Tag Archives: embroidery

Carnivorous plant art party!

Carnivorous plant art month by Suzanne Forbes November 2019When I let myself go with an obsession, I really let go!

The embroidered pitcher plant is only my second embroidery piece this year – I have had much less time and energy for the most time-consuming art of all, textile art. I used embroidery thread, regular satin sewing thread, two types of metallic thread, iridescent beads, and metallic filament on this piece. The little fly has beads for eyes!

Embroidered Pitcher plant by Suzanne Forbes November 2019It was wonderful to go back to embroidery with a fresh subject, and the curvilinear forms of plants are so satisfying to stitch. The other embroidery piece I finished in 2019 has been sold but the pitcher plant is available.

Polymer Clay Alien Venus Flytraps by Suzanne Forbes November 2019Work has been ongoing with the sculpting of evil alien Venus flytraps; I did a second batch in polymer clay to incorporate translucency, marbling and sparkle.

Basket of Alien Venus Flytraps by Suzanne Forbes November 2019 cuI mixed Sculpey Bake and Bend 50/50 with the translucent clay to get a more flexible, less breakable result, in case any of these get used for wearable art.

Bake and Bend is softer than even FIMO Soft, which helps because I find kneading polymer clay painful on my hands.

Pre-baking all the little teeth to harden them meant I could attach them to the baked leaves by pressing them into the unbaked clay gumline, a rough tube of raw clay laid in the leaf in a horseshoe shape.

In addition, because gluing polymer clay is a moving target, I secured them with Sculpey bake and bond.

Embroidered pitcher plant and Clay Alien Venus Flytraps by Suzanne Forbes November 2019Then I re-baked the leaves with their teeth in. One of the first things I learned about polymer clay was that you can add to your pieces with raw clay and bake them over and over! I was shocked!

After baking the Bake and Bond becomes a translucent, matte glaze over the parts you brushed it on. Then when you paint over it with FIMO gloss, it gets more transparent.

I like to varnish my polymer clay pieces even though the experts suggest it may not be archival – it increases the transparency of translucent clays, which I often use, and creates a nice creepy slick surface.

I left the place at the back of the flytraps where they would be attached to things unvarnished, so that whatever bonding agent I used would adhere to the clay and not the varnish.

Many of the flytraps also have a floral wire stem built in, in case I needed it – if I don’t I just snip it off!

I attached the finished flytraps to the plastic succulents with a glue gun, which some people say holds up well with polymer clay. Because I am a suspenders-and-belt person, I also used some gel crazy glue (gel-type Cyanoacrylate glues or Zap-a-Gap remain flexible, which is important for plastics). I think I will put some of these plant-style flytraps in little pots, with fake moss. The ones shown here are a mix of polymer clay ones and air-drying clay ones. I also added some “silk” floral leaves for color and variety.

You can read here about the first batch of Alien Venus Flytraps, made with airdrying clay, paint, gel medium and a glue gun.Alien Venus Flytraps by Suzanne Forbes November 2019

I also finished shingling the roof of the new dollhouse and I am very proud!!! Endless love to my Mama who brought the laser-cut real asphalt shingles from the US!!!

Finished for Folsom Europe: Bi Pride Corset!

Bi Pride corset by Suzanne Forbes August 29 2018 front viewThis project took an entire year! About 200 hours of work! Dang!

Bi Pride corset by Suzanne Forbes August 29 2018I started this beaded corset project last fall when I got a great price on a used lilac 426 Standard mesh corset by Orchard Corset. It was always my intention to have it finished for the Motzstr. Festival, a special Pride event in Berlin in July.

But I wound up taking an entire year to finish it, and I think that’s good. Because I made it to affirm my fundamental identity as a queer woman, and I stitched that identity and pride and love into it thousands and thousands of times.

Last summer, while writing this post, I realized I’d developed a lot of internal biphobia over the last thirty years.

As a person who has been married to three men and who has almost only dated men in sobriety, I felt like a “retired” queer person. I stopped thinking of myself as bisexual.

And as a “retired” queer person, I felt so much safer.

Bi Pride corset by Suzanne Forbes August 29 2018It’s terrible to know that, to realize I took some comfort in the reduction of my vulnerability that living a straight life meant. Because I never for a minute stopped being aware of the consequences and dangers of living an out gay life.

I knew I couldn’t blame my cowardice on my upbringing. When I was fifteen and my mom opened the door to my bedroom to see me and my friend Jenny in bed naked, she asked if we wanted to go out for brunch. She accepted my girlfriend Pam into our home for years without question.

And I am no fan of my father, but he took me to Stonewall and told me what happened there before I was ten.

So my change in identity wasn’t about shame, it was about fear.

I felt guilty about living in the Bay Area as what appeared to be a straight person. I felt guilty about the privilege that accorded me. But it seemed like compared to the people around me, I was functionally straight. When you regularly attend sex parties where you draw a trans man fucking a trans woman while she gives oral sex to a nonbinary person, being a married cis-femme seems really conventional.

Bi Pride corset by Suzanne Forbes August 29 2018Plus, as a portrait painter who often asks women I’ve just met to come to my home and pose for me, I felt less creepy identifying as cis-straight-married!

Then I moved to Berlin.

Bi Pride corset by Suzanne Forbes August 29 2018 right panelLiving in Berlin has connected me to my youth and my New York identity in so many profound ways.

There was a jump-cut that happened when I left New York at 22, in 1989, to go to treatment.

I moved to St. Paul, where the halfway house was, for six years, and then to Hartford, then to DC, then to the Bay Area, for eighteen years.

In all those places I drove a car everywhere, lived in wooden houses, people were polite in the stores… It was like a different world.

I had all these adventures in this different world, and then in 2015, I got on the subway and went home.

Or so it feels. To live in a big apartment building, take the subway everywhere, walk the city streets at 3 am, eat a slice of pizza in a doorway just out of the rain, be yelled at by a shopkeeper – this reconnects me to my fundamental self.

And of course, even though married and cis, my fundamental self is queer as fuck.

So over this year, over 200 hours, I made this corset, beading and sewing and hotfixing crystals. I will wear it with Pride at Folsom Europe next month, and I’ll get some pictures of me in it!