Tag Archives: OOAK doll

Snow Queen/White Witch OOAK Doll with sledge and reindeer, finished!

Snow Queen Jadis with carriage and reindeer by Suzanne Forbes May 2017I finally finished her!

I am amazing, and amazed by myself! Jadis, The White Witch, The Snow Queen, the Ice Queen, as I always imagined her.

I’d been wanting to make a doll like this since the early 90s in St. Paul. At a fancy shop in Summit Hill I saw a teacup fairy by Stephanie Blythe and Susan Snodgrass.

The delicacy, the precision, the tiny, tiny crystals- there was something about it that moved me deeply.

I had no idea you could get such tiny materials. The thought of handling such tiny things was exhilarating to me. I imagined I could make tiny dolls of characters I loved. I could make a tiny world.

Snow Queen OOAK doll by Suzanne Forbes May 2017I was still waiting to start my dollhouse then, still holding a space for that project open in my future.

Snow Queen by Suzanne Forbes May 2017I didn’t want to open the door to even more collecting and supply hoarding madness, I didn’t dare try such things myself, but I bought some porcelain doll parts and kept them.

I held my love for the teacup fairy in my heart, held the space for those tiny crystals dotting her bodice in my mind, setting the image gently in my mental room for miniature art.

Every time I moved, I packed my craft materials. My porcelain doll heads and limbs, my ever-growing collection of wired ribbon and metallic organza and silver cord and microbeads and glitter, travelled from St. Paul to Hartford to DC to Arlington to Alameda to Albany to Berkeley to North Berkeley to Albany to Glenview to West O to Oakland.

In Berkeley in 2000 I began building my dollhouse at last and collecting 1/12th scale action figures.

Miniature sex toys by Suzanne Forbes 2007

I subscribed to miniature magazines and went to miniature shows.

my first polymer clay OOAK doll by Suzanne Forbes 2011

my first polymer clay OOAK doll by Suzanne Forbes 2011

I met Monique Motil, dollmaker extraordinaire. I started sculpting little things with polymer clay for the dollhouse and reading about action figure customizing techniques.

I scoured the internet for methods, materials and supplies. And at our little Craftsman flat in Oakland in 2011, I finished my dollhouse and started making dolls.

I started my Snow Queen project in 2013.

I had been home to New York for holidays with my husband’s family and I had just seen snow for the first time in fifteen years. On a magical Christmas Eve we went to church in Freehold, New Jersey and when we came out delicate flakes were falling.

The night before In the city I’d stood at the rail of the skating rink in Bryant Park; a tween wiped out and came up laughing, clapping his cold hands over mine.Snow Queen in carriage with reindeer by Suzanne Forbes May 2017

I fell in love with the cold again, the way the stars get lean in a winter sky and the way everything is so sharp.

I remembered the way I loved the cold in WInter’s Tale, the way it muffled my footsteps when I walked through a silent Chinatown to buy heroin on New Year’s Day in 1989, the sparkling lavender twilight of April snow at the treatment center in St. Paul.

iridescent microbeads from MorezmoreIn the dark California January I drove to Michael’s and JoAnn Fabrics and Beverlys and bought bags full of 90% off Christmas decor. Icicles and glitter snow and white fur and pale iridescent sequins.

I ordered Swarovski crystals in colors like Silver Shadow, Moonlight and Opal. I discovered the amazing doll supplier MorezMore. I ordered nail decals of flocked snowflakes from China and Ball-jointed Doll clothing buckles from Taiwan. I bought pearlescent microbeads and fusible fairy films.

Snow Queen OOAK Doll by Suzanne ForbesI learned the sizes Swarovski crystals come in, and where to get the very tiniest.

tiniest-swarovski-crystalsI made the sledge first. The sledge is made of three different plastic Christmas ornament sleighs, some pvc holiday ornament pieces, polystyrene sheets and strips, clear polythene sheeting, crazy glue and balsa wood.

It’s all stuck together with epoxy clay, polished and sanded smooth. The shafts are the bow pieces of dollar sunglasses!

I got so many materials in the basement of Ace Hardware in Berkeley, in the huge model and railroad hobby section. I’d lean on the counter and talk techniques with the guys there for hours.

I primed the sledge with Krylon Primer for Plastics. You can read about my adventures with priming mixed plastics here and here. Then I spray-painted it with four shades of Tamiya pearl and flake model car paints, one of the most fascinating rabbit holes of materials I went down.

I spent a lot of time on model car boards, reading about how to avoid the dread “orange peel effect” and how to clear coat.

Our back steps were my spray room, and the California drought of those years was a huge asset, I gotta admit.

Snow Queen OOAK Doll by Suzanne ForbesI used crazy glue and Zap-A-Gap to bond the styrene, plastic and balsa elements.

I used a Japanese product called Sakura 3D Crystal Lacquer, which is used by Lolis and Harajuki girls to adhere bling, aka “decoden”, to their phones, to attach a lot of the sledge decor.

The sledge is decorated with hundreds of the very, very tiniest Swarovski crystals, some smaller than the head of a pin, laboriously applied while watching all seven (at the time) seasons of Supernatural (twice!) and tiny, tiny flocked and glittered snowflake nail art decals. And upholstered with silver velvet, button-tufted using pretty antique silver scrapbook art brads and quilt batting over cardstock. I glued the velvet to the cardstock with my beloved Quick Grip/Quick Grab, which is my absolute favorite for small textile work.

As any burner or steampunk can tell you, assemblage art lives or dies by its adhesives.

tiny-buckles-from-RIo-Rondo

The reindeer is made of a cellulose acetate reindeer from the ’50s, legs sawed off and replaced with new sculpts, and head, body and neck heavily re-sculpted.

This kind of Frankensteining is a classic action figure customizing technique; the materials and techniques for creating the miniature harness come from the model horse customizing community, and the handling of the mohair mane from the dollmaking world.

(I’m allergic to mohair, like wool, it turns out.)

I also used the 3D Crystal to get a clear dome over his eyes and a gloss of mucus in his nostrils. The flocking on his ears is nail artist’s flock- much cheaper than the art store!

Snow-Queen-by-Suzanne-Forbes-May-2017-reindeer-headshot-cu

Snow-Queen-by-Suzanne-Forbes-May-2017-reindeerThe tiny silver leather strips for the harness came mostly from a handbag making supply company in Los Angeles; I found it on etsy. I bought many different silver cords and strings at a passementarie shop in the New York Garment district during my second trip back East for the holidays. And for four years I saved every single piece of silver stuff I got, from silver elastic on dress tags to silver pvc on packaging.

Then I had to make a Snow Queen figure!

Snow queen doll WIP Suzanne ForbesI was totally ok with customizing an existing figure; my many hundred hours on action figure boards has made me very comfortable with the idea of remixing sculpture.

I would never, ever, ever copy another artist’s drawing or painting- or even their style- or use elements of someone else’s drawing or photograph in one of my drawings or paintings. I just don’t do that.

But sculpture is play to me, something I do for pleasure. I like the idea that assemblage art incorporates existing elements. And dollmakers commonly use finished porcelains from well-known sculptor to paint and dress. It’s a medium where collaboration is normal.

So ultimately I decided to use the top of a commercial resin mermaid and the legs of a resin fairy to build my Snow Queen.

Snow queen doll WIP Suzanne ForbesI sawed and sanded as needed, then fit the two halves together, and then I used epoxy clay to bulk out her body. Because I love muscle on women’s shoulders, and a big butt, aesthetically! I left her ribcage and waist slim because they would have layers of tiny fabric corseting on them.

And she needed boobs too, sculpted to fit in a square Elizabethan type bodice. Then I had to completely resculpt her face, to give her the strength and archness she needed.

And I needed to bulk up her thighs and sculpt boots on her feet. And lengthen her fingers. And sand off and resculpt her ears. I think she was resculpted, primed and sanded about ten times altogether. Her final finish was partly achieved with Mr. Surfacer priming medium, which i learned about from Daria’s dollmaking. She is streets more advanced than my crazy haphazardness!

By December of this year, my Jadis was close to finished at last.

project-kit-Snow-Queen-OOAK-Suzanne-ForbesI got the project box I brought over in the shipping container out, intending to paint and dress her.

But I got nervous about working on the project suddenly and instead I used up some of the extra materials in the project box making Fearless Pink Gay Santa and his Jolly Ally Reindeer. Which came out great! And I used the fusible fairy film and it was super cool!

Then I made a whole bunch of other dolls!  And sculptures! And mixed media stuff! And a mantis doll! Was my poor Snow Queen doll ever gonna get finished?

faceup-Snow-Queen-OOAK-by-Suzanne-Forbes-2017Yes, she was. Because even though it was now April, and she was no longer seasonal, I had just finished my leafy green beaded Swamp Thing corset (reveal soon!), the second to last of the projects I brought from Oakland.

I really wanted to knock out the last unfinished thing and get rid of the last “project box”. So I can start all my new Berlin projects!

With that thought in mind, I nerved myself up and just went for it. I used nail art brushes I bought for 1€ to paint her face because I didn’t want to buy expensive tiny brushes. I’d never painted anything tiny before and didn’t know if I’d like it. But it went great! And I love her snotty smug 80s made-up face! She looks like Jennifer Connelly in Labyrinth and Mia Sara in Legend, right?

Snow Queen OOAK Doll by Suzanne ForbesWigging and dressing her was easy, after that; Daria gave me a personal doll-wigging workshop last year and I have made so many tiny corsets now it’s NBD. And then she was, done, suddenly, after four years. In the green and glowing Spring, but so what? There will always be another Winter. She will look beautiful in the dark winter nights.

I’ve learned to trust the process with making art; I finish most things when it’s time for them to be finished.

What I’m saying here is, it’s okay to have a long game as an artist. In fact, the long game is pretty much the only game in town for most of us.

 

Mummified Fairy King doll!

Fairy King mummy doll by Suzanne Forbes March 2017This doll scares my husband. Every time he sees it he shudders.

It genuinely gives him the wig.

Which is good, right? This is one of the projects I brought in a “project kit” from the Bay Area, in the shipping container.

Faery King mummy doll by Suzanne Forbes March 2017I had seen this Mummified Fairy tutorial on the excellent, ancient Gothic Martha Stewart site Shadow Manor. You can find loads of Art of Darkness tutorials there.

So of course I wanted to make one! My version started out as a cheap 16″ demon skeleton I got for 75% off at Michael’s.

I washed him with soap and water, and used a glue gun to pose him. I cut his spine in half with a hacksaw to give it a realistic curve, added ears made of thin sheet styrene or cardstock (can’t remember), and used globs of glue to give the ears dimension.

I also used glue gun glue and epoxy clay to add some bulk and volume to his joints, because he was a little frail and crappily-sculpted. And to give him a bit of a bump of nose and fangs.

Then I primed him with white spray primer for plastic and sprayed him with matte ivory spray paint.

Fairy King mummy doll by Suzanne Forbes March 2017And packed him in a box marked “Gothic Rococo Bride of Frankenstein and Fairy Mummy”.

(The Bride became a Gothic Victorian Burlesque tribute to Elsa Lancaster instead).

Fairy King mummy doll by Suzanne Forbes March 2017Two weeks ago I unpacked him and started revising. His skeleton was still undersized for his head, especially for a skeleton with layers of dried skin. So I added more bulk with air-dry clay (cheap but doesn’t adhere well) and use epoxy clay to secure the new, larger knobby joints.

I thickened his shin bones and arms, as well as making his pelvis more solid. I added some clay volume under his rib cage to give the nylon something to stick to there.

I also decided to snip off the demon-y claw tips on his wings, which were a little too goth.

Then I painted over the air-dry and epoxy clay with acrylic in unbleached titanium, which matched the original ivory paint well enough. After that, I added dark shadows at his joints, eye sockets, and so on, using a burnt umber.

I figured the shadows would show through the nylon pantyhose, adding depth, and so they did.

Fairy King mummy doll by Suzanne Forbes March 2017Applying the pantyhose was exciting, in the way that things that must be done quickly and deftly are exciting.

Fairy King mummy doll by Suzanne Forbes March 2017I used UHU “Extra” alleskleber gel, which is an almost perfect sub for my beloved Quick Grip/Quick Grab, rather than contact cement. I really should have followed the instructions and applied the pantyhose while the skeleton was disarticulated.

But I never follow the instructions for anything. So I had to do the gluing and stretching to fit over sections of the figure in situ.

The instructions say to cut the pantyhose into 12″ lengths; I wound up cutting it into roughly 5″ x 5″ pieces. The pantyhose adheres beautifully to the primed and painted skeleton, almost melting on- the first time.

Once it is saturated with glue and the glue has dried, it resists bonding, so get it right the first time. I looked at his eye sockets with the nylon stretched across them and decided he needed eyelids. I sculpted sunken eyeballs with lids out of epoxy clay, cut holes in the nylon, and pressed them in.

In the end I had some places where the pantyhose didn’t lie smoothly or wrinkled in a way that looked much more like pantyhose than desiccated skin.

I simply decided awkward areas would be covered with something in the finished piece.

And that was how he became a dressed doll with a breechclout and jewelry, and wisps of grey Tibetan lamb hair from this one piece I got at doll supplier/educator supreme MorezMore and have used for some two dozen projects. (The site’s mistress is currently engaged in a fascinating project of using stop-motion armature for a humanly-posable doll experiment!) I rifled through my fabric stash and found lots of scraps. I layered scraps of fabric, fiber, silk leaves and lace for his breechclout.

Then I got out my findings bins and made a kind of creepy chatelaine to secure it. And I made him a kind of neck piece with mixed metals that was influenced by Celtic torques and Maester’s chains.

I decided to make him lace-up shoes to cover some of the awkward patches on his shins.

Fairy King mummy doll by Suzanne Forbes March 2017I got the concept from some pins posted by my friend Alexis about to how to make Medieval shoes.

I envisioned a pattern, cut it out of leatherette and used my cuticle nippers to make sloppy holes in the the sole/back pieces.

Then I just glued the sole parts onto the bottoms of his feet and laced them up with a tan shoelace from a scrap bin.

I bought some granny boots a while back that came with tan laces; I promptly replaced them with black laces but saved the rough tan ones for… something. There was a tiny bit of black fur left from when Daria gave me a personal doll-wig-making workshop and I used that on top.

I did a little dry-brush distressing and shadowing on the nylon-covered fairy, accenting the hollow places and joints with more umber.

I also highlighted bony areas like his zygomatic arch with unbleached titanium. This was easier to me than re-spraypainting him as suggested, considering that would have required going out and getting some taupe spraypaint. I don’t really like anything to slow me down when I’m making some damn thing. I painted his eyelids to match his skull at the same time.

I had burned and melted and snagged the fabrics I used, to distress them and make them raggedy, but it wasn’t enough to knock back their color into the same taupe/ivory family as the skeleton. So I dry-brushed and distressed those too, til they faded back into his palette.

Here he is posing with some bones i made out of Model Magic, the incredibly lightweight air-dry craft clay made by Crayola.Fairy King mummy doll by Suzanne Forbes March 2017

The bones are sculpted over Q-tips, and were made in 2007 for a Hubba Hubba Revue, maybe Flintstones themed? I soaked a paper towel in thinned ochre paint and wiped it over them. I don’t even know how they got in the shipping container.

Eventually I’d like to have some kind of Lady Cottington’s Pressed Fairy style shadow box or specimen case for him, but for now he’s living amid my majolica in the library china cabinet. Hub will never notice him there. Although if he does, he might jump.

Valentines Monster Doll Armada.

Monster dolls by Suzanne Forbes Feb 2017I spent sooooo much time making these dolls!

weasel claw doll by Suzanne Forbes Feb 2017I had a crazy rare week of being virtually fatigue-free and on a “normal person” sleep schedule, where I woke up between 7 and 9 and went to bed around 10 to midnight.

The last period I can remember like that was around 2008. I took mad advantage of the good light and the long days, and worked on the dolls ten or twelve hours a day.

I approached the project with a kind of relaxed enforced serendipity- I would just reach in the doll making drawer and grab and handful of materials. Then I’d see what I could make with the bits of legs, arms, fur and plastic bugs I’d grabbed. It was like putting together puzzles.wip doll by Suzanne Forbesbarbie faun maenad wip Suzanne Forbes Feb 2017

Bricoleurs are machines that make junk into art.

There is a powerful mental image for me when I work on stuff like this. I always think of the Boxmaker in Count Zero, the AI fragments/loa that uses Tessier-Ashpool relicts to make Cornell boxes. The idea of being a machine that recycles scraps and pieces of artifacts into new artifacts is so beautiful and restorative to me.

dollmaking Suzanne Forbes 2017dollmaking Suzanne Forbes 2017dollmaking Suzanne Forbes 2017

I’ve been cutting up my dolls and making them over my whole life.

Maenad Faun Barbie by Suzanne Forbes Feb 2017

My best friend Victoria and I used to chop off their hair, paint them with Mercurochrome for fake blood, and drop them out the window of her parents’ loft on Great Jones St.

They would land on the hoods of the cars in the parking lot below, tiny sacrifices.spiderella dolly by Suzanne Forbes Feb 2017

I used to use the fireplace tongs to hold my Flatsie dolls in the wood stove at our cabin in the Adirondacks, revealing their wire armatures.

I never minded the smell of burning plastic; I was too fascinated by the structure being revealed and the way the arms melted off.

Dolls are intrinsically powerful; they come pre-loaded with content.

Add pink housewife dresses and the horns of a genderbent Herne, and you have a semiotic shorthand that anyone can parse. They are little totems, little ration packs. I lavished them with the tiniest Swarovski crystals, leftover fur from one of Daria’s dolls, velvet ribbon, and microbeads, because pretty and scary are my favorite mix.

Like many artists I know, I’ve been deeply inspired by the idea of being called a “nasty woman”.

Monster doll mouth by Suzanne Forbes Feb 2017I love that idea, I love the entire notion of reclaiming my nastiness and ugliness and witchiness and harpiness and shrillness and bitey-rage-creature-ness.

I am completely ready to embrace my monsterhood and the monsterwoman-ness of all the monster people of all genders and origins and being-hoods. Be maenads, and rage!

Anyone who has a problem with the furious girl-child inside me who cut the heads off dolls can take it up with my glorious, furious, terrifying grown-ass woman monster-self. Lotsa luck, as we say where I come from.Monster dolls by Suzanne Forbes Feb 2017

 

Fearless Pink Gay Santa and his Jolly Ally Reindeer: a holiday dream of love.

Fearless Pink Gay Santa by Suzanne Forbes Dec 2016I got this pink Santa, with his lavender combat boots, in the 75% off bin at a Beverly’s store in Alameda.

Fearless Pink Gay Santa by Suzanne Forbes Dec 2016I had to have him, obviously, and I had a vague notion he could hang out with my Snow Queen and her reindeer, when I finished her.

That was in 2014, and I’m hoping to have the Snow Queen done by my 50th birthday on January 8th of 2017. Projects take what they take, it’s fine.

Meanwhile, a couple weeks ago I found these adorable fuchsia flock reindeer at TK Maxx, the German version of TJ Maxx. They were 1,99! Obviously, I was supposed to buy them.

As soon as I got them home I knew they were Pink Gay Santa’s reindeer.

But they needed to be fancified. Ever since I finished my workshop I’ve been tearing through long-unfinished projects, because I have instant access to all my lifelong hoard of materials. Every bit of ribbon I ever saved, every scrap of velvet, every tube of fingernail decals.naked-reindeer-editedpink-gay-santa-in-process-suzanne-forbes-edited

I’m like a cross between Smaug and Divine.

santahacksaw-editedI had to use a hacksaw on Santa’s base to fit him into the sleigh, then build the fur trim on his coat to fit the sleigh with epoxy clay.

I was so inspired in this project, and all my bricolage work, by Elizabeth McGrath. I discovered her in Culver City in 2005 at her exhibition Altarwise by Owl-Light.

I feel like she really opened my eyes and my heart to the idea that art could be both silly and mysterious, glittery and meaningful, pink and terrifying.

I love her work for showing me serious art can be completely covered in Swarovski crystals and fake fur, and for its mythic stories and secret chambers of hilarious fucked-upness.

I got on Instagram recently, and starting following her and other “Pop Surrealist” or “modern Outsider” artists. I found Mab Graves, who also makes pink things that are scary, and can both draw superbly and sculpt/make/craft. I discovered the astonishing work of Caitlin McCormack, who crochets skeletal creatures out of dissolving lacy thread. I get to keep up with the work of Jessica Joslin, an art hero of mine for years.

I’ve been finding a web of validation and confidence in the work of women artists who are successful making art that is both pretty and hideous, cute and political.

reindeerpartway-editedI’ve had so much to do the last couple months, and I’ve been so shaken by the terrible events in the US.

I fell into the sweetness and hope and joy of this project like it was a feather bed. Doing anything else felt overwhelming. Though of course I did a lot anyway.

I’ve felt that my job as a working artist who simply does some work, any work, was so essential these last five weeks.

Maybe it’s foolish to think art matters at such a precarious time, but you know, I live in Berlin.

I’ve felt a deep desire to renew my commitment and lifelong work of supporting visibility for the “othered”. I want to spend 2017 documenting queer and trans life with more beauty and tenderness than ever. I know how much the work of the Weimar artists mattered, and I am inspired to try and matter too.

Fearless Pink Gay Santa is a vision of hope and love, the Santa I pray will land lightly on a million roofs this year. He is photographed with one of my mom’s beautiful crochet pieces!earless pink gay Santa by Suzanne Forbes December 201

His list holds “Safety”, “Freedom to Love”, “Marriage Equality”, “Health Care”, “Kids”, and space for other things.

I’m mostly just an ally; I can’t know what LGBTQIA people are putting on their wish lists this year. I’ll be listening, though.

Halloween 2016 recap – our first Halloween party in Berlin!

Designing, planning and cooking for Halloween parties is one of my deepest creative passions.

Halloween 2016 Suzanne Forbes photo Skye Estes

I made a bunch of vegan and gf desserts for the first time this year. Some of them were good!

I learned the white chocolate drip glaze technique to make the glazes for my beloved brother and sister in law’s wedding cake; you can see it here!

Halloween 2016 Suzanne Forbes photo Skye EstesI started my craft projects in September, and my baking October 1.

I am bugfuck crazy about Halloween.eyeball bouquet Suzanne Forbes Halloween 2016

Hallway Suzanne Forbes Halloween 2016So even though I’m still reeling with horror about the US election, I’m going to post some pictures of the creative things I did for my favorite holiday.

Hallway Suzanne Forbes Halloween 2016

Seeing other people make beautiful things and follow their passions has been sustaining to me.

I hope seeing my weird stuff feels good to you.

I decorated the house. I can no longer tell what I put up for Halloween and what was already there.fridge-ma-edited

fridge-cats-editedLike this note from my mom from last Halloween, which is basically just part of our kitchen now. And these magnets Daria got me on one of her trips. Eyeball bouquet by Suzanne Forbes Halloween DIY

I don’t even know where this other eyeball bouquet I made and the creepy hand are in the house now.

So it’s not like I could put them away.

I guess it’s all staying up! Santa hats for all the bats!

mcardle-library-2016-edited

Paper and fabric flowers by Anandamayi Arnold and Aimee Baldwin

I finally found a glass dome big enough for my bridal bouquet of paper and fabric flowers made by amazing artists Anandamayi Arnold and Aimee Baldwin. All I had to do was sand and paint the base, which was some hideous pale oak color, black.

 Daria Rhein art framed by Suzanne Forbes 2016 1 This work of art made by beloved friends displayed in our home was one of the visions I held onto tightly during our whole move and housing search.

daria-rhein-art-framed-by-suzanne-forbes-2016-2-edited

Creating a safe space to honor the works made by the cherished creative people I have known and loved is a huge part of who I am and how I am motivated.

Holding onto so many precious, delicate, completely unique things is a lot of work and a lot of stress. I used a lot of acid-free tissue and bubble wrap to get them here.

But without weird object-attachment people like me, there’d be no museums!

 

(I also made these sparkly creature-frames for Daria‘s new postcards, because I love mass production too!)

horrible OOAK doll by Suzanne Forbes 2016I made this hideous dolly kind of in my spare time in parallel to my Gothic Burlesque Elsa Lanchester Bride of Frankenstein. Isn’t she lovely? Not so much? Oh come on, you like her right?

Bride of Frankenstein custom OOAK doll by Suzanne Forbes WIP 2016Well, she came out exactly as I saw her in my head, and it’s a rare project you can say that about, especially one involving a rubber spider, hair ties, epoxy clay and faux fur.

Fun fact: the boots I used for Elsa were the boots that were on the feet of this Living Dead doll before I, um, cut them off with a hacksaw.

I packed them with epoxy clay to give my Bride more weight and structural stability at her base. And I also used epoxy clay to make a dollar-store zombie hand candleholder more normal.

You know, I just wanted a regular creepy disembodied hand.

I wish it was still the week before Halloween, before the darkness and terror of November 8. I wish I wasn’t so afraid for the US and the world. I wish I could go back in time to when I bought this poster, when it seemed impossible such a creature could win the election.  I hope and pray by next Halloween the world will be less insane. I thank you and love you for all that you do.

 

Halloween Doll Custom: OOAK Bride of Frankenstein!

I made a fabulous gothic burlesque outfit for my Bride of Frankenstein doll!Suzanne Forbes Sideshow Bride of Frankenstein custom

Suzanne Forbes Sideshow Bride of Frankenstein customSuzanne Forbes Sideshow Bride of Frankenstein custom doll corsetI just finished this project barely in time for round one of our Halloween week celebrations, and I am so proud of her!

This is a Sideshow Collectibles Bride of Frankenstein that i’ve had for like a decade.

I originally got her mostly for her laboratory accessories, for my dollhouse laboratory.Suzanne Forbes action figure dollhouse laboratory

Young Elsa Lanchester Burlesque RevueI loved her face, but the slightness of her base figure model and her outfit, though very screen-accurate, bored me. Elsa Lanchester is just much more fierce.

I wanted to reference her dance training, her cabaret and Victorian numbers from her burlesque revue days.  She and Madeline Kahn had so much in common as performers, and yet you only see a glimpse of it in “Bride of Frankenstein.” She plays Mary Shelley as well, in the “Bride” prologue. Shelley calls her “an angel”, and the devil is the corner of her mouth as she smirks, “You think so.”

Sideshow Collectibles Bride of Frankenstein Doll or action figuremadeline-kahn-young-frankenstein

 

I always had the idea I’d do a custom outfit for my Sideshow Bride, something sassy and exciting.

As I began to make my Horribella dolls, I amassed tiny doll-making trims and miniature buckles.Suzanne Forbes Sideshow Bride of Frankenstein custom doll corsetSuzanne Forbes Sideshow Bride of Frankenstein custom doll corset

Suzanne Forbes Sideshow Bride of Frankenstein custom doll bootsI got stuff from model horse tack suppliers Rio Rondo (boy, don’t try to load that site on your phone!) and BJD clothing-making suppliers all over the world.

I got amazing tiny silver leather trim from a handbag company in Los Angeles. I saved every bit of ribbon from every bag of fancy cookies, every inch of silver elastic from a dress tag, for my Snow Queen project (reveal next year!). For my mermaid doll and my corset customizing projects I got a zillion different kinds and sizes of Swarovski crystals, beads, sequins and chains.

I learned how to bulk out the hips of a figure and smoothly sculpt them with epoxy clay when I was making the tiny doll corsets for my Horribella dolls.

I give them big curves to match the silhouette of a Modern Edwardian underbust, my own favorite corset style. Then I draft a tiny corset pattern and cut and glue a miniature corset over them.

Suzanne Forbes custom doll corset

Suzanne Forbes Sideshow Bride of Frankenstein custom

Now that my workshop is complete, I keep powering through long-awaited projects.

So I finally made my Bride of Frankenstein Gothic Burlesque Elsa Lancaster Showgirl!

Isn’t she marvelous?

 

Horribella Mark IV: an unpleasant Victorianish doll-thing!

Horribella Mark 4 by Suzanne Forbes July 2016 Look at this horrible thing I made!

I am blowing through projects that have been waiting over a year, now that my workshop is finished. It’s so easy and comfortable to use and access all my tools and materials, and the light is so good in our kitchen. I’m especially thrilled to have finished my own Horribella doll at last!

Horribella Mark 1 by Suzanne Forbes coll. Ramon

The first Horribella was made as a host gift for a fae-themed party thrown by one of my beloved friend-muse-patrons. Her wings were hand-decorated with many crystals.

I particularly like the way the corset of this one came out.

The second was bought by one of my beloved friend-muse-patrons and lives in her SOMA loft.Horribella Mark 2 by Suzanne Forbes coll. Eva

Horribella Mark 3 by Suzanne Forbes coll. AimeeAnd the third was traded to my friend Aimee Baldwin, for one of her extraordinary vegan taxidermy creations ( a mantis of course!).

I was really devastated to give up the third one, since it was so specially unpleasant, but I wanted that mantis badly.

Horribella Mark 4 by Suzanne Forbes July 2016 So I saved the other half of the iridescent flower at the top of the corset (originally scavenged from the wings of some drugstore fairy doll that became a mermaid in a shadowbox at least a decade ago).

Horribella Mark 4 by Suzanne Forbes July 2016

Then I saved the particular trims I used, and enough of the superfine damson-colored leather strips I ordered from a purse company in LA, and a tiny bit of the pleated burgundy lace, and just enough of the bug-printed emerald green French wired ribbon.

 

I sculpted a new body and head and painted them, but there was a reaction between the paint and primer.

Horribella Mark 4 by Suzanne Forbes July 2016 trainSpray painting plastic, no matter how much time you spend on The Fwoosh, is unpredictable. So I had to scrape off the paint and reprime the pieces, and then pack them, because it was time to move to Berlin.Horribella Mark 4 by Suzanne Forbes July 2016

I was terrified that off-gassing primer/paint reaction could start a fire, so I waited to pack them ’til the very last day, and wound up throwing the pieces in a little box within one of the randomly packed boxes of the morning we left. Even though this project was incredibly important to me! And the materials to dress her were packed separately of course.

I am a crazy person, and sadly not always in a fun way.

Horribella Mark 4 by Suzanne Forbes July 2016

(Yes, I started packing one year before we left, and I was still packing the DAY we left. Probably I shouldn’t have spent so many nights obsessively organizing my mixed media materials before we left. But it did make unpacking them an utter delight.)

Horribella Mark 4 by Suzanne Forbes July 2016

 

 

 

 

So it was all horribly stressful! And I was still afraid that my Frankenstein mix of paints and solvents would start a fire and burn up our storage unit or shipping container!

But there was no fire, and the ship didn’t sink, and the train didn’t crash, and the truck didn’t go into a snowbank, and the box didn’t get dropped, and nothing got lost, and so I was able to assemble a Horribella of my own at last. She is not for sale!

As always when I make a doll, I am deeply indebted to my beloved friend-muse-Patron Monique Motil, creator of Sartorial Creatures and the most inspiring dollmaker I know.

 

More Mermaid Madness!

Evil Mermaid by Suzanne Forbes 2016I decided to rework a mermaid sculpture because I wasn’t really satisfied with it. For one thing, her boobs were really noticeably different sizes.

Evil Mermaid 2011 Suzanne Forbes(This is her before.)  In the intervening few years, I’d learned a bit about doll-making materials and acquired soooo much mermaidy stuff. This was an opportunity to play with some of these materials and techniques.

The wonderful thing about polymer clay is that you can sculpt new clay onto a piece and rebake it, even some years later. #fixedthoseboobs.

I mean, one of mine is a little smaller than the other, it’s not like I was judging her- it just looked super awkward in her particular pose.Evil Mermaid by Suzanne Forbes 2016

 

And I’d learned you can sand the cured clay, which is great for super-smooth fleshly areas. So I improved the sculpt, and then I gave her some fancy swag to wear!

I also used a mixture of materials, which I talk about in this “Learning to Sculpt” post. I made the driftwood tree out of a tinfoil armature covered with epoxy clay and painted. Fork tines made the bark lines, though that was the end of that fork!

Evil Mermaid by Suzanne ForbesI used Liquid Sculpey on her fingertips and webbing to make them more unpleasantly translucent. I also varnished her to up the translucency of the “Transparent” Fimo, and I used Sakura 3D Crystal Lacquer to put a dome of clear gloss over her eyes.

As you can see her boobs look very nice now. Ten years ago I was at a miniatures show, admiring a beautiful naked fairy, when the artist who made her surprised me.

“Check out her bodacious ta-tas”, the lady in her seventies said, “I always make sure the nipples are nice and pink!”. No reason a doll can’t have a nice bosom!

 

Evil Mermaid by Suzanne ForbesI also made her hair ombré so she could be on trend.

In the end I am enormously pleased with her and her mean little face! Here she is in her dome prison.

 

 

 

 

 

 

 

Tentacle Grotto Mirror by Suzanne ForbesI STILL had mermaid stuff left over, so I made this evil tentacle grotto mirror.