And when you come to stay with us, you may be asked to pose.
It was a Saturday late fairly late, and this guy was eating a sandwich in a white Tyvek jumpsuit. Was he a homeless guy, with his possessions in his cart? His cart also contained folders of papers and cleaning products, maybe he works in the subway system?
I couldn’t tell. I snuck behind the elevator shaft and drew him through its glass walls. Then I finished it a month or two later with the new greyscale markers one of my beloved Friend-Muse-Patrons gave me for my 50th birthday!
It was an older train, she was in the classic straphanger bookworm brace position, she was reading an 80s thriller and wearing the same kind of puffer coat my mom wore in the 80s. Puffer coats came back in style a couple years ago, and I am glad because they are so fun to draw.
December Unterwegs here.
November Unterwegs here.
I wanted to seize the opportunity to make a portrait while Dia was still in Berlin, before they headed off to New York for a new job doing important work protecting civil liberties.
I am as giddily pleased with this rock-solid powerhouse portrait as I’ve ever been with anything I’ve done. I think it’s a good indication for the New Year.
If you’d like to help support my work, please visit my Patreon!
If you’d like to see more of my work representing diversity, queer love, trans visibility and body positivity, click over to my flickr. Some of the drawings are VERY explicit drawings of queer love and sex, so to see all 98 images in this album you’ll have to have your “adult” safeties off!
I saw this guy during the summer, on the bus that goes to the airport, then found the drawing and finished it just this week.
I’d like to talk more about my work, I’d like to offer more helpful insight into my process, I’d like to be more useful- but this year, this month, this week, it’s just more than I know what to do with right now. I managed to make art this month, and that took all the energy I had.
It’s very hard for me to leave the house right now. I really needed to get to my recovery support group, so I told myself I would get Jones Ice Cream on the way.
I was standing outside Jones Ice Cream, waiting for them to open and working on finishing up this drawing. The folks who run the beautiful seasonal and local foods store next to Jones’ gave me a gleaming local apple, “For the art!”.
The bottles by the bin in the drawing are left by people for people who need money to turn in for the pfand, or refund. Everyone does it here; there’s no shame in it.
There is a new flavor at Jones, Apple Crumble. I had it with their Salted Caramel. Which is not as creamy as Bi-Rite’s, more chewy, but stays live on the palate longer.
She was in town for the weekend. María is an incredibly talented young artist who is now studying art full-time back home in Madrid. You can see her work by following her on twitter and tumblr, as well as her YouTube channel. We had a wonderful visit, talking about art and drawing. I got to see the things she’s working on, her Inktober drawings and her latest projects. She has recently won prizes in several illustration contests in Spain (which I predicted each time!).
Here’s a nice picture of us earlier this year! In case you can’t tell, I am living my best life ever here in Berlin. Thanks to my Patreon Patrons, I can draw and teach and live, and it’s a life of meaning and purpose.
One of our friends from the Bay Area, a very handsome and dashing fellow, was in town. I was super excited to paint him, as I’d never had a chance in Oakland.
He came over, dressed in a sharp suit, and I gave him some wine (we still have tons left from the housewarming) and set to work. He posed extremely well, with great brio, but I couldn’t get a light source that worked. And once I started painting, the situation devolved.
I can draw myself or paint myself out of just about any corner in an additive-subtractive medium; my knowledge of anatomy, structure and values is sufficient to recover from most wrong directions. But with watercolor, you can’t go very far down the wrong road.
I tried everything I could think of to resolve the portrait, including opaque white to recover lost lights, but it was a no-go. Eventually I called it and we started over. I asked my model to change his pose, I changed the light source, and I switched to drawing, only lightly tinted at the end with watercolor. I captured his Leyendecker profile this time.
So I was able to produce a decent likeness that had a good sense of the sitter, but only by divergent means. I scanned the horrific failure, excerpted here, but only my Patrons get to see it 🙂
As my health and well-being has increased here in Berlin, so have my drawing skills. These are some of the best, most warmly human likenesses I’ve achieved.
I’m so grateful to continue recovering my health and to be able to make work at events like this one. A wedding is as high-pressure an event as my old work as a courtroom artist was- you only get one shot!
I do have a rough sketch of the bride and groom I’m planning to finish up later 🙂
If you’d like to support my work as an artist and art teacher you can visit my Patreon page!
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