Tag Archives: Berlin drawing

November Unterwegs!

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Unterwegs November 24 2019 lady with gloves by Suzanne ForbesI know, there haven’t been any unterwegs for so long!

And some of my Patrons as well as many of my followers really enjoy them; I’m sorry I haven’t been making them. Unfortunately the last nine months or so have just been a mess with my health, and I haven’t gone anywhere except to doctors, most of whom are walking distance or one subway stop away. I’m feeling better now, and have had a little bit of energy for going to things. And since we live where all the doctors are but none of the nightlife is, that means riding the U-Bahn!

Above, a lady with gloves I saw while heading to the Drink And Draw Berlin boat for a Dr. Sketchy’s/D&D Berlin session. The guy behind her was just staring at me. Not like people usually stare at me – because watching someone draw is vaguely interesting, or because seeing someone draw on the subway is unusual, or I am wearing a giant fly made of Swarovski crystals on my head or whatever. This guy was staring at me like I was one more random event in a day that didn’t make sense. I felt for him, but I liked the way his arm was just hanging there, so I drew him anyway. I do not believe the bottle was his; it had rolled from a different part of the car.

Unterwegs October 26 2019 guy with backpack by Suzanne ForbesThis guy was very aware that I was drawing him.

I had caught his eye when I sat down across from him because I swung my bag around to get my sketchbook out and accidentally bonked the lady next to me. I apologized loudly in my American way, saying “Entschuldigung! Tut mir leid!” while the lady snorted and everyone looked over. Then I saw the guy sitting back so serenely, and started drawing him. And he realized it, and actually posed! Which happens occasionally, but not often, on the U-Bahn.

Here’s the previous unterwegs, and you can see the unterwegs gallery on flickr here.

As always I am so grateful to my Patrons for their crowdfunded support, which lets me make this work and release it as Free Art. 

You can join my Patreon Patrons, for as little as a dollar/euro a month, to keep me making my documentary art of Berlin.

Kabarett der Namenlosen!

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Bridge Markland in slip at Kabarett der Namenlosen November 17 2019 by Suzanne ForbesI made it to Kabarett der Namenlosen!

The show is a time-travelling fever dream of Once Upon a TIme Queer Berlin. I was so excited to draw Bridge Markland, above, again!! Bridge is a barn-burner of a performer, a terror and a treasure.

Lars and Mlle Vicky Butterfly dancing at Kabarett der Namenlosen November 17 2019 by Suzanne ForbesThe pre-show experience began with Lars and lovely Mlle. Vicky Butterfly dancing before the Ballhaus Berlin stage, shrouded in fog.

Lars at Kabarett der Namenlosen November 17 2019 by Suzanne ForbesI warmed up with this profile of Lars Schwuchow, then the loose marker drawing above.

Lars is a serious Art Deco guy, and he has an Arrow shirt ad elegance I always want to capture, but I didn’t quite get it this time.

I had drawn several of tonight’s performers before, at Dr. Sketchy’s Berlin sessions; you can see Lars, Mama Ulita and Le Pustra here and here, and Bridge Markland as Anita Berber here.

The costumes and sets, by Le Pustra, are simply unbelievable, and everyone has such a unique look. I knew I would be spoilt for choice!!

Charly Voodoo and Shir-Ran Yinon at Kabarett der Namenlosen November 17 2019 by Suzanne ForbesMy jaw fell off my face when I saw Charly Voodoo walk onstage.

As a corset-lover (some might say hardcore corset fetishist!) I am always thrilled when I see someone seriously corseted. Charly Voodoo‘s whole look was incredible, with a lace head mask, high heels and stockings. He is absolutely beautiful (as is his husband Pierre-Louis, a dancer and plant-lover who revealed so much more! Sadly, I did not have a chance to draw Pierre-Louis!)

Charly’s corset is by Maxim Blotin, a young corsetmaker in Paris. It looked like satin coutil to me but apparently is made of something called leather satin! It is either corded or quilted, with gores, and a near-pipestem cut. I did not draw the details accurately, which pains me, but I think I got the shaping right. His mask, by Kevin Jacotot, was a thrilling challenge. I was so excited I really couldn’t even see straight.

Next to Charly above, singer and violinist Shir-Ran Yinon, woman of exquisite profile and fabulous pipes.

Charly Voodoo playing piano at Kabarett der Namenlosen November 17 2019 by Suzanne ForbesAnd then Charly Voodoo started to play the piano!!

Amazingly!! He is FAB. And then, I got a special ringside seat for a spectacular vignette involving Julietta la Doll, one telephone, two glasses of water and no pants!! But I can’t share anything about that on this family-friendly blog, so here’s another drawing of Bridge Markland!

Bridge Markland at Kabarett der Namenlosen November 17 2019 by Suzanne ForbesYou can find out what wild theater and performance Bridge is up to right here, if you’re not too afraid of her wild soul!

Her staging of an 1890s “German screwball comedy” with puppets is coming up Nov. 29- Dec. 1, at another beautiful Berlin venue, the Theater im Delphi.

Legendary Berlin performing artist ReverRso, who unrolled a strip of cutwork cotton from his mouth as he danced in a lace dress, then blindfolded himself.

Le Pustra at Kabarett der Namenlosen November 17 2019 by Suzanne ForbesThat is producer and torch song singer Le Pustra above, limned in glitter.

Wigs for the show are done by hair artist Nina Butkovich-Budden. They are devastating, characters in their own right. The suberb stage managing is by Lady White Rabbit, who I hadn’t seen in ages – she took very good care of me! I can’t imagine this immersive, improvisational show anywhere but at the historic and louche Ballhaus Berlin. This theater is a treasure, and I hope it will be preserved as a venue for some time.

Speaking of which, I gotta get to Clärchens Ballhaus before they shut it down. Should I draw tango or swing?

As always, I’m incredibly grateful to my Patrons on Patreon. I couldn’t show up and tell these folx’ stories without the monthly financial support of my Patrons, especially as my health has declined this year. The subway was inexplicably just not working when I left Ballhaus tonight, and the fact that I could hail a taxi to go home means so much. I might otherwise have spent hours figuring out a sequence of trams, buses and trains to get home – I have before, and it’s brutal on my body and on my psyche.

I will be increasingly asking for disability accommodations at venues, as I simply can’t move, stand, or do the things I once could.

Le Pustra was kind enough to let me in the theater early to find a seat that was comfortable for me. Pure luck that I picked the one where Julietta was going to be making a very naughty phone call – my luck, that is! I was also very grateful to both Mayliss – stage manager Lady White Rabbit – and Julietta la Doll for warning me about the water in Julietta’s performance and making sure my art wasn’t damaged!