Tag Archives: mixed media sculpture

Horrific insect Gothic Rococo mirror project for the Salon!

By Suzanne Forbes Gothic Rococo insect mirror 2017I made this hideous pastel nightmare of a rococo mirror over last weekend.

bug bricolage art and sculpture by Suzanne Forbes 2017I documented the process extensively for the folks who enjoy DIY how-ya-dos and the backstory to my bricolage projects!

First, I washed the lightweight plastic mirror frame I got at our local Woolworth’s for 2,99. Then I used a glue gun to attach a selection of plastic bugs, also thoroughly washed with hot water and soap.

Always wash plastic items well before attempting to paint!

There may be mold release still on them, there could be skin oils, cooking grease, anything. And any foreign substance will reduce primer adhesion.

A glue gun is really my favorite medium for attaching plastic bugs. It makes a nice solid bond to most plastics, which many adhesives of vaunted power cannot do. There is none of the risk of frosting your surfaces which cyanoacrylates like Super Glue and Zap present. Of course, I would never use only glue gun glue, because – it melts when it gets too hot! How hot?

Many glue stick glues will soften in a hot car, at least on the dash.

By Suzanne Forbes Gothic Rococo insect mirror 2017Plus, I wanted the bugs to look they were sculpted out of or onto the surface of the frame, like a bas relief. I added a bunch of plastic flowers left over from my various jewelry projects, and then I used my beloved epoxy clay, in my favored Apoxie Sculpt White (which is gray), to further secure and incorporate the bugs.

I did a rough pass with the clay, filling in gaps, and then hit the whole thing with primer. I was tormented about choosing spray primers here, because I had a good system going in the US but this is the Land of No Krylon.

It’s VERY hard to find a primer for plastic that will really bond to hard plastic items like bugs and action figures and allow you paint over it with acrylics, glue things to it and spray paint shiny finishes on it.

I’ve spent many hours reading action figure customizing sites, model car boards and model magazines, puzzling over primer and paint and plastic.

Here, I finally found and bought the Primer for Plastic by the ubiquitous (and excellent) German spraypaint company Dupli-Color. I also bought a can of Dupli-Color plain white primer. Good thing, because imagine my surprise at learning the primer was CLEAR! I shouldn’t have been surprised, because the cap was clear. Oh well.

Reading some full-size car detailing sites, I gathered it is a chemical scuff or so-called chemical sander, a surfacing agent that creates “tooth” for the paint to adhere to. People raved about the performance, but noted it’s hard to see if you’re getting good coverage with a clear primer. And since I wanted a white base, I needed to spray the whole mirror white next. Then I added color!Suzanne Forbes Gothic Rococo Insect frame 2017 collage WIP

The last picture is after the second color pass, with initial detail cleanup and color unification by means of dry brushing, washes and scumbling.

By Suzanne Forbes Gothic Rococo insect mirror 2017Here’s a detail shot of the frame after the pearl pass, made with a sheer pearl finish acrylic from the craft company Plaid’s FolkArt line. After the pearl coat, I added black glitter in clear acrylic varnish, “Extreme Glitter“. I used the pearl on the highlights and the black glitter on the midtone transitions into dark areas, but not the dark areas themselves.

I like these crafts paints for final coatings because they have a tough finish and will go on over most surfaces.

By Suzanne Forbes Gothic Rococo insect mirror 2017The last thing I added was a scattering of Swarovski crystals and iridescent crystal eyes.

By Suzanne Forbes Gothic Rococo insect mirror 2017I’m really happy with how the whole thing came out!

This piece is a hilarious mix of my BFA in Fine Arts/Painting, and thousands of hours studying action figure customizing and model making techniques.

I made an earlier version of this, a round bug mirror in blue and green shades, but I finished it right before we left for Germany.

I was terrified about leaving it in a hot storage locker in San Leandro for months, because there were so many coats of primer and different solvents involved in making it- not all of which might be fully off-gassed!

So I gave it to my friend Molly, instead.  And now I have my own.

Learning to sculpt: an ongoing relationship with epoxy clay.

Sculpted goat foot candleholder by Suzanne Forbes Feb 28 2017I finally finished this terrifying goat foot candlestick!

WIP goat foot candleholder sculpted by Suzanne Forbes Feb 28 2016I started it in 2015, at our first apartment in Berlin.

I had seen something similar on some luxury housewares or design website, and I was like, I can make that! Plus, it’ll be great sculpting practice!

It’s built on a tall narrow glass caper jar, the lid of the caper jar, tin foil and wooden rings from the craft store.

It was months before our stuff arrived in the shipping container, so I used what was around!

Once I had built the base, I had to cover it with fur.

Each row of fur tufts has to harden before the next one can be sculpted (unless you want to be really careful, and I never manage to be careful enough; I always wind up squishing what I just laboriously sculpted).  So each time I worked on a project that used epoxy clay, I would save a little bit at the end to add a row of fur tufts. There are roughly fourteen rows, so that’s a lot of projects!

Once I added the last row of fur last night, I started a new project.

bug bricolage art by Suzanne Forbes 2017 WIPI bought this rococo mirror* made of some weightless extruded foam plastic during my art supply mission on Saturday.

used a glue gun to quickly affix the bugs and flowers and fill in any space between them and the frame. Then I did a first pass with epoxy clay.

I used it to reinforce the attachment of little legs (it’s very strong) and sculpt new curlicues to incorporate the bug shapes.

When we get a warm sunny day I’ll hit the whole thing with white primer for plastic (which I finally found here, in the excellent DupliColor brand) so I have a uniform surface and can add detail better. Then add paint and Swarovski crystals!WIP bug bricolage art and sculpture by Suzanne Forbes 2017

Done with that, I hauled out all my other sculpture projects from 2015 and started finishing them up!

Diana bust WIP sculpture by Suzanne Forbes 2017Diana bust WIP sculpture by Suzanne Forbes 2017One of the wonderful things about epoxy clay is that you can apply it directly over practically anything, including baked polymer clay, like the mantis.

You can read about the start of the mantis here, and you can read in great detail about my experience beginning to sculpt and learning to use epoxy clay here.

It’s so much easier to work on the hair of my Diana bust now that I’ve had all this experience making fur!

I’ll keep you guys posted on the process of all these projects, unless I get derailed by some new obsession and they go back in the queue!

goat foot candlestick by Suzanne Forbes Feb 28 2017 WIPWhile I was painting the goat foot with many layers of metallic paints, I mixed up too much blackened gold-umber-bronze.

When the only tool you have is a brush full of bronze paint, everything looks like it needs to be painted bronze. I changed the zombie hand I resculpted at Halloween from glitter black to bronze and FINALLY dry-brushed highlights onto the ram’s horn mirror I bought for our hallway before we left the US. Always be finishing!

*You can see the reflection of one of Daria’s drawings in the mirror, from one of our earliest art trades.

Valentines Monster Doll Armada.

Monster dolls by Suzanne Forbes Feb 2017I spent sooooo much time making these dolls!

weasel claw doll by Suzanne Forbes Feb 2017I had a crazy rare week of being virtually fatigue-free and on a “normal person” sleep schedule, where I woke up between 7 and 9 and went to bed around 10 to midnight.

The last period I can remember like that was around 2008. I took mad advantage of the good light and the long days, and worked on the dolls ten or twelve hours a day.

I approached the project with a kind of relaxed enforced serendipity- I would just reach in the doll making drawer and grab and handful of materials. Then I’d see what I could make with the bits of legs, arms, fur and plastic bugs I’d grabbed. It was like putting together puzzles.wip doll by Suzanne Forbesbarbie faun maenad wip Suzanne Forbes Feb 2017

Bricoleurs are machines that make junk into art.

There is a powerful mental image for me when I work on stuff like this. I always think of the Boxmaker in Count Zero, the AI fragments/loa that uses Tessier-Ashpool relicts to make Cornell boxes. The idea of being a machine that recycles scraps and pieces of artifacts into new artifacts is so beautiful and restorative to me.

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I’ve been cutting up my dolls and making them over my whole life.

Maenad Faun Barbie by Suzanne Forbes Feb 2017

My best friend Victoria and I used to chop off their hair, paint them with Mercurochrome for fake blood, and drop them out the window of her parents’ loft on Great Jones St.

They would land on the hoods of the cars in the parking lot below, tiny sacrifices.spiderella dolly by Suzanne Forbes Feb 2017

I used to use the fireplace tongs to hold my Flatsie dolls in the wood stove at our cabin in the Adirondacks, revealing their wire armatures.

I never minded the smell of burning plastic; I was too fascinated by the structure being revealed and the way the arms melted off.

Dolls are intrinsically powerful; they come pre-loaded with content.

Add pink housewife dresses and the horns of a genderbent Herne, and you have a semiotic shorthand that anyone can parse. They are little totems, little ration packs. I lavished them with the tiniest Swarovski crystals, leftover fur from one of Daria’s dolls, velvet ribbon, and microbeads, because pretty and scary are my favorite mix.

Like many artists I know, I’ve been deeply inspired by the idea of being called a “nasty woman”.

Monster doll mouth by Suzanne Forbes Feb 2017I love that idea, I love the entire notion of reclaiming my nastiness and ugliness and witchiness and harpiness and shrillness and bitey-rage-creature-ness.

I am completely ready to embrace my monsterhood and the monsterwoman-ness of all the monster people of all genders and origins and being-hoods. Be maenads, and rage!

Anyone who has a problem with the furious girl-child inside me who cut the heads off dolls can take it up with my glorious, furious, terrifying grown-ass woman monster-self. Lotsa luck, as we say where I come from.Monster dolls by Suzanne Forbes Feb 2017

 

Fearless Pink Gay Santa and his Jolly Ally Reindeer: a holiday dream of love.

Fearless Pink Gay Santa by Suzanne Forbes Dec 2016I got this pink Santa, with his lavender combat boots, in the 75% off bin at a Beverly’s store in Alameda.

Fearless Pink Gay Santa by Suzanne Forbes Dec 2016I had to have him, obviously, and I had a vague notion he could hang out with my Snow Queen and her reindeer, when I finished her.

That was in 2014, and I’m hoping to have the Snow Queen done by my 50th birthday on January 8th of 2017. Projects take what they take, it’s fine.

Meanwhile, a couple weeks ago I found these adorable fuchsia flock reindeer at TK Maxx, the German version of TJ Maxx. They were 1,99! Obviously, I was supposed to buy them.

As soon as I got them home I knew they were Pink Gay Santa’s reindeer.

But they needed to be fancified. Ever since I finished my workshop I’ve been tearing through long-unfinished projects, because I have instant access to all my lifelong hoard of materials. Every bit of ribbon I ever saved, every scrap of velvet, every tube of fingernail decals.naked-reindeer-editedpink-gay-santa-in-process-suzanne-forbes-edited

I’m like a cross between Smaug and Divine.

santahacksaw-editedI had to use a hacksaw on Santa’s base to fit him into the sleigh, then build the fur trim on his coat to fit the sleigh with epoxy clay.

I was so inspired in this project, and all my bricolage work, by Elizabeth McGrath. I discovered her in Culver City in 2005 at her exhibition Altarwise by Owl-Light.

I feel like she really opened my eyes and my heart to the idea that art could be both silly and mysterious, glittery and meaningful, pink and terrifying.

I love her work for showing me serious art can be completely covered in Swarovski crystals and fake fur, and for its mythic stories and secret chambers of hilarious fucked-upness.

I got on Instagram recently, and starting following her and other “Pop Surrealist” or “modern Outsider” artists. I found Mab Graves, who also makes pink things that are scary, and can both draw superbly and sculpt/make/craft. I discovered the astonishing work of Caitlin McCormack, who crochets skeletal creatures out of dissolving lacy thread. I get to keep up with the work of Jessica Joslin, an art hero of mine for years.

I’ve been finding a web of validation and confidence in the work of women artists who are successful making art that is both pretty and hideous, cute and political.

reindeerpartway-editedI’ve had so much to do the last couple months, and I’ve been so shaken by the terrible events in the US.

I fell into the sweetness and hope and joy of this project like it was a feather bed. Doing anything else felt overwhelming. Though of course I did a lot anyway.

I’ve felt that my job as a working artist who simply does some work, any work, was so essential these last five weeks.

Maybe it’s foolish to think art matters at such a precarious time, but you know, I live in Berlin.

I’ve felt a deep desire to renew my commitment and lifelong work of supporting visibility for the “othered”. I want to spend 2017 documenting queer and trans life with more beauty and tenderness than ever. I know how much the work of the Weimar artists mattered, and I am inspired to try and matter too.

Fearless Pink Gay Santa is a vision of hope and love, the Santa I pray will land lightly on a million roofs this year. He is photographed with one of my mom’s beautiful crochet pieces!earless pink gay Santa by Suzanne Forbes December 201

His list holds “Safety”, “Freedom to Love”, “Marriage Equality”, “Health Care”, “Kids”, and space for other things.

I’m mostly just an ally; I can’t know what LGBTQIA people are putting on their wish lists this year. I’ll be listening, though.

October/November bricolage roundup: More Extreme Gothic Crafting.

Between Halloween and the Orange Catastrophe, I never posted most of the things I made in October.OctNov Bricolage Suzanne Forbes

And of course I’ve been making more in November, because handwork is my safe place.

Suzanne Forbes crazy quilt mantel scarf Halloween 2016I worked on the beaded crazy quilt mantel scarf for quite a while after Halloween, once I finally got my sewing machine working here.Suzanne Forbes crazy quilt mantel scarf Halloween 2016

You need a step-up step-down transformer to operate a US sewing machine in Germany.

However my machine is a computerized one with great automatic thread tensioning and I was terrified that the sheer power of European wall current would fry it. Finally I nerved myself up, plugged in the transformer and it was fine. The transformer gives off a bit of a chemical smell as it heats up, but that kind of thing never bothers me.

I’m still a raging helpless amateur on the sewing machine, anything I sew looks like wombat knitting.

Of course, I’ve spent a lot of time around extraordinary couture seamtresses and costumiéres, and I know I’ll never be even a regular competent sewer. But I don’t care. Using the machine makes me feel powerful and capable and it’s just so magic and fun.

My plan is to take the mantel scarf out before Halloween every year and add more beading, embroidery and quilting.

Halloween mini top hat project Suzanne Forbes

Halloween mini top hat project Suzanne Forbes

 

This hat is one of my “Uplift” projects. I found it in a 75% off bin at Michaels the fall before we left, coming apart, and threw it in the “Halloween Crafts on Arrival” box for the shipping container.

I love to carefully glue crappy things, and fix their carelessly made bits, and then add hours of careful crystal decoration and a vintage jet bead. I had these rooster feathers that precisely matched some scraps of sequin in the sequin trim scrap bag I got at Discount Fabrics for $5 years ago. Isn’t that nuts how they match?

black-horns-suzanne-forbes-2016black-horns-detail-suzanne-forbes-2016

I also spent a lot of time adding Swarovski crystals to a deer skull.

gilt horns Suzanne Forbes 2016And gold leafing another skull. I used this weird star-patterned variegated gold leaf I got at Idée for super cheap; with my usual fingerpainting leafing technique, it didn’t really show.

After I leafed it I varnished it with acrylic glaze, then rubbed the still-tacky glaze with this pure bronze pigment powder. I bought the jar at the art-school art supply store in college in 1990 ’cause it was in a discount bin; I’ve still barely made a dent in it and I have used it for SO MANY THINGS.

Daria thought the black crystal-decorated skull was a little passé. Like, so gothsterday. Ah well, there’s no pleasing the young.

I also cleverly framed this creepy eye I painted back in February in this creepy frame.Eye painting by Suzanne Forbes 2016

passementarie-embroidered-pillow-editedCreepy, right? And I did the first test of using my machine to add passementerie trim to one of my pillows that for some unknown reason, did not already have trim on it.

I had been feeling bad for this poor, undecorated pillow for years.

target-halloween-talking-old-time-radioAlso, I got this incredible animatronic talking vintage radio at Target in the US in September, and carefully brought it home.

halloween-haunted-radioHowever, it needed work; both Daria and I felt that the way the lights flashed around the top was overkill and not so nice.

So I painted the white faux-Bakelite strip black, applied varnish, roughly gold-leafed it with the same cheap variegated leaf, then used the bronze powder on it. And then Daria distressed it with more black paint, because she said it was still too glitzy. She was right, of course.

making cupcakes Suzanne Forbes 2016I probably would have made a lot more stuff in October, but I was really busy baking for Halloween.

And in November I was so stressed before the US election and so gutted afterwards that I lost a lot of creative time. And Leonard Cohen died. What the fucking fuck, 2016.

I’m trying to catch up.

At least cats are on hand to supervise.Halloween cupcakes Suzanne Forbes 2016
cat-supervisors

Halloween 2016 recap – our first Halloween party in Berlin!

Designing, planning and cooking for Halloween parties is one of my deepest creative passions.

Halloween 2016 Suzanne Forbes photo Skye Estes

I made a bunch of vegan and gf desserts for the first time this year. Some of them were good!

I learned the white chocolate drip glaze technique to make the glazes for my beloved brother and sister in law’s wedding cake; you can see it here!

Halloween 2016 Suzanne Forbes photo Skye EstesI started my craft projects in September, and my baking October 1.

I am bugfuck crazy about Halloween.eyeball bouquet Suzanne Forbes Halloween 2016

Hallway Suzanne Forbes Halloween 2016So even though I’m still reeling with horror about the US election, I’m going to post some pictures of the creative things I did for my favorite holiday.

Hallway Suzanne Forbes Halloween 2016

Seeing other people make beautiful things and follow their passions has been sustaining to me.

I hope seeing my weird stuff feels good to you.

I decorated the house. I can no longer tell what I put up for Halloween and what was already there.fridge-ma-edited

fridge-cats-editedLike this note from my mom from last Halloween, which is basically just part of our kitchen now. And these magnets Daria got me on one of her trips. Eyeball bouquet by Suzanne Forbes Halloween DIY

I don’t even know where this other eyeball bouquet I made and the creepy hand are in the house now.

So it’s not like I could put them away.

I guess it’s all staying up! Santa hats for all the bats!

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Paper and fabric flowers by Anandamayi Arnold and Aimee Baldwin

I finally found a glass dome big enough for my bridal bouquet of paper and fabric flowers made by amazing artists Anandamayi Arnold and Aimee Baldwin. All I had to do was sand and paint the base, which was some hideous pale oak color, black.

 Daria Rhein art framed by Suzanne Forbes 2016 1 This work of art made by beloved friends displayed in our home was one of the visions I held onto tightly during our whole move and housing search.

daria-rhein-art-framed-by-suzanne-forbes-2016-2-edited

Creating a safe space to honor the works made by the cherished creative people I have known and loved is a huge part of who I am and how I am motivated.

Holding onto so many precious, delicate, completely unique things is a lot of work and a lot of stress. I used a lot of acid-free tissue and bubble wrap to get them here.

But without weird object-attachment people like me, there’d be no museums!

 

(I also made these sparkly creature-frames for Daria‘s new postcards, because I love mass production too!)

horrible OOAK doll by Suzanne Forbes 2016I made this hideous dolly kind of in my spare time in parallel to my Gothic Burlesque Elsa Lanchester Bride of Frankenstein. Isn’t she lovely? Not so much? Oh come on, you like her right?

Bride of Frankenstein custom OOAK doll by Suzanne Forbes WIP 2016Well, she came out exactly as I saw her in my head, and it’s a rare project you can say that about, especially one involving a rubber spider, hair ties, epoxy clay and faux fur.

Fun fact: the boots I used for Elsa were the boots that were on the feet of this Living Dead doll before I, um, cut them off with a hacksaw.

I packed them with epoxy clay to give my Bride more weight and structural stability at her base. And I also used epoxy clay to make a dollar-store zombie hand candleholder more normal.

You know, I just wanted a regular creepy disembodied hand.

I wish it was still the week before Halloween, before the darkness and terror of November 8. I wish I wasn’t so afraid for the US and the world. I wish I could go back in time to when I bought this poster, when it seemed impossible such a creature could win the election.  I hope and pray by next Halloween the world will be less insane. I thank you and love you for all that you do.

 

Halloween Doll Custom: OOAK Bride of Frankenstein!

I made a fabulous gothic burlesque outfit for my Bride of Frankenstein doll!Suzanne Forbes Sideshow Bride of Frankenstein custom

Suzanne Forbes Sideshow Bride of Frankenstein customSuzanne Forbes Sideshow Bride of Frankenstein custom doll corsetI just finished this project barely in time for round one of our Halloween week celebrations, and I am so proud of her!

This is a Sideshow Collectibles Bride of Frankenstein that i’ve had for like a decade.

I originally got her mostly for her laboratory accessories, for my dollhouse laboratory.Suzanne Forbes action figure dollhouse laboratory

Young Elsa Lanchester Burlesque RevueI loved her face, but the slightness of her base figure model and her outfit, though very screen-accurate, bored me. Elsa Lanchester is just much more fierce.

I wanted to reference her dance training, her cabaret and Victorian numbers from her burlesque revue days.  She and Madeline Kahn had so much in common as performers, and yet you only see a glimpse of it in “Bride of Frankenstein.” She plays Mary Shelley as well, in the “Bride” prologue. Shelley calls her “an angel”, and the devil is the corner of her mouth as she smirks, “You think so.”

Sideshow Collectibles Bride of Frankenstein Doll or action figuremadeline-kahn-young-frankenstein

 

I always had the idea I’d do a custom outfit for my Sideshow Bride, something sassy and exciting.

As I began to make my Horribella dolls, I amassed tiny doll-making trims and miniature buckles.Suzanne Forbes Sideshow Bride of Frankenstein custom doll corsetSuzanne Forbes Sideshow Bride of Frankenstein custom doll corset

Suzanne Forbes Sideshow Bride of Frankenstein custom doll bootsI got stuff from model horse tack suppliers Rio Rondo (boy, don’t try to load that site on your phone!) and BJD clothing-making suppliers all over the world.

I got amazing tiny silver leather trim from a handbag company in Los Angeles. I saved every bit of ribbon from every bag of fancy cookies, every inch of silver elastic from a dress tag, for my Snow Queen project (reveal next year!). For my mermaid doll and my corset customizing projects I got a zillion different kinds and sizes of Swarovski crystals, beads, sequins and chains.

I learned how to bulk out the hips of a figure and smoothly sculpt them with epoxy clay when I was making the tiny doll corsets for my Horribella dolls.

I give them big curves to match the silhouette of a Modern Edwardian underbust, my own favorite corset style. Then I draft a tiny corset pattern and cut and glue a miniature corset over them.

Suzanne Forbes custom doll corset

Suzanne Forbes Sideshow Bride of Frankenstein custom

Now that my workshop is complete, I keep powering through long-awaited projects.

So I finally made my Bride of Frankenstein Gothic Burlesque Elsa Lancaster Showgirl!

Isn’t she marvelous?

 

Horribella Mark V, a hideous Gothic-Rococo Dolly!

Horrible dolly sunlight shot Suzanne Forbes Sept 2016I had absolutely no intention of making another Horribella at 8pm last night.

Horrible dolly miniature corset laces Suzanne Forbes Sept 2016I particularly had no intention of using a single strand of embroidery floss to make tiny corset laces and tying tiny bunny loops with it, because I hate tying the tiny bunny loops. I went out the door for a night walk, and wandered a few blocks to the main shopping plaza.

I “accidentally” stopped in at TKMaxx to check out the Halloween stuff. There wasn’t much Halloween stuff (they get a little because they share inventory with the US TJ Maxx stores) but I saw this display cloche- with the base already painted blue.

Horrible dolly by Suzanne Forbes Sept 2016I had an instant vision of a Gothic Rococo Horribella.

Horrible dolly hero shot Suzanne Forbes Sept 2016The last one lives in the library, because she matches the colors in there; I suddenly wanted one for the salon!  I bought the cloche and a foot massager for the hubbin and hurried home.

Then I spent the next ten hours working nonstop like a fiend on the new dolly.

Even though I’ve been teaching, drawing, painting, embroidering and writing all month. I was so excited I never even took off my bra when I got home. Normally my front door is an Instant Bra Removal Field.

Making these dollies demands a kind of flow state where I grab things and glue things and melt things without stopping to think.

If I stop to think, I remember I have virtually no training in mixed media or sculpture and never intended to make this kind of art. So I don’t stop.

During the year of packing for the move, I had episodes where I managed my stress by meticulously, dementedly organizing every scrap of craft supplies I own. It was not an efficient use of my time, but it kept me sane. I had a vision of using all this stuff, in Berlin.

dollmaking worktable Suzanne Forbes Sept 2016Horrible dolly back with miniature corset Suzanne Forbes Sept 2016That meant when my workshop was finished, all I had to do was pop all the neatly bagged/sorted/labelled supplies into the drawers, and I now know where everything is.

My workshop is a decent imitation of the greatest art & crafts workshop I know, that of my friend Monique Motil.Horrible doll wings Suzanne Forbes Sept 2016

I’m busting through projects and finally, finally using things I have had for years. Decades.

I used four different scraps of wired pink French ribbon on this dolly, and two of them dated back to the craft projects for my first marriage.

These scraps of ribbon have moved from St. Paul to Hartford to DC to Arlington to Alameda to Albany to Berkeley to North Berkeley to Albany to Oakland to Berlin. They have been in storage three times. I’ve had fifteen apartments, dozens of jobs, and three husbands.

Horrible dolly salon Suzanne Forbes Sept 2016

You know what’s fantastic about getting older, being happy and feeling safe?

Horrible dolly in salon Suzanne Forbes Sept 2016You can finally say, if not now, when? If not me, who? There will never be a better project to use any of these things on than the one in front of me right now.

Every piece of ribbon from a present I carefully saved, every pair of feet I cut off a plastic monster or pair of wings I cut off a plastic bug- all of this stuff is going in the hopper. I used a satin-covered button from a silk nightshirt I owned in 1992 to make the base of this Horribella’s hat. It took four tries, four little pieces of embroidered stag beetle ribbon used up, to get it to look right.

Don’t care! It’s my weird stuff and my weird lifelong decorator crab shell of crap, I’m gonna use it all!

Horrible dolly Suzanne Forbes Sept 2016I used eleven different ribbons/trims, four adhesives, epoxy clay, primer, spray paint, plastic toys, nail flocking powder and parts of three plastic bugs to make her, and I think she is the best Horribella yet. She is truly a Horrible Dolly. I am going to make all the horrible things.dolly feetz Suzanne Forbes Sept 2016

dolly spider Suzanne Forbes Sept 2016I didn’t just make a new Horribella last night.

I also started a hideous Spider Lady with monster feet. She is going to be truly dreadful. I have lots of tutorials to study on my dollmaking Pinboard!

Look for continued unpleasant doll developments this September.

As always, when I make a doll I am deeply indebted to the incredible inspiration of Monique, creator of the incomparably creepy and beautiful Sartorial Creatures.

Horribella Mark IV: an unpleasant Victorianish doll-thing!

Horribella Mark 4 by Suzanne Forbes July 2016 Look at this horrible thing I made!

I am blowing through projects that have been waiting over a year, now that my workshop is finished. It’s so easy and comfortable to use and access all my tools and materials, and the light is so good in our kitchen. I’m especially thrilled to have finished my own Horribella doll at last!

Horribella Mark 1 by Suzanne Forbes coll. Ramon

The first Horribella was made as a host gift for a fae-themed party thrown by one of my beloved friend-muse-patrons. Her wings were hand-decorated with many crystals.

I particularly like the way the corset of this one came out.

The second was bought by one of my beloved friend-muse-patrons and lives in her SOMA loft.Horribella Mark 2 by Suzanne Forbes coll. Eva

Horribella Mark 3 by Suzanne Forbes coll. AimeeAnd the third was traded to my friend Aimee Baldwin, for one of her extraordinary vegan taxidermy creations ( a mantis of course!).

I was really devastated to give up the third one, since it was so specially unpleasant, but I wanted that mantis badly.

Horribella Mark 4 by Suzanne Forbes July 2016 So I saved the other half of the iridescent flower at the top of the corset (originally scavenged from the wings of some drugstore fairy doll that became a mermaid in a shadowbox at least a decade ago).Horribella Mark 4 by Suzanne Forbes July 2016

Then I saved the particular trims I used, and enough of the superfine damson-colored leather strips I ordered from a purse company in LA, and a tiny bit of the pleated burgundy lace, and just enough of the bug-printed emerald green French wired ribbon.

 

 

I sculpted a new body and head and painted them, but there was a reaction between the paint and primer.

Horribella Mark 4 by Suzanne Forbes July 2016 trainSpray painting plastic, no matter how much time you spend on The Fwoosh, is unpredictable. So I had to scrape off the paint and reprime the pieces, and then pack them, because it was time to move to Berlin.Horribella Mark 4 by Suzanne Forbes July 2016

I was terrified that off-gassing primer/paint reaction could start a fire, so I waited to pack them ’til the very last day, and wound up throwing the pieces in a little box within one of the randomly packed boxes of the morning we left. Even though this project was incredibly important to me! And the materials to dress her were packed separately of course.

I am a crazy person, and sadly not always in a fun way.

Horribella Mark 4 by Suzanne Forbes July 2016

(Yes, I started packing one year before we left, and I was still packing the DAY we left. Probably I shouldn’t have spent so many nights obsessively organizing my mixed media materials before we left. But it did make unpacking them an utter delight.)

Horribella Mark 4 by Suzanne Forbes July 2016

 

 

 

 

So it was all horribly stressful! And I was still afraid that my Frankenstein mix of paints and solvents would start a fire and burn up our storage unit or shipping container!

But there was no fire, and the ship didn’t sink, and the train didn’t crash, and the truck didn’t go into a snowbank, and the box didn’t get dropped, and nothing got lost, and so I was able to assemble a Horribella of my own at last. She is not for sale!

As always when I make a doll, I am deeply indebted to my beloved friend-muse-Patron Monique Motil, creator of Sartorial Creatures and the most inspiring dollmaker I know.

 

My workshop/mixed media studio, finally built!

In honor of National Week of Making, proclaimed by Obama!Workshop_Suzanne_Forbes_artist_2016

I don't love order so much as I hate chaos.

I don’t love order so much as I hate chaos.

tools2

Our apartment came with an enormous kitchen. An enormous, empty kitchen.

kitchenLike most Berlin apartments, it had no sink, stove, fridge, cabinets or counters. Just pipes sticking out of the wall. We bought an initial basic kitchen setup through a very kind gift from D’s grandfather.

I designed the overall kitchen wall, figured out what the minimum to start was, had the IKEA cabinets delivered and built them. Then a handyman named Tyler helped me install them.kitchen plan Suzanne Forbes 2015

That was only the beginning. I had never thought about combining kitchen & office & craft room, but the minute I did I was sold 100%.

So I came up with the idea of making the other big empty wall my workshop/machine room. Here’s the first rough iteration, made in November.workshop rough Suzanne Forbes 2015

Normally, the tools and appliances of an office and workshop look awkward as hell in any (Gothic-Rococo-Victorian Brothel) room I design.

But it happens I like a white kitchen, and our kitchen happens to have incredible lighting.

So it was the perfect place to put things like a printer and my sewing machine, and hopefully eventually a 3D printer and milling machine.

workspace table plan Suzanne Forbes 2015

I was enjoying doing my embroidery at the kitchen table, in the bright, even light, enormously.

So I decided there should be a worktable in the center, where we could eat if we ever wanted to eat in the kitchen instead of in the library while watching Silicon Valley.
island rough Suzanne Forbes 2015

 

 

At New Year’s when we had friends cooking in the kitchen it became clear we needed a good-sized island as well.

islandI agonized over the aspect ratio and measurements before finally going with a simple design that could be both sewing table and food prep surface. The whole thing cost less than 130 euros in the end, but it’s very solid.

It will have nice cute handles like the machine wall eventually, I just ran out of money.

Then I designed the machine wall in detail. workshop plan Suzanne Forbes 2015

There had to be a place for the ladder, and for blank canvas storage, and the, um, annoying amounts of recycling German living generates.

I needed big flat shelves to store drawings and shelves and lots of deep drawers for materials. And of course it had to cost as little as possible. Since food comes slightly before making stuff, I focused on the kitchen part first.

kit2

Kitchen side, not quite finished but getting close!

I found a great handyperson, James, an Australian fellow who has all the tools in the world, and we worked together to build the rest of the kitchen side wall. It came out pretty well! We haven’t had money for a dryer yet, but in time.

There will be cool newsprint curtains over the open shelves- I hate open shelving, no matter how hot it is on Apartment Therapy.

This month we finally had enough cash to buy the cabinets for the machine wall.

tools3Ikea delivered them and then I spent five gruelling days building them. It was a lot of work but saved us easily 300 euros even at cheap Berlin labor rates.

James and Jason, another Ozzie, hung the cabinets and suddenly there it was, my workshop.

 

My organization of mixed media materials is very much inspired by my beloved friend/muse/patron Monique Motil, an artist who manages her studio space as beautifully as she creates.

fabric storageThis Thursday was the shakedown cruise. Daria and Ian came over and we ran all the systems- printing, drawing, ironing decals onto fabric, using every tool in every drawer.
bins

Doll hospital and um, laboratory.

Doll hospital and um, laboratory.

 

 

 

 

 

 

 

toolsI can honestly say my design worked beautifully.

I opened the second leaf on the table and we all had room to sit and work, and any time we needed something- “Let’s cut the stickers with deckle-edge scissors!” or “Let’s see if we can use the decals to make pendants!” – I could just grab whatever tool or material we needed out of the drawers and cabinets.norden-klapptisch-wei-__0104381_PE251365_S4

 

 

When the left-hand leaf is closed, it’s a perfect setup for me to work alone- the drawers are in the right place for a lefty 🙂

We had the most incredible, exhilarating night collaborating in my new workspace.

I know we worked really hard to get to this life, but I still feel like we’ve been given a miracle beyond imagining.