And when you come to stay with us, you may be asked to pose.
I wanted to seize the opportunity to make a portrait while Dia was still in Berlin, before they headed off to New York for a new job doing important work protecting civil liberties.
I am as giddily pleased with this rock-solid powerhouse portrait as I’ve ever been with anything I’ve done. I think it’s a good indication for the New Year.
If you’d like to help support my work, please visit my Patreon!
If you’d like to see more of my work representing diversity, queer love, trans visibility and body positivity, click over to my flickr. Some of the drawings are VERY explicit drawings of queer love and sex, so to see all 98 images in this album you’ll have to have your “adult” safeties off!
I find that I’m using these opportunities to draw regular people going about their day as a place to practise techniques. I can drop on a half-finished drawing and decide to add dark values, or detail, or a second person, in the most relaxed and experimental way.
You get as far as you get with an unterweg, then the person you’re drawing gets off the train, or you do, or they notice you drawing and you have to stop. Often children gather to watch, and adults murmur, “Schon!”
Seeing them, every detail, with eyes of compassion. A throughline to the better angels of my nature.
She was in town for the weekend. María is an incredibly talented young artist who is now studying art full-time back home in Madrid. You can see her work by following her on twitter and tumblr, as well as her YouTube channel. We had a wonderful visit, talking about art and drawing. I got to see the things she’s working on, her Inktober drawings and her latest projects. She has recently won prizes in several illustration contests in Spain (which I predicted each time!).
Here’s a nice picture of us earlier this year! In case you can’t tell, I am living my best life ever here in Berlin. Thanks to my Patreon Patrons, I can draw and teach and live, and it’s a life of meaning and purpose.
One of our friends from the Bay Area, a very handsome and dashing fellow, was in town. I was super excited to paint him, as I’d never had a chance in Oakland.
He came over, dressed in a sharp suit, and I gave him some wine (we still have tons left from the housewarming) and set to work. He posed extremely well, with great brio, but I couldn’t get a light source that worked. And once I started painting, the situation devolved.
I can draw myself or paint myself out of just about any corner in an additive-subtractive medium; my knowledge of anatomy, structure and values is sufficient to recover from most wrong directions. But with watercolor, you can’t go very far down the wrong road.
I tried everything I could think of to resolve the portrait, including opaque white to recover lost lights, but it was a no-go. Eventually I called it and we started over. I asked my model to change his pose, I changed the light source, and I switched to drawing, only lightly tinted at the end with watercolor. I captured his Leyendecker profile this time.
So I was able to produce a decent likeness that had a good sense of the sitter, but only by divergent means. I scanned the horrific failure, excerpted here, but only my Patrons get to see it 🙂
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