Monthly Archives: April 2019

Portrait of Shakrah, third sitting.

Portrait of Shakrah Yves work in process third sitting by Suzanne Forbes April 29 2019Sometimes a portrait changes a lot during the process!

Suzanne Forbes painting Shakrah Yves photographed by Mirella Frangella June 2018 all rights reserved

Suzanne Forbes painting Shakrah Yves photographed by Mirella Frangella June 2018 all rights reserved

I was frustrated with this portrait of my friend Shakrah Yves because it’s on a small canvas (about 40x50cm) and I usually paint quite large.

I just couldn’t get comfortable with the composition.

Plus, during the second sitting, which was photographed by Mirella Frangella, I radically changed Shakrah’s pose and completely repainted her face.

But we convened for a third sitting last week and it came together, finally. WIP Portrait of Shakrah Yves by Suzanne Forbes first and second sittings 2018

Here are the results of the first two sittings, above.

Really different right?? It’s not done yet, but Shakrah’s time-traveler beauty is emerging. In the ten months since we last worked on this picture, Shakrah and I have spent time hanging out, and I have come to know her face much better. I was truly feeling like her character and her beauty weren’t captured by the portrait to date, and seriously considering abandoning it. Plus, the pink velvet salon chair she was sitting on was destroyed by a giant hacker during our New Year’s Day epic brunch, so we needed to use a different chair!

But she was up for posing, after my work hiatus caused by the bus accident and after her very busy year, and I decided to see how it went. Because I know her face better, when I returned to the painting, I could see what was salvageable and good about the second iteration, and build on it. And we decided to remove her headpiece, even though she made it and it is beautiful, because its scale overpowered the small painting.

I’m glad I didn’t give up on this one! I posted the latest on my Instagram and one of my Patrons commented,

Portrait of Shakrah after third sitting detail by Suzanne Forbes April 29 2019 2

“Thank you for sharing your frustrations as a professional artist. It gives the rest of us newbies perspective and that we too should keep trying.”

I was glad to be of service, and also surprised. I started earning money as an artist when I was sixteen, so I’ve been working within my own insecurities and frustration my whole life. That’s why it’s WORK!

I guess I assume everybody knows that professional artists struggle constantly with not being as good as they want! Or not being able to resolve a piece! Or not being able to capture someone or something beautiful!

That’s the greatest frustration to me, that I can never capture the beauty of my subjects the way I see it.

I will never be able to show you exactly how beautiful and luminous and unique you are before me, but I will get closer and closer til the day I die, Goddess willing.

And I am able to do this because of the help of my Patrons on Patreon who provide the monthly sponsorship that allows me to tell women’s stories and grow as an artist!

 

Make-Cation part One: So MUCH Bricolage, Assemblage and Decoupage!

It was my beloved Friend-Muse-Patron Monique Motil who came up with the idea of “Make-Cation”.

Monique has always been my inspiration for mixed media and assemblage art, and I learned so much about how to trust my creative impulses around materials watching her work evolve over the years. I did my first Make-Cation in Fall 2017, and for eight days in March I did it again! It was a glorious time of renewal, full of energizing fiddling, fooling, fussing and gluing! Nothing makes me happy like taking a hacksaw to a plastic toyl!

Cernunnos crowns by Suzanne Forbes April 2019It may surprise some people but drawing and painting isn’t “fun” for me. It’s hard work where I put my whole identity on the line every time and demand the best I can possibly do from myself. Like going to the gym, it feels great in the sense of being healthy, rewarding and good for me.

Plus there is a huge added bonus in that it gives happiness to the people I document and helps to share their stories with the world. So it is deeply meaningful and feels like service, which I love.

However it’s hard work, and I do it pretty much all the time, so I took a week to do the art that feels like play – making stuff!

Touching and handling beautiful materials like velvet leaves, gold wire and garnet beads makes me feel nourished and exhilarated.

Metal crown project march 2019 Suzanne ForbesI started on Day One with these cheap pot metal crowns and the heaps of metal leaf charms and stampings I’ve had for years.

Assemblage fairie crowns by Suzanne Forbes March 2019I used beads and pearls and resin and glass leaves too, and sewed everything in with different weights of gold wire, then secured it with blobs of E6000.

I learned about using wire to secure decorative elements when I did a Halloween party with the help of a guy who had run commercial haunted houses, in 2001. He said anytime you want something to stay put, wire it in.

I figure people can wear the crowns whenever we finally have our Summer Solstice party.

Then I gave some bugs a bath.

One thing I have learned from action figure customizing folks and Burning Man art folks is that assemblage art lives or dies by its adhesives and primer coat.

The plastic bugs got a nice soak in very hot soapy water to remove any traces of mold release so they would accept paint and glue better.

Once they were completely dry I went bug crazy with the glue gun. I had been wanting to make a gothic rococo gilt frame with horrible insects for many years.

I recently found a €3,99 plastic frame at our local Woolworth’s (we still have those here!) to use as a base. I washed the frame in hot soapy water too, to remove any oils or dirt, and then attached the bugs and some resin flowers with the glue gun.

Bug Bricolage Gothic Rococo frame wip March 2019 suzanne forbes artistOnce the glue was cooled and set I used my precious Apoxie-Sculpt to unite the bugs with the frame, smoothing their edges into the surface so they look more carved or bas-relief. (You can read more about this here.)

Then I coated the whole thing with Mod Podge, which I’ll explain in the next Make-Cation post, and then I spray-painted it gold! Few things are as gratifying as gold spray paint.

Bug Bricolage and decoupage frame by Suzanne Forbes April 2019 detailI also cut some pieces of cardstock to fit some of the gaps in the frame, because I needed to reduce the visual detail after adding the bugs – I wanted to it read clearly from a distance. To help that, I also sprayed it from below with a light mist of black spray paint.

I am so pleased with how it came out. Look how nicely the plastic spider sits at the top! I made a little decoupage piece to go in it using die-cut butterflies and some Dresden trim moons I got at Castle In the Air like 20 years ago.

I Mod-Podged them right onto the black cardboard that was the backing of the frame, because I am a deeply lazy person.Bug Bricolage and decoupage frame by Suzanne Forbes side view April 2019

I also made some Cernunnos crowns, because you never know when you’ll need those.

Bricolage Cernunnos crowns by Suzanne Forbes April 2019I used “reindeer horns” I got on eBay and headbands from Woolworth’s for these, plus some velvet flowers and leaves and stuff that I had hoarded, some from like 1995.

I love how they came out, it is just so satisfying to use up these beautiful old materials and make them into actual things.

Of course I barely made a dent in my supply hoard, but there is world enough, and time, for more creepy assemblage art.

I  made two other things, a completely insane little seat for our hallway, and a little fascinator hat, and I will post those soon!

So much love to my Patrons, who support my creating and making, and made this precious window of creative play possible <3 You can see more of my multi-disciplinary mixed media projects here.