!” – I could just grab whatever tool or material we needed out of the drawers and cabinets.norden-klapptisch-wei-__0104381_PE251365_S4

 

 

When the left-hand leaf is closed, it’s a perfect setup for me to work alone- the drawers are in the right place for a lefty 🙂

We had the most incredible, exhilarating night collaborating in my new workspace.

I know we worked really hard to get to this life, but I still feel like we’ve been given a miracle beyond imagining.

 

Beaded Beetle!

embroidered beetle Suzanne Forbes 2016I was just started to mess around with adding beads and fabric to my embroidered works when we left the States, as seen in my mermaid pinup piece. In the interregnum between then and our stuff arriving, I really started to experiment with materials like plastic wrap and Swarovski crystals.embroidered_beetle_Suzanne_Forbes_2016

Now I’m unpacking my lifetime stash of beads and crystals and ribbon, and this beetle is just the beginning!

lagniappe: I use gold paint to freehand sketch the outline of the works on black felt. I wanted the gold to show through here and there with this one, and it didn’t quite work out, so I’m going to try it again with maybe another subject.