I started this mantis sculpture the summer before last.
I don’t stress about when things get done; the project queue has no hierarchy.
So I went back to this pretty girl when I started to feel sculpty, a couple months ago. I used some epoxy clay to strengthen her limbs and smooth awkward areas.
The internet says it is perfectly safe to rebake polymer clay sculptures that have epoxy clay added to their armatures, and lots of sculptors use a mix of epoxy clay and polymer clay for strength. But I wouldn’t be like me and do it in your home oven. I am an unreliable guide on the subject of chemicals; after all, I put liquid LSD in my eyes when I was 14.
Here you can see Sally (which is the mantis gal’s name) with greyish-white epoxy clay added all over her and areas of plain and green Translucent FIMO still showing.
I had been disappointed and frustrated by the performance of the colored FIMO transparent clays when first baking Sally.
There were a lot of “plaques” and cracking. Probably because I carelessly globbed the clay over the armature without making sure there were no air gaps, and didn’t have an oven thermometer yet, and didn’t let the oven preheat for a solid hour first.
Forgiveness not Permission is my making mode, and I figured try it first, see what happens.
So when I returned to Sally, I first thought I’d just cover her with epoxy clay and paint her and call it a day. But I found I still liked the transparency of her limbs and didn’t want to give up the bright greens of the clay after all. So I painted the epoxy clay areas shades of green to match and did another pass with a mix of colored translucent clays, adding some of my wonderful new Sculpey Premo Opal Accent Clay.
The Sculpey Opal clay is a new product and I ordered some from the US last Fall (I almost lost my mind waiting for it to come, checking the mail every day). I used it for the first time to make this piece and my 2016 Cake Level Patron gifts, here to the right.
It performs so amazingly well. It is very soft, and blends and smears beautifully, and it makes almost watercolor effects over other colors.
It is quite translucent, so it can be mixed with translucent colors to add opal glitter and soften and improve them. I mixed it with some dark green and some lavender for Sally, covered some of her epoxy clay areas and did an initial bake at the temp recommended for the Sculpey Opal clay. The results were amazing.
No plaques, beautiful translucency, just great. So I continued to add a little more volume and opalescence here and there, mixing with both solid colors and FIMO translucent colors. I kept rebaking, for thirty minutes each time, until I was satisfied with both Sally’s shape and her opalescence.
I put her Siam colored Swarovski crystal eyes on before the second to last bake. Once the circles of clay that held them in were baked I used Sculpey Bake and Bond to smooth the eye sockets nicely onto her skull.
I use my fingertip to smear the Bake and Bond; probably unwise. But it’s so goopy and hard to use!
I reinforced a crack in her abdomen with Bake and Bond.
The air trapped in the tinfoil I used to provide bulk with less weight had expanded during baking and caused a crack. I also added balls of clay to the top of her head to hold her antennae, poking the wire in to make a hole but leaving the wires out til later because they hit the roof of the oven! Then I did the last bake, and there she was. 