Tag Archives: RoGothCo

My biggest big project of all, finally done. Well, 95% done.

The big reveal: our actual house! Holy cow, I worked so hard!
Suzanne Forbes decor SalonSeriously, I thought I was going to pass out 11 feet up on that ladder, so many times.Suzanne Forbes decor salon into library windowsAnd I hate painting walls.Suzanne Forbes decor salon into library easelBut my easel has a home again.Suzanne Forbes decor library

Suzanne Forbes decor library windowsI finished the hub’s room first, so he could relax in it. 13 boxes of his books were the first thing I unpacked when the shipping container came.Suzanne Forbes decor hallway mirrorSuzanne Forbes decor hallway

I’ve been obsessed with designing, collecting and curating my environment since I was a tiny child.

Suzanne Forbes decor hallwayI have always been terribly interested in things. Things made by hand, things that were kitsch, things that were weird, things that were old, things that were dead.

We finally have a home big enough for all of my weird stuff, and all my husband’s weird books.

Suzanne Forbes decor hallway creaturesPainting our house and the furniture I bought for it on eBay, and planning and building our kitchen and workshop (I designed it and constructed the cabinets but the actual building was done by the amazing Handyman For Berlin, James!) took about ten months.Suzanne Forbes decor hallway front door

Along with unpacking the 480 or so boxes that arrived on January 24 in the shipping container (again thanks to James, whose moving crew of good-natured Ozzies ran everything up the stairs).

Suzanne Forbes decor library into salonDecorating, hanging, and installing window treatments was in there too. James hung all the heavy artwork and other stuff, with me handing the tools up to him, and installed the window treatments, because I’d sworn I’d never fucking do it myself again.

James also installed all the light fixtures, which sometimes necessitated a hilarious degree of resourcefulness. Not only does your Berlin apartment come with an empty room with pipes sticking out instead of a kitchen, it comes with wires sticking out of the ceiling instead of light fixtures.

James hung endless hooks for things using his “Super-Drill”, an impact drill which is the only way to hang things on foot-thick, crumbly altbau concrete walls.Suzanne Forbes decor hallway fuse box

I bought the ram’s horn, porthole and ouroboros mirrors right before we left, knowing Berlin altbau apartments tend to long hallways and envisioning a Hall of Mysteries that would recall the one in The Dawn Treader.

The tin fish was listed on my packing list and shipping manifest as “fish from Gail’s abortion”, which is an even stranger and sadder story than you can possibly imagine. Eventually the fuse box door will be wallpapered in some quirky-ass FlavorPaper or Timorous Beasties print I can only afford a meter of. I also plan to wallpaper the salon double doors, and just haven’t got there yet.

I’d say my overall decorating scheme is at 95% here.

Suzanne Forbes decor Berkeley Flea lamp

James rewired this 1970s lamp I bought for ten bucks at the Berkeley Flea Market in 1998, as well as half a dozen other lamps. (European current and plugs and sockets are very, very different.) I gold-leafed five-euro mirrors from the discount store. I glue-gunned trim to all my eBay-score and email coupon chairs and sofas. I painted tables.

I assembled and stained countless pieces of heavily discounted furniture, and attached Anthropologie  knobs I’d been hoarding for a decade. I repaired broken things I bought for cheap with epoxy clay and paint. I made more shadowboxes, and frames, and converted lampshades. I built a new base for my dollhouse, and finished filling and decorating it at last.

I dug through boxes of my husband’s childhood mementoes to find his snowglobe collection, his piggy bank collection, his signed baseball and his sports trophies.

Suzanne Forbes decor libraryMy birthday gift to him was getting the special limited edition poster from HOPE 11 he brought home framed and hung immediately (above, sorry it’s blurry). On July 30 we had our housewarming/husband & Daria’s birthday party and revealed it to the world.

It was fantastic and joyful, and afterwards we slept for a combined total of 42 hours in a 24-hour period.

Suzanne Forbes decor Salon dollhouse

Suzanne Forbes decor workstudioJames came and took these pictures a day or two later, wisely recognising that parties are the only time our house is really clean.

That’s why there are like ten thousand bottles of wine on the counter- when you give a party in Europe, everyone brings booze. I’m ferrying it over to Daria a backpackfull at a time, since we have no use for it. The workshop is really a fine example of how beautifully James realized my crazy ideas.

The kitchen is going to be amazing once I sew and hang all the newsprint-patterned curtains over the open shelves. And once we get our dryer.

Because you can buy a dryer here, it’s just that people don’t, because the planet or something.Suzanne Forbes decor kitchen

Wow, I’m so tired from writing about how much work this was that I have to go lie down. Anyway, our house (except for some final details and making the bedroom nicer)!

Isn’t it completely amazing?

 

 

No-Kill Butterfly Gallery finished at last!

No_Kill Butterfly Gallery with painting by Suzanne ForbesI’m not a vegan. I’m not even a vegetarian, except for a few years as a teenager.

But I’m honored to be part of a human race that has vegans in it. I’m proud to have friends who brave everything from significant daily inconvenience and expense to contemptuous discrimination in order to celebrate the sanctity of all life.

While I kill bugs all the time- I grew up in New York City, with cockroaches!- I generally only kill them if we’re competing for resources.

Otherwise, I let them be.*  In fact with spiders I even chat a little, like hey, thanks for your good work around the house. And as anyone who has been to my house knows, I am OBSESSED with bugs as a design motif. A friend visiting my apartment for the first time in ’98 said, “Wow, this place is insectaLICIOUS!”, and it’s only gotten buggier.

I think bugs are Nature’s jewelry. Put a bug on something and it’s dressed to go out!

No_Kill Butterfly Gallery with painting by Suzanne ForbesI love preserved bugs aesthetically, but I’m just not that thrilled about buying lots of them as a consumer choice. I have a few cherished preserved bugs, and that’s good enough for me. So I got the idea about ten years ago to use vintage metal stampings to make a bug gallery.

Like many of my bricolage projects, the urge to work on it ebbed and flowed for a few years. I collected up a couple dozen bug stampings from different eBay and etsy dealers, and I had some shadowbox frames ready. Then I suddenly got the idea to make some with bug jewelry too.

So I collected some….a really serious totally crazy lot… of beautiful glittering beetle brooches, new and vintage, from eBay.

No_Kill Butterfly Gallery with painting by Suzanne ForbesI had a price ceiling of $5 per bug, and so I lost dozens of auctions, but I won enough. Then I got derailed by embroidering bugs! Ha ha, that year went by fast! Anyway, six months before we left Oakland I finally started putting the bugs in the shadowboxes. I used vintage fabrics I had lying around to line them, and Quick Grab/Quick Grip (my absolute favorite adhesive) or a glue gun to put them together. I was making the boxes and packing them as I made them, right up til the DAY WE LEFT.

Because I am a crazy person, and making things is my smoking pot.

Did I know what I would do with all these bug shadowboxes? Did I have a plan? I had a goddam ferocious vision, which is what I generally use to get to a plan. During the Spring and early Summer last year, when the bug boxes were in storage in San Leandro and I was coursing all over Berlin looking for our flat, I was also worrying at the decision about the wall colors of our rooms. In Oakland I had the dark brown walls and Dan had the mahogany panelling and indigo walls.

But in Berlin, I finally decided, I would have teal walls in my salon and Dan would have green in his library/study.

(Pinterest boards demonstrating the innumerable hours of visualisation). Painting huge rooms with twelve-foot ceilings was ridiculously gruelling for a creaky ship like me, but I was powered by my lust for my vision. And the German paint performed really well, very high-hiding and deeply pigmented.

I worked with a furious under-the-bridge troll at the home improvement store, a tiny old German man whose generalized rage only softened when he realized I actually understood paint.

My greatest fear during the utterly terrifying, exhausting 14-hour day of loading the shipping container was that my paintings would be damaged.

No_Kill Butterfly Gallery with painting by Suzanne ForbesI packed them with as much care as I possibly could in glassine paper, bubble wrap and cardboard boxes, but I simply couldn’t afford to have them crated.

We loaded the paintings at the very end, when SFSlim and I had been loading alone and stumbling in the marine fog and dark for hours after everyone else had to leave.

 

I was so afraid they were vulnerable, that the cardboard had softened in the damp. I was most worried about the large painting you see here, the largest painting I did in the Bay Area. For five weeks, while the ship was on the ocean, I lay awake at night and worried about that painting.

It took a crew of six guys six hours to unload our 400+ boxes and all my artwork from the container parked in the street.

Morgan_Suzanne_ForbesWhen they’d drunk their last Club Mates and headed out, I unpacked a dozen boxes of my husband’s books. Then I took a scissors and cut open the biggest box. The painting was fine.

Slim’s fifteen years on Burning Man Crew had worked some kind of magic. “Burning Man is like vacation for people with a moving fetish”, he quoted that awful night. One of many cheerful comments he tossed off to keep my morale up, when I was so frightened of my life’s work being ruined or lost.

James, our cool Australian handyman, helped me hang the painting on our hundred-year-old concrete walls.

Then I went to town hanging bugs! I had carefully planned the embroidered works I made during the flat search to co-ordinate with the color scheme. I’d used some of the same vintage velvet for both lining boxes and embroidering bugs before we left. The colors move through the gallery in waves, teal and burgundy and pale lime green, reiterating and reinforcing each other.

blueburgThe color scheme was also inspired by the 2015 Fluevog spring shoes, with their palette of burgundy, hot pink, Tiffany blue and greyed-out teal.

The ceramic bug knob on the curio was designed by the artist Anna Collette Hunt for Anthropologie. The large photo was a mid-’30s birthday gift from the artist Cara Judea Alhadeff, who I knew in the early days in the Bay. The small Mexican paper-maché and wire scorpion was bought at the Bone Room in the ’90s, and glued to bits of hoarded ribbon and a scavenged gilt frame from the Berkeley Flea Market. The curio cabinet and couch were scored on German eBay for so little money I can’t even tell you.

To see my vision finally realized, to look up from the couch where I read and see the bug gallery, is one of the incredible satisfactions and profound joys of this time in my life.

I hope you like it! Anybody could make one! I think the cost of making the entire gallery was about $200, much much less than a similar number of actual preserved specimen boxes.

*except for silverfish silverfish must die fucking die die