Tag Archives: live drawing

Last Days of Ludwig.

Folx at the Last Ludwig Night by Suzanne Forbes Dec 5 2019To become part of a community is to open the door to loss.

Community is fluid, like gender, like cities. A local business becomes a hub of connection and expression, and then economic forces make that business unsustainable.

Chair dancing at Ludwig by Suzanne Forbes April 4 2020 Ludwig was a bar, an art gallery, a performance space, a clubhouse for Queer Berliners. It existed from 02.06.16 to 21.09.19. And it was located in a rapidly gentrifying area where construction has overshadowed street access for the last several years.

Singer at the Last Ludwig Night by Suzanne Forbes Dec 5 2019You don’t know sad til you’ve heard a trans girl sing “Send in the Clowns” on the last night of one of the safest spaces you’ve ever known.

Everyone tried to save Ludwig, but it’s not always possible to keep things. Running a business is brutally hard on small business owners, and when we love those people, when they’re artists and part of our community, we want them to be saved too, not used up fighting economic and structural factors. It’s a story that happens every day in every city, and it breaks our hearts.

Transophonix at the Last Ludwig Night by Suzanne Forbes Dec 5 2019The last night at Ludwig was very fucking sad.

My husband came out with me, only the second time he came out in 2019, because, well, it was important. He even dressed up super spiffy. Dear Transophonix, above, made a processional to the stage and performed a dirge, filling the space.

Der Jungs at Ludwig by Suzanne Forbes April 4 2020As always,co-owner Maurus Knowles brought me my favorite non-alcoholic beverage, Ostmost Apfel-Minze schorle.

That’s Maurus, right, and co-owner Ceven Knowles, on the left, above. Ceven made a playlist that began with “I Don’t Feel Like Dancing”, so perfect it seared my heart.Shady Darling at the Last Ludwig Night by Suzanne Forbes Dec 5 2019

Shady Darling, above, charmed us all with sass.

The tables out front were packed, spilling over, with colorful queens and queers and non-binary folx. We were all heavy with loss, and yet also exuberant, because of the community we have. Dan and I left pretty early, because my heart was spilling over too.

Thank you, Maurus and Ceven, for giving me the place my life in Berlin truly began.

Here are some previous times at Ludwig:

A benefit for singer Sigrid Grajek

Olympia Bukkakis and Transophonix perform

When we had our Women’s Art Lounge at Ludwig

Young queer folx at Ludwig for Suzanne’s birthday

The book release party for “As You wish, my Lady”

My portrait of Rah Hell hanging at Ludwig, the first painting I showed in Berlin

A holiday elf at Ludwig

When Suzanne and I had a Women’s Art Lounge for Galentine’s and I made my first collage.

Citizen of the world, soul of Berlin.

Live painting during the ARTfair created by Suzanne Wegh and Natascha Artworx, and me!

Dirk Rave and Mads Elung-Jensen performing.

And the Donut Heart video release party, which was when my life in Berlin really crystallized and began.

We can’t always keep things alive in the present, but we will always have our memories and the community and connection that were built at this beautiful queer art bar.

Kabarett der Namenlosen!

Bridge Markland in slip at Kabarett der Namenlosen November 17 2019 by Suzanne ForbesI made it to Kabarett der Namenlosen!

The show is a time-travelling fever dream of Once Upon a TIme Queer Berlin. I was so excited to draw Bridge Markland, above, again!! Bridge is a barn-burner of a performer, a terror and a treasure.

Lars and Mlle Vicky Butterfly dancing at Kabarett der Namenlosen November 17 2019 by Suzanne ForbesThe pre-show experience began with Lars and lovely Mlle. Vicky Butterfly dancing before the Ballhaus Berlin stage, shrouded in fog.

Lars at Kabarett der Namenlosen November 17 2019 by Suzanne ForbesI warmed up with this profile of Lars Schwuchow, then the loose marker drawing above.

Lars is a serious Art Deco guy, and he has an Arrow shirt ad elegance I always want to capture, but I didn’t quite get it this time.

I had drawn several of tonight’s performers before, at Dr. Sketchy’s Berlin sessions; you can see Lars, Mama Ulita and Le Pustra here and here, and Bridge Markland as Anita Berber here.

The costumes and sets, by Le Pustra, are simply unbelievable, and everyone has such a unique look. I knew I would be spoilt for choice!!

Charly Voodoo and Shir-Ran Yinon at Kabarett der Namenlosen November 17 2019 by Suzanne ForbesMy jaw fell off my face when I saw Charly Voodoo walk onstage.

As a corset-lover (some might say hardcore corset fetishist!) I am always thrilled when I see someone seriously corseted. Charly Voodoo‘s whole look was incredible, with a lace head mask, high heels and stockings. He is absolutely beautiful (as is his husband Pierre-Louis, a dancer and plant-lover who revealed so much more! Sadly, I did not have a chance to draw Pierre-Louis!)

Charly’s corset is by Maxim Blotin, a young corsetmaker in Paris. It looked like satin coutil to me but apparently is made of something called leather satin! It is either corded or quilted, with gores, and a near-pipestem cut. I did not draw the details accurately, which pains me, but I think I got the shaping right. His mask, by Kevin Jacotot, was a thrilling challenge. I was so excited I really couldn’t even see straight.

Next to Charly above, singer and violinist Shir-Ran Yinon, woman of exquisite profile and fabulous pipes.

Charly Voodoo playing piano at Kabarett der Namenlosen November 17 2019 by Suzanne ForbesAnd then Charly Voodoo started to play the piano!!

Amazingly!! He is FAB. And then, I got a special ringside seat for a spectacular vignette involving Julietta la Doll, one telephone, two glasses of water and no pants!! But I can’t share anything about that on this family-friendly blog, so here’s another drawing of Bridge Markland!

Bridge Markland at Kabarett der Namenlosen November 17 2019 by Suzanne ForbesYou can find out what wild theater and performance Bridge is up to right here, if you’re not too afraid of her wild soul!

Her staging of an 1890s “German screwball comedy” with puppets is coming up Nov. 29- Dec. 1, at another beautiful Berlin venue, the Theater im Delphi.

Legendary Berlin performing artist ReverRso, who unrolled a strip of cutwork cotton from his mouth as he danced in a lace dress, then blindfolded himself.

Le Pustra at Kabarett der Namenlosen November 17 2019 by Suzanne ForbesThat is producer and torch song singer Le Pustra above, limned in glitter.

Wigs for the show are done by hair artist Nina Butkovich-Budden. They are devastating, characters in their own right. The suberb stage managing is by Lady White Rabbit, who I hadn’t seen in ages – she took very good care of me! I can’t imagine this immersive, improvisational show anywhere but at the historic and louche Ballhaus Berlin. This theater is a treasure, and I hope it will be preserved as a venue for some time.

Speaking of which, I gotta get to Clärchens Ballhaus before they shut it down. Should I draw tango or swing?

As always, I’m incredibly grateful to my Patrons on Patreon. I couldn’t show up and tell these folx’ stories without the monthly financial support of my Patrons, especially as my health has declined this year. The subway was inexplicably just not working when I left Ballhaus tonight, and the fact that I could hail a taxi to go home means so much. I might otherwise have spent hours figuring out a sequence of trams, buses and trains to get home – I have before, and it’s brutal on my body and on my psyche.

I will be increasingly asking for disability accommodations at venues, as I simply can’t move, stand, or do the things I once could.

Le Pustra was kind enough to let me in the theater early to find a seat that was comfortable for me. Pure luck that I picked the one where Julietta was going to be making a very naughty phone call – my luck, that is! I was also very grateful to both Mayliss – stage manager Lady White Rabbit – and Julietta la Doll for warning me about the water in Julietta’s performance and making sure my art wasn’t damaged!