Tag Archives: “Glücklich in Berlin”

From the vaults: art about addiction, from 1991.

Self Portrait with Dino Jan 26 1989 by Rachel Ketchum aka Suzanne Forbes Fall 1990On Jan 27 2020 I celebrated 31 years clean and sober.

These paintings are from Fall 1991, when I was just turning three years sober. I had several excellent painting teachers at the Minneapolis College of Art and Design, the school where I finished my degree after I got sober. These paintings were part of a series I did with one of them.

The one above shows me and my friend Dino in her flat on First Avenue, the night before I left for treatment, January 27, 1989.

Self Portrait with P at the Jane West in 1987 by Rachel Ketchum aka Suzanne Forbes Fall1990This one, of my longtime on-and-off boyfriend P. and I, is at the Jane West Hotel.

It was an SRO then, I think it’s fancy now.

Self Portrait Panhandling 1988 by Rachel Ketchum aka Suzanne Forbes Fall 1991My main income as a junky came from panhandling.

Not because I was opposed to sex work – I have always known and loved sex workers – but because my father, my first abuser, made me so self-conscious about my cellulite! I found it very hard to see my own body as a commodity.

Self Portrait Panhandling with subway entry in 1988 by Rachel Ketchum aka Suzanne Forbes Fall1991These paintings are pretty dark, I know.

Their surfaces are excoriated, like my skin was then. I literally scraped away the paper.

Self Portrait Panhandling with subway entry in 1988 by Rachel Ketchum aka Suzanne Forbes Fall1991 cuBeing a junky was bad then and it’s bad now.

Self Portrait snorting on LES in 1988 by Rachel Ketchum aka Suzanne Forbes Fall 1991I have always had a ferocious sense of self-preservation, beading up between the lashings of self-destruction.

I wasn’t a needle user til my very last night before treatment; I snorted instead, in the bathroom of every restaurant and bar that would let me on First Avenue.

I worried a lot, at the time, about what the alkaloid plus whatever it was cut with was doing to my sinuses.

Yesterday I had my first sinus ultrasound, at my first visit to a German Otolaryngologist.

He ran the lube-slick device over my cheek, and he yelped, “Jesus Christ!” And said no more, except that I must get a CT scan immediately and I may need surgery.

Luckily sinus surgery not too big a deal and we have incredible German health insurance that will cover everything! But yeah, I guess there was a reason I was sick eight times in ten months last year.

I am so lucky, so grateful to be alive, to be here in Germany, to be working.

Self Portrait panhandling 1989 by Rachel Ketchum aka Suzanne Forbes Fall 1991I feel such grief for the huge population in the States living in opiate addiction.

Harm reduction matters and #narcansaveslives. Don’t leave before the miracle happens.

None of these paintings had ever been photographed; no record of them existed – if we had a fire or flood they would just be gone forever.

I am incredibly grateful to my Patreon Patrons, whose monthly financial support makes it possible for me to take time to document my art archives.

 

Kabarett der Namenlosen!

Bridge Markland in slip at Kabarett der Namenlosen November 17 2019 by Suzanne ForbesI made it to Kabarett der Namenlosen!

The show is a time-travelling fever dream of Once Upon a TIme Queer Berlin. I was so excited to draw Bridge Markland, above, again!! Bridge is a barn-burner of a performer, a terror and a treasure.

Lars and Mlle Vicky Butterfly dancing at Kabarett der Namenlosen November 17 2019 by Suzanne ForbesThe pre-show experience began with Lars and lovely Mlle. Vicky Butterfly dancing before the Ballhaus Berlin stage, shrouded in fog.

Lars at Kabarett der Namenlosen November 17 2019 by Suzanne ForbesI warmed up with this profile of Lars Schwuchow, then the loose marker drawing above.

Lars is a serious Art Deco guy, and he has an Arrow shirt ad elegance I always want to capture, but I didn’t quite get it this time.

I had drawn several of tonight’s performers before, at Dr. Sketchy’s Berlin sessions; you can see Lars, Mama Ulita and Le Pustra here and here, and Bridge Markland as Anita Berber here.

The costumes and sets, by Le Pustra, are simply unbelievable, and everyone has such a unique look. I knew I would be spoilt for choice!!

Charly Voodoo and Shir-Ran Yinon at Kabarett der Namenlosen November 17 2019 by Suzanne ForbesMy jaw fell off my face when I saw Charly Voodoo walk onstage.

As a corset-lover (some might say hardcore corset fetishist!) I am always thrilled when I see someone seriously corseted. Charly Voodoo‘s whole look was incredible, with a lace head mask, high heels and stockings. He is absolutely beautiful (as is his husband Pierre-Louis, a dancer and plant-lover who revealed so much more! Sadly, I did not have a chance to draw Pierre-Louis!)

Charly’s corset is by Maxim Blotin, a young corsetmaker in Paris. It looked like satin coutil to me but apparently is made of something called leather satin! It is either corded or quilted, with gores, and a near-pipestem cut. I did not draw the details accurately, which pains me, but I think I got the shaping right. His mask, by Kevin Jacotot, was a thrilling challenge. I was so excited I really couldn’t even see straight.

Next to Charly above, singer and violinist Shir-Ran Yinon, woman of exquisite profile and fabulous pipes.

Charly Voodoo playing piano at Kabarett der Namenlosen November 17 2019 by Suzanne ForbesAnd then Charly Voodoo started to play the piano!!

Amazingly!! He is FAB. And then, I got a special ringside seat for a spectacular vignette involving Julietta la Doll, one telephone, two glasses of water and no pants!! But I can’t share anything about that on this family-friendly blog, so here’s another drawing of Bridge Markland!

Bridge Markland at Kabarett der Namenlosen November 17 2019 by Suzanne ForbesYou can find out what wild theater and performance Bridge is up to right here, if you’re not too afraid of her wild soul!

Her staging of an 1890s “German screwball comedy” with puppets is coming up Nov. 29- Dec. 1, at another beautiful Berlin venue, the Theater im Delphi.

Legendary Berlin performing artist ReverRso, who unrolled a strip of cutwork cotton from his mouth as he danced in a lace dress, then blindfolded himself.

Le Pustra at Kabarett der Namenlosen November 17 2019 by Suzanne ForbesThat is producer and torch song singer Le Pustra above, limned in glitter.

Wigs for the show are done by hair artist Nina Butkovich-Budden. They are devastating, characters in their own right. The suberb stage managing is by Lady White Rabbit, who I hadn’t seen in ages – she took very good care of me! I can’t imagine this immersive, improvisational show anywhere but at the historic and louche Ballhaus Berlin. This theater is a treasure, and I hope it will be preserved as a venue for some time.

Speaking of which, I gotta get to Clärchens Ballhaus before they shut it down. Should I draw tango or swing?

As always, I’m incredibly grateful to my Patrons on Patreon. I couldn’t show up and tell these folx’ stories without the monthly financial support of my Patrons, especially as my health has declined this year. The subway was inexplicably just not working when I left Ballhaus tonight, and the fact that I could hail a taxi to go home means so much. I might otherwise have spent hours figuring out a sequence of trams, buses and trains to get home – I have before, and it’s brutal on my body and on my psyche.

I will be increasingly asking for disability accommodations at venues, as I simply can’t move, stand, or do the things I once could.

Le Pustra was kind enough to let me in the theater early to find a seat that was comfortable for me. Pure luck that I picked the one where Julietta was going to be making a very naughty phone call – my luck, that is! I was also very grateful to both Mayliss – stage manager Lady White Rabbit – and Julietta la Doll for warning me about the water in Julietta’s performance and making sure my art wasn’t damaged!