Tag Archives: Patreon powered artist

Finishing my big new portrait of Sadie Lune and Jo Pollux!

Portrait of Sadie Lune and Jo Pollux before bifurcation by Suzanne Forbes Oct 17 2017

Portrait of Sadie Lune and Jo Pollux before bifurcation by Suzanne Forbes, Oct 17 2017

I finished my biggest painting in like twelve years!

At 30″ by 80″ (76cm by 204cm), these conjoined canvases form a fine large surface. I could have gone the traditional route, setting my sitters deep within the pictorial space with plenty of air around them. But I wanted something more demanding of my abilities and more interrogative of the viewer, a compressed space with an exploded perspective that tips the viewer into the painting’s world.

Portrait Sadie Lune cu by Suzanne Forbes Oct 17 2017Into the dangerous, powerful air breathed by artists Sadie Lune and Jo Pollux.

Portrait of Sadie Lune by Suzanne Forbes Oct 18 2017I set up the perspective of the picture with the idea that Sadie and Jo should take up as much space in it as possible.

At some point in the 90s I read a quote from Roseanne Barr, where she advised young actresses to “take up as much space as you possibly can.”

I think this is a great idea for women, to just occupy space with our presence and authority and strength and certainty, and in Sadie’s case, coiled professional menace.

I had done a painting that utilized an exploded perspective in 2005, the portrait of Khris Brown that is still one of my favorite things I’ve ever done (below right).

I approached the portrait I did of Rah Hell this summer the same way, opening and flattening the pictorial space to force the viewer to acknowledge her carelessly confident drummer’s body (below left). Our Art Nouveau herringbone wood floors work even better for distorting the perspective than the floors in my Berkeley Craftsman did.Portraits by Suzanne Forbes 2005 and 2017

To get the exaggerated foreshortening of my model’s forms, I simply alternate between sitting and standing with the easel very close to the model.

Then I make decisions about scale and positioning, as described in the previous post, and position one foot to break the frame, my signature! This is a straightforward way of suggesting that the power of the woman in the portrait can’t be contained by the picture plane. And it also references my career in comics and my love for comic panel design.

You can see here how close I was to the model chair.After the third sitting Sadie and Jo WIP by Suzanne Forbes Oct 2017

During the long third sitting, Sadie and Jo and I talked about art and sex and power.

Sadie and I reminisced about the wonderful Oughts’-era climate for sex-positive kinky art in San Francisco. We talked about the many performances and shows we did for Madison Young’s queer art gallery Femina Potens and the events, like Sadie’s birthday party, at the Center For Sex and Culture. For a while the background of the painting looked like the Leather Pride Flag!After the third sitting Sadie and Jo WIP by Suzanne Forbes Oct 2017

Jo, who is a photographer, told us an amazing story of when she met Nan Goldin.

The whole process of making the painting has been nourishing and strengthening, a collaborative meeting of minds and talents. Sadie and Jo both brought their A game to the work, serving tremendous presence and face and great physical stamina.

Portrait of Sadie and Jo detail by Suzanne Forbes Oct 2017After the final sitting I dug in and sorted out the background and details. As much as I liked the Leather Pride colors, I wanted to paint the realistic space of my salon, to ground the figures in a real world and place the viewer in it with them.

I adjusted the perspective of the floor over and over, to give the immanence I wanted to Sadie and Jo.

And I repainted Jo’s hands like a million times, so they would only be substantial artist’s hands, not disorientingly large! I had fun painting the Autumn goddess head-dresses of leaves and rosehips Jo and Sadie wore to Folsom Europe for a performance this year.

I very carefully composed the shadows at Sadie’s feet to guide the eye to the vicious tip of her singletail, which actually is the dark blue and black colors I painted it.

I gave Jo a branch to hold because I was like, “Needs moar witch!” Once the details were done, it was time to separate the two canvases for transport to Ludwig, where they will be shown. I didn’t know what would happen once they were separated; the painting looked finished and resolved with them conjoined but….

With the canvases separated, the blue background wall panel behind Jo (right side) became a dead space!Portrait of Jo Pollux by Suzanne Forbes before and after Oct 18 2017I had to activate it visually with shadows.

Which was good, really, as it made the unused pink velvet boudoir chair more significant. I like to include pink velvet furniture, like my sadly lost dusty rose velvet model’s armchair, in my paintings. Not only is pink velvet a great visual reference to pussy, it references a powerful moment in my experience as an artist.

In 1993 I went to Philadelphia with my first husband. We went to the Philadelphia Museum of Art, where we saw the Cornells, Duchamp’s Étant donnés and the Degas known as both “Interior” and “The Rape”. I can’t begin to describe the impact that group of works had on me, but I can tell you the most important thing I carried away: that women need to make paintings of women.

Jo Pollux detail by Suzanne Forbes Oct 18 2017For decades I have been both inspired by the great male painters and furious that men have made most of the great paintings of women.

My spiritual master as an artist, John Singer Sargent, was not sexually involved with women. He made pictures of them as beings. Numinous, sensual, prickly, elegant, fearless beings. I am hoping in the next few years to really move into my abilities as a painter, and to begin painting women with all the strength I see in them.

It really helps to make big paintings, when you want to depict strength and grace, and I hope this diptych is a step towards that.

This work was made possible by the generosity of my Patrons on Patreon, who contribute monthly support to enable me to make art. I am so, so grateful.

You can help for as little as a buck a month!

In Berlin and wanna see it in person and hear me and Sadie talk about art, gender, portraiture as service and more? Come to Ludwig this Sunday, Oct 22, at 8pm for an artist’s talk and vernissage!

Sadie and Jo are both brand-new on Patreon, you can help them make feminist art!

 

 

More drawings from Dr. Sketchy’s Weimar Berlin at Cafe Kalwil.

Bridge Markland posing at Dr Sketchys Berlin Aug 22 2017 by Suzanne ForbesWow, I have made SO MUCH ART this month! Thank you, amazing Patreon Patrons, for making this possible.

Here are some more drawings from the Anita Berber Salon Session of Dr. Sketchy’s Berlin. Above, Bridge Markland portraying Anita Berber amid a group of young women drawing. The life drawing scene in Berlin is absolutely being taken over by women!

For this one I pulled out my Winsor & Newton Series 7 Sable No. #7, which I have kept and cared for since I bought it when I was a student at Parsons in 1984. It is beat to shit but still shakes out to a nice point and holds a wash like nobody’s business. I haven’t done a wash drawing in decades and have no ink, so I used a bit of black acrylic (bad! don’t use acrylic on a sable brush!). It came out lovely I think! The craft paper isn’t sturdy enough to hold up to a wash so I had to press the drawing under a bunch of my doorstop Rose Levy Beranbaum cookbooks after.

Bridge Markland posing at Cafe Kalwil by Suzanne Forbes Aug 22 2017Here’s another drawing of the amazing Bridge, illuminating beautiful Cafe Kalwil with her classic art modelling chops.

You can see my previous Dr. Sketchy’s Berlin drawings of Bridge here!

Le Pustra as Sebastian Droste by Suzanne Forbes Aug 10 2017And I finished two more drawings of Le Pustra as Sebastian Droste.

You can see the previous ones here. The one below has paint added with my fingers, as I continue to experiment with mixed media despite my previous failures. I am so gorram excited about the next time I get to draw Le Pustra, at the Kabarett der Namenlosen.

Or maybe I will sneak in a sketch of him at the October Dr. Sketchy’s Berlin which is Victorian Spiritualism themed! OH hell yeah you know Imma hit that big time in Full Goth.Le Pustra as Sebastian Droste by Suzanne Forbes Aug 22 2017

After all I snuck in a sketch of event organizer LaLa Vox this time 🙂LalaVox hosting Dr Sketchys Berlin Aug 6 2017 by Suzanne Forbes

The night is dark and full of ice cream: Moldover and Alfred Ladylike at Posh Teckel in Neukölln.

Moldover performing at Posh Teckel drawn by Suzanne Forbes Aug 10 2017Seriously, nukes could fly any second. The world is ON FIRE because of some dimwitted psychopaths. Life has returned to 80’s conditions, a world of “tomorrow I’ll ____, unless nukes. Thursday I’ll _____, unless nukes.”

And yet, I am full of joy, and I got to see an amazing show, and I made art.

I’ve drawn Alfred Ladylike before, on two occasions. I am a fan of Alfred both in solo and Donut Heart incarnations. Although I did not draw her the first time I saw her perform, when she opened with “Professional” for Amanda Palmer at the show I drew at last Fall! Alfred played at Posh Teckel in Neukölln last night.Alfred Ladylike performing at Posh Teckel drawn by Suzanne Forbes Aug 10 2017

“Teckel” means “dachshund” and there has never been a bar as dachshund-themed as Posh Teckel ever in the history of the world.

It is pretty damn delightful, and also it is a bar that cares a lot about music. It is smaller than our flat but charming. The music sounded great. Alfred performed a few songs but I only made one drawing because it was entirely red and dark and very, very hot in the music part of the bar!

Luckily the music space cooled off a bit as the evening went on. I asserted my needs and dragged in a bar chair to sit on in front of the stage. No-one minded. It’s Berlin, we do what we like.

Moldover drawn by Suzanne Forbes Aug 10 2017Then Moldover played and wow he is a crackerjack musician and terrific live performer.

He was really just extremely good. I knew pretty much nothing about controllerism, or that Moldover is known worldwide as the Godfather of Controllerism. But I know musicians, and I know performers, and I was just thrilled to see such a terrific show out of the blue on a Thursday night in Berlin when we might all die in a nuclear firestorm tomorrow.

Moldover drawn by Suzanne Forbes Aug 10 2017Boy howdy, I sure hope I get to go back and read this six months from now and say “wasn’t it scary, thank heavens things are better now.”

Because this is the sweetest and brightest and most joyful and meaningful my life has ever been and I’m drawing like blue hot holy hell. I headed home at midnight; I stopped at our all-night bistro to get ice-cream. Mango eis in the velvet dark and coolness of the summer night, our neighborhood still quietly bustling. I was so happy I scared the cats my husband by dancing in the front door. It would be a shame to get radiation sickness at a time like this.

Anyway, If you like me going around and documenting Berlin life and art, you can help make it possible by supporting me on Patreon. It’s easy and you can pledge as a little as a buck a month; I’ll be thrilled! Moldover has a Patreon too and is on bandcamp and both those corporations are being pretty decent world citizens, as corporations go, so far. So you could go support this fine musician here on Patreon (I did!) or buy his music and music devices on bandcamp. And watch this video, where Moldover wears a tinfoil jumpsuit and performs inside a giant computer chip.

Or maybe he’s really tiny? Whichever, check it out.

Don’t wait too long, in case nukes.

My first art show in Berlin – what a wonderful night!

Vernissage Suzanne Forbes photo by Sarah Kilcoyne May 12 2017

Thanks to my amazing friend Daria Rhein, who is a tattoo artist there, I met the lovely folks who own Tremuschi Ink Tattoo and Art Gallery in Friedrichshain.

vernissage tremuschi ink for Suzanne Forbes May 12 2017 by Uschi Tremuschi

vernissage for Suzanne Forbes May 12 2017 by Uschi Tremuschi

I was invited to show my works and we had a vernissage (that’s what we say in Europe instead of opening!) on Friday night.

The night before, Daria and her sib from another crib Marina helped me hang the show.

What a wonderful, glorious time we had! So many dear ones new and old attended.

Here you can see Miss Natasha Enquist chatting with a fellow whose name we couldn’t pronounce!

Nathan and Daria in front of Darias mural at Tremuschi Ink by Suzanne Forbes May 12th 2017Our friend Nathan, who was hub’s acupuncture doctor in the Bay, was in Berlin for re:publica, working his awesome new Makerspace networking startup, MakerNet.

He took care of Daria’s headache problem! One of my old lovers who lives in Berlin came and bought a piece. Our friends Ben and Ursula came and took the hubbin over to Santa Cantina, and returned with delicious Mexican food for me to nom.

vernissage for Suzanne Forbes at Tremuschi Ink May 12 2017My ESDIPBerlin fam came and represented, as well as new internet friends like curator Suzanne Wegh and Rah Hell of Berlin Uke rock band Donut Heart.

Several of the hub’s co-workers made it, as well as cool hackers from CCC, and lots of Berlin-based or soon to be Berlin-based programmers and Burners we hadn’t met before.

Half a dozen pieces sold immediately. I simply had the most wonderful time. I am happier here in Berlin with my hubbin than I have ever been in my life. Fifty is amazing; I am so grateful I lived, so grateful to be in long-term remission from depression, and to be able to make art.

My Patrons on Patreon make it all possible, so take a bow, supporters of the arts! I love you.