Tag Archives: modern freehand embroidery

WIP: beaded green velvet leaf pagan Mayday corset!

This corset is one of those projects I’ve been planning for years.beaded corset WIP Suzanne Forbes 2016

beaded corset WIP Suzanne Forbes 2016I brought all the raw materials for it to Berlin in the shipping container. It took a decade to collect all the velvet leaves, beads and leaf-shaped lace.

I have no idea what I’ll do with it when it’s done. Who cares, it’s the making of it that’s the incredible joy.

Maybe we’ll have a Midsummer dinner party and I’ll wear it, maybe I’ll get a red wig and go to some comic thing as Victorian Gothic Poison Ivy.

.beaded corset WIP Suzanne Forbes 2016 This is my third heavily beaded/embroidered corset project, and I’ve learned a few things. Such as to do the heavy beading on a sheer fabric on a hoop first, to save wear and tear on my hand/wrist and reduce the amount of crappy random stitchery on the back. (You can see the previous two corsets here. The blue mermaid one is the same corset model as this one.)

I learned this from the generous and amazing website of Games of Thrones textile artist Michele Carragher. She creates the incredible, breathtaking detail of the costumes for GoT and other productions.

If you have never looked at these works in detail I cannot encourage you strongly enough.

I love Michele Carragher’s work and the way she is so generous in sharing her process.

I love her story because although she has a degree from the London College of Fashion she also has had a somewhat meandering career and is suddenly achieving great success well into her professional life. I wonder if she has a helper like I do?beaded corset WIP Suzanne Forbes 2016 helper

An off-the-rack corset like this one from Orchard Corset has only a 10-12″ difference between waist and hips, so I have to modify it to add an additional four inches at the hips. That will be the next stage, after I finish seasoning it. I don’t usually bother to season corsets, because I’m lazy, I have a very corset-shaped body and I know exactly how to buy an OTR corset that fits me really well. (Don’t be like me! Season your corset!) In this case however I want to make sure changes in the shape happen before there’s additional decorative stitching, so as not to strain it. I started the beading first though, cause I needed its comforting, trancelike pleasure.

Although my daytime PTSD symptoms are much better now that the anniversary of Rob’s death and San Diego has passed, I’m still having sleep trouble. I have been kicking my husband awake fighting off nightmare assailants. I have to be very careful about how much I embroider since the tendonitis problems of 2013, but I’m clocking as much as I can.

I am so grateful I can work on this wonderful, soothing project. Hope you like it so far!

My workshop/mixed media studio, finally built!

In honor of National Week of Making, proclaimed by Obama!Workshop_Suzanne_Forbes_artist_2016

I don't love order so much as I hate chaos.

I don’t love order so much as I hate chaos.

tools2

Our apartment came with an enormous kitchen. An enormous, empty kitchen.

kitchenLike most Berlin apartments, it had no sink, stove, fridge, cabinets or counters. Just pipes sticking out of the wall. We bought an initial basic kitchen setup through a very kind gift from D’s grandfather.

I designed the overall kitchen wall, figured out what the minimum to start was, had the IKEA cabinets delivered and built them. Then a handyman named Tyler helped me install them.kitchen plan Suzanne Forbes 2015

That was only the beginning. I had never thought about combining kitchen & office & craft room, but the minute I did I was sold 100%.

So I came up with the idea of making the other big empty wall my workshop/machine room. Here’s the first rough iteration, made in November.workshop rough Suzanne Forbes 2015

Normally, the tools and appliances of an office and workshop look awkward as hell in any (Gothic-Rococo-Victorian Brothel) room I design.

But it happens I like a white kitchen, and our kitchen happens to have incredible lighting.

So it was the perfect place to put things like a printer and my sewing machine, and hopefully eventually a 3D printer and milling machine.

workspace table plan Suzanne Forbes 2015

I was enjoying doing my embroidery at the kitchen table, in the bright, even light, enormously.

So I decided there should be a worktable in the center, where we could eat if we ever wanted to eat in the kitchen instead of in the library while watching Silicon Valley.
island rough Suzanne Forbes 2015

 

 

At New Year’s when we had friends cooking in the kitchen it became clear we needed a good-sized island as well.

islandI agonized over the aspect ratio and measurements before finally going with a simple design that could be both sewing table and food prep surface. The whole thing cost less than 130 euros in the end, but it’s very solid.

It will have nice cute handles like the machine wall eventually, I just ran out of money.

Then I designed the machine wall in detail. workshop plan Suzanne Forbes 2015

There had to be a place for the ladder, and for blank canvas storage, and the, um, annoying amounts of recycling German living generates.

I needed big flat shelves to store drawings and shelves and lots of deep drawers for materials. And of course it had to cost as little as possible. Since food comes slightly before making stuff, I focused on the kitchen part first.

kit2

Kitchen side, not quite finished but getting close!

I found a great handyperson, James, an Australian fellow who has all the tools in the world, and we worked together to build the rest of the kitchen side wall. It came out pretty well! We haven’t had money for a dryer yet, but in time.

There will be cool newsprint curtains over the open shelves- I hate open shelving, no matter how hot it is on Apartment Therapy.

This month we finally had enough cash to buy the cabinets for the machine wall.

tools3Ikea delivered them and then I spent five gruelling days building them. It was a lot of work but saved us easily 300 euros even at cheap Berlin labor rates.

James and Jason, another Ozzie, hung the cabinets and suddenly there it was, my workshop.

 

My organization of mixed media materials is very much inspired by my beloved friend/muse/patron Monique Motil, an artist who manages her studio space as beautifully as she creates.

fabric storageThis Thursday was the shakedown cruise. Daria and Ian came over and we ran all the systems- printing, drawing, ironing decals onto fabric, using every tool in every drawer.
bins

Doll hospital and um, laboratory.

Doll hospital and um, laboratory.

 

 

 

 

 

 

 

toolsI can honestly say my design worked beautifully.

I opened the second leaf on the table and we all had room to sit and work, and any time we needed something- “Let’s cut the stickers with deckle-edge scissors!” or “Let’s see if we can use the decals to make pendants!” – I could just grab whatever tool or material we needed out of the drawers and cabinets.norden-klapptisch-wei-__0104381_PE251365_S4

 

 

When the left-hand leaf is closed, it’s a perfect setup for me to work alone- the drawers are in the right place for a lefty 🙂

We had the most incredible, exhilarating night collaborating in my new workspace.

I know we worked really hard to get to this life, but I still feel like we’ve been given a miracle beyond imagining.