Tag Archives: Suzanne Forbes

Something beautiful for a sad month: bead embroidery!

beetle embroidery by Suzanne Forbes Feb 2017I made this embroidered beetle to lift my heart and give me the strength that working with color and sparkle does. It was part of my automatic-writing-for-art approach this month, like the Monster doll armada.beetle embroidery by Suzanne Forbes Feb 2017

I just reached into my textile materials drawer and grabbed some scraps and bits, and told myself, You gotta make something with these.

bead embroidery appliques Suzanne Forbes 2017 1There are four different types of lacework fabric and delicate cotton paper layered on a blue felt base, bits left from the very first materials I bought at my earliest trips to the art store in Berlin.

I used them in my mantis project our first summer here, and in some bug embroideries with sheer wings.

The blue felt undersurface is left over from the backing of the Hearts Afire pieces I made for my Cake Level Patrons in 2016.

beetle embroidery by Suzanne Forbes Feb 2017Plus bead overflow from the Green Woman corset I’m working on, which is related to the Green Leaf Crowns I made last summer! I planned that project back in 2013-14 and brought all the materials in the shipping container.

You can see my project kit* for the Green Woman project at the top of these pics; I just raided it for beads and bling! This is the mess on a day I worked for eleven hours straight, just fiending on colors and sparkle.

I learn so much from studying the work of Game of Thrones embroidery artist Michele Carragher.

bead embroidery appliques Suzanne Forbes 2017 She has really radical approaches to layering sheer or lacework materials and doing bead embroidery in three dimensions.

I look forward to exploring ideas I borrowed from her for the mantis, like a wire lattice for sheer wings. Maybe this summer!

I also learned from her to do my bead embroidery in a hoop, whether or not it’s going to remain in the hoop.

Doing bead embroidery on the surface you plan to display it on – especially clothing- is for suckers. It’s like melting chocolate in a double boiler.

Much easier, stronger, safer and neater to embroider or bead embroider on a sheer surface in a hoop. If your threads aren’t meltable you can iron a light interfacing onto the back to protect the finished embroidery, cut around the embroidery design, then sew it onto your clothes or lampshade or corset or whatever.

If your threads are synthetic and meltable, but you’re really worried about the strength/structural integrity of the piece, you can wipe a thin coat of archival gel glue on the back. Like E6000! I touched every knot on the back of this beetle with a bit of Tacky Glue, just to be sure it’s heirloom solid. I have to charge a lot for embroidery pieces, since they take a minimum of 30 hours to make, so I like to be sure they’re for the ages.

*project kit: I have a half dozen project kits still neatly boxed up and waiting in my workshop cabinets. I organize all the materials and supplies I need for a project into a “kit” that makes it easy to bust into and tackle. All those 90% off post-holiday sales at Michaels and JoAnn’s, all those years of saving every scrap of ribbon from a present, every bit of wrapping paper for a shadowbox or decoupage! I’ve been blazing through projects, I’ve finished at least a dozen since I finished building the kitchen/workshop, but I brought a LOT in the container.

Binding Trump – to The Phantom Zone!!

BindTrump to the Phantom Zone by Suzanne Forbes Feb 24 2017 CC0 public domainIn honor of the Binding “President” Trump rituals happening all over the world beginning February 24, I made this picture.

Since I am a science fiction person and not an occult person (love and respect to all my occult peeps!) I boundTrump to the Phantom Zone. You may recall that’s where Superman puts villains.

The picture is licensed Creative Commons CC0; it is in the public domain and I waive all rights to it.

I wish with all my heart for “President” Trump to vanish to eternal imprisonment in the Phantom Zone with the rest of the supervillains, and may he stay there for all eternity, outside space and time, harming no one else.

Lots of good folk are involved in this project and its sharing around the world. Here is a central source and the beginning of the binding words:

I call upon you
To bind
“President” “President” Donald J. Trump
So that he may fail utterly
That he may do no harm
To any human soul
Nor any tree
Animal
Rock
Stream
or Sea

Bind him so that he shall not break our polity
Usurp our liberty
Or fill our minds with hate, confusion, fear, or despair
And bind, too,
All those who enable his wickedness
And those whose mouths speak his poisonous lies

This is only the first binding; it will be repeated all over the world “at midnight on every waning crescent moon until he is removed from office.”

Bat Monster Woman!!

Bat Monster Woman Embroidery by Suzanne Forbes Feb 20 2017Bat Monster Woman Embroidery by Suzanne Forbes Feb 20 2017It’s a gray day in Berlin but this gold and bronze Bat Monster Woman I just finished is glowing.

She is inspired by my beloved Archie McPhee Monster Women rubber toys, a gift from my oldest friend Victoria.

I used what may be my last scrap of silver velvet, some old-gold colored wired organza ribbon that I bought with a coupon at Jo-Ann for my first wedding, and gold tulle.

Plus my favorite Black Pearl metallic thread from Rico Design, which is the only good metallic embroidery thread available in the world.

Bat Monster Woman Embroidery by Suzanne Forbes Feb 20 2017And two citrine Swarovski crystals for her eyes, some brass rhinestuds, a scrap of teeeny gold dollmaking braid trim, and plain dark green cotton thread, doubled, carefully stitched around the border of the design.

Using a fine dark thread to go around the edges of important shapes really helps me control and refine the line, I highly recommend it.

It’s especially great where a regular back-stitched embroidered line butts up against a satin stitch area. The tiny needle you can use for a single strand of floss or regular thread means you can stitch into the satin stitch without disturbing or spreading it, yet stabilize it at the same time.

I also added brass stud stars, both to reference Wonder Woman iconography and because I love studs.

When I was a child, about seven to nine, I had a babysitter I adored. Her name was Melissa, and although she was a hardcore drug addict and a total flake, she was so mellow and gentle with me. Some friends of her and her sister Nadine had a clothing store on 8th Avenue between 20th and 21st, a funky hippie store where everybody hung out. I don’t know if they ever sold anything but drugs.

Sitting on the floor in there under racks of fringed and embroidered and patched rocker clothes impacted my aesthetic so much.

Bat Monster Woman Embroidery by Suzanne Forbes Feb 20 2017There was a barrel of studs for your jeans or jean jackets, all different shapes and designs, stars and moons and pyramids and other shapes I can’t quite summon. Like, a barrel- they must have bought them by the kilo at some surplus place. I would run my hands through them, gently so the points wouldn’t poke me.

I felt completely safe there. Years later the friends became famous Deadhead t-shirt silkscreeners, and I went to a party at their loft on 14th st. I came home drunk at dawn and gleefully told my mom about their huge ball python Clyde who had cuddled me. They were such nice people, and such incredible artists.

Everything you do or see or feel goes in the hopper for creative work. 

Everything I remember, here in this safe-at-last place, surfaces and turns and shines under the light. I don’t know where the synthesis will take me. Or what the meeting point will be between painting and drawing, the skills I trained a decade for and made a career in, and the making things I’ve always loved.

Valentines Monster Doll Armada.

Monster dolls by Suzanne Forbes Feb 2017I spent sooooo much time making these dolls!

weasel claw doll by Suzanne Forbes Feb 2017I had a crazy rare week of being virtually fatigue-free and on a “normal person” sleep schedule, where I woke up between 7 and 9 and went to bed around 10 to midnight.

The last period I can remember like that was around 2008. I took mad advantage of the good light and the long days, and worked on the dolls ten or twelve hours a day.

I approached the project with a kind of relaxed enforced serendipity- I would just reach in the doll making drawer and grab and handful of materials. Then I’d see what I could make with the bits of legs, arms, fur and plastic bugs I’d grabbed. It was like putting together puzzles.wip doll by Suzanne Forbesbarbie faun maenad wip Suzanne Forbes Feb 2017

Bricoleurs are machines that make junk into art.

There is a powerful mental image for me when I work on stuff like this. I always think of the Boxmaker in Count Zero, the AI fragments/loa that uses Tessier-Ashpool relicts to make Cornell boxes. The idea of being a machine that recycles scraps and pieces of artifacts into new artifacts is so beautiful and restorative to me.

dollmaking Suzanne Forbes 2017dollmaking Suzanne Forbes 2017dollmaking Suzanne Forbes 2017

I’ve been cutting up my dolls and making them over my whole life.

Maenad Faun Barbie by Suzanne Forbes Feb 2017

My best friend Victoria and I used to chop off their hair, paint them with Mercurochrome for fake blood, and drop them out the window of her parents’ loft on Great Jones St.

They would land on the hoods of the cars in the parking lot below, tiny sacrifices.spiderella dolly by Suzanne Forbes Feb 2017

I used to use the fireplace tongs to hold my Flatsie dolls in the wood stove at our cabin in the Adirondacks, revealing their wire armatures.

I never minded the smell of burning plastic; I was too fascinated by the structure being revealed and the way the arms melted off.

Dolls are intrinsically powerful; they come pre-loaded with content.

Add pink housewife dresses and the horns of a genderbent Herne, and you have a semiotic shorthand that anyone can parse. They are little totems, little ration packs. I lavished them with the tiniest Swarovski crystals, leftover fur from one of Daria’s dolls, velvet ribbon, and microbeads, because pretty and scary are my favorite mix.

Like many artists I know, I’ve been deeply inspired by the idea of being called a “nasty woman”.

Monster doll mouth by Suzanne Forbes Feb 2017I love that idea, I love the entire notion of reclaiming my nastiness and ugliness and witchiness and harpiness and shrillness and bitey-rage-creature-ness.

I am completely ready to embrace my monsterhood and the monsterwoman-ness of all the monster people of all genders and origins and being-hoods. Be maenads, and rage!

Anyone who has a problem with the furious girl-child inside me who cut the heads off dolls can take it up with my glorious, furious, terrifying grown-ass woman monster-self. Lotsa luck, as we say where I come from.Monster dolls by Suzanne Forbes Feb 2017

 

Unterweg Drawings Nr. 3 – January!

3am on the U7 by Suzanne Forbes Jan 30 2017This is one of those Berlin moments that kind of confused me.

It was a Saturday late fairly late, and this guy was eating a sandwich in a white Tyvek jumpsuit. Was he a homeless guy, with his possessions in his cart? His cart also contained folders of papers and cleaning products, maybe he works in the subway system?

I couldn’t tell. I snuck behind the elevator shaft and drew him through its glass walls. Then I finished it a month or two later with the new greyscale markers one of my beloved Friend-Muse-Patrons gave me for my 50th birthday!80s classics come around again by Suzanne Forbes Jan 25 2017

I saw this woman last week on the U-Bahn. Everything about her took me back to the 80s.

It was an older train, she was in the classic straphanger bookworm brace position, she was reading an 80s thriller and wearing the same kind of puffer coat my mom wore in the 80s. Puffer coats came back in style a couple years ago, and I am glad because they are so fun to draw.

December Unterwegs here.

November Unterwegs here.

Drawing is my medicine: free protest and march sign art.

suzanneforbes NoBan Jan 28 2017 NoWallI made this drawing of Lady Liberty after a guy on twitter said he’d donate $5 to the ACLU for every hand-drawn image of support for refugees and detainees tweeted at him.

It’s licensed thus: CC0 1.0 Universal (CC0 1.0) Public Domain. Anyone can use it for anything they want.Public domain BaphoMeta by Suzanne Forbes Jan 2017

I made this drawing of a variant Baphomet after seeing this post of a miniature Baphomet statue (I want one for my dollhouse garden so much!). The Satanic Temple sells them in their online store.

It is licensed as follows: CC0 1.0 Universal (CC0 1.0) Public Domain Dedication.

The horrific situation with the US makes me want to make transgressive art that shows love and faith. I don’t know if this will give comfort to anyone but me, but it makes me feel better to have made it. Thanks to the monthly support of my Patrons, I can make and distribute free and copyright free art. He can gut the NEA, but he can’t stop the people from supporting artists.

Usually I make my free drawings available with the Creative Commons Attribution-NonCommercial ShareAlike License (CC BY-NC-SA), so that people can use them freely but Urban Outfitters can’t profit off them. However, in this case, if Urban Outfitters wants to make t-shirts or phone cases with my fat, hairy, trans demon sheltering a spectrum of marginalized children, they are welcome to.

This drawing is in no way intended to be a critique of the official Satanic Temple Baphomet statuecreated by Brooklyn sculptor Mark Porter after a drawing by 19th-century French occultist Eliphas Levi.

The official sculpture is a transgressive work of art that derives visceral power from the clever use of two children in a pose that echoes popular formatted iconography of the 1950s.  No shade, just a variant, an homage I offer to the world!

I hope the statue will be placed at the Arkansas Capitol; I love the mission of The Satanic Temple:

The mission of The Satanic Temple is to encourage benevolence and empathy among all people, reject tyrannical authority, advocate practical common sense and justice, and be directed by the human conscience to undertake noble pursuits guided by the individual will. Politically aware, Civic-minded Satanists and allies in The Satanic Temple have publicly opposed The Westboro Baptist Church, advocated on behalf of children in public school to abolish corporal punishment, applied for equal representation where religious monuments are placed on public property, provided religious exemption and legal protection against laws that unscientifically restrict women’s reproductive autonomy, exposed fraudulent harmful pseudo-scientific practitioners and claims in mental health care, and applied to hold clubs alongside other religious after school clubs in schools besieged by proselytizing organizations.

Drawing Amanda Palmer in Berlin!

Amanda Palmer in my kitchen, by Suzanne Forbes Halloween 2016

Our longtime beloved FriendMusePatron Whitney was on tour this fall with her longtime friend Amanda Palmer.

On Halloween she and Amanda and baby Ash and the whole delightful entourage of cool people came to our house. I made this drawing of Amanda in the kitchen. Daria drew the same moment!

Amanda and I had only met once before, almost a decade ago, so we had some sad quiet time in my bedroom talking about our mutual friend Conor. Amanda’s blog still sends a reader almost every day to my post about how Conor lost his battle with depression and addiction.

I’m grateful that her fans are reading my message about how depression is a medical illness, not a failing of character.

While we talked baby Ash, a sweet-tempered and happy baby, crawled around the coverlet and peered at the cats. He has soulful, deep-set eyes. I love him.Amanda and Whitney practising Paperback Writer in Berlin by Suzanne Forbes Nov 1 2016

Then on the next day me and Daria got to go to the show and be backstage and draw and it was wonderful.

This is Whitney and Amanda practising “Paperback Writer” in the empty venue before the show. The show was at a legendary Berlin venue, Huxleys Neue Welt, and the acoustics were gorgeous. Their voices rose up pure and exquisite in the open space, and the piano was amazing.

When we came into the concert hall where Amanda was at the piano, she sang into the mike, “The artists have arrived!”. I would like to be introduced this way everywhere.

Amanda Palmer and Ash in the Green Room by Suzanne Forbes Nov 1 2016

Scotty the Blue Bunny in Berlin by Suzanne Forbes Nov 1 2016In the green room Ash was looked after by his nanny, who had been an on-point Eleven for Halloween, and old friends of Amanda’s who live in Berlin. His mother’s ear was always tuned to him, even as she got ready to perform.

Scotty the Blue Bunny, another Bay Area refugee now in Berlin, opened the show with his signature baton twirling. Amanda said she would like to be introduced this way everywhere she goes.

Amanda speaks fluent German, as you may or may not know, and fans were yelling “Your German is great!”

She spoke in German quite a bit and it went over gangbusters.

Here’s Amanda taking requests by writing them on her arm!

This is her traditional method of taking requests. The audience happily complied, yelling out song titles.Amanda Palmer taking requests in Berlin by Suzanne Forbes Nov 1 2016

And Amanda playing the ukulele. I fucking love when Amanda plays the ukulele!

Here’s Daria’s. It was so great, and I’m so grateful to have had the opportunity to be there and make these drawings. You can support both me and Amanda continuing to make exactly the art that feels most authentic to us on Patreon!

Amanda Palmer playing ukulele in Berlin by Suzanne Forbes Nov 1 2016

Amanda Palmer playing ukulele in Berlin by Suzanne Forbes Nov 1 2016

Amanda is in Melbourne right now, but in the US you can hear Whitney sing with group Midtown Social all over the Bay Area.

 

Patron Portrait Party!!!

So many beloved Friend-Muse-Patrons came to Berlin to celebrate my 50th birthday!

J by Suzanne Forbes Jan 8 2016I got to make portraits of lots of loved ones, it was glorious.Icka by Suzanne Forbes Dec 29 2016

For me making portraits of people I care about is a way of recording love, making it eternal.anandamayi and alexis by Suzanne Forbes Jan 6 2016

To have these wonderful people in our home and make art of them was the best birthday gift I could possibly have imagined.
neysa and ramon by suzanne forbes jan 7 2017

A new year of portrait painting.

Portrait of DIa by Suzanne Forbes Jan 4 2017I’ve known Dia for years, and made a very good drawing of them at the Edwardian Ball back in the Oughts.

Portrait of Dia by Suzanne Forbes Jan 4 2017Dia came to my Halloween party in this outfit, dressed as Desire, and I was like “Oh HELL yeah!”

I wanted to seize the opportunity to make a portrait while Dia was still in Berlin, before they headed off to New York for a new job doing important work protecting civil liberties.

I am as giddily pleased with this rock-solid powerhouse portrait as I’ve ever been with anything I’ve done. I think it’s a good indication for the New Year.

My work has always been deeply committed to queer and trans visibility, and I pledge to work as hard as I can on representation with love and respect in 2017.

If you’d like to help support my work, please visit my Patreon!

https://www.patreon.com/SuzanneForbes

If you’d like to see more of my work representing diversity, queer love, trans visibility and body positivity, click over to my flickr. Some of the drawings are VERY explicit drawings of queer love and sex, so to see all 98 images in this album you’ll have to have your “adult” safeties off!

Unterweg Drawings Nr. 2- December!

senior ladies by Suzanne Forbes December 2016 Berlin

I love how older ladies carry themselves in Berlin. So composed, so collected, so unafraid.

Working on these relaxed, experimental unterweg drawings has really given me new skills and creativity around handling backgrounds, using pattern to differentiate shapes and dropping in blacks.bus-guy-by-suzanne-forbes-2016

I saw this guy during the summer, on the bus that goes to the airport, then found the drawing and finished it just this week.

I’d like to talk more about my work, I’d like to offer more helpful insight into my process, I’d like to be more useful- but this year, this month, this week, it’s just more than I know what to do with right now. I managed to make art this month, and that took all the energy I had.