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Portrait of Shakrah, third sitting.

Portrait of Shakrah Yves work in process third sitting by Suzanne Forbes April 29 2019Sometimes a portrait changes a lot during the process!

Suzanne Forbes painting Shakrah Yves photographed by Mirella Frangella June 2018 all rights reserved

Suzanne Forbes painting Shakrah Yves photographed by Mirella Frangella June 2018 all rights reserved

I was frustrated with this portrait of my friend Shakrah Yves because it’s on a small canvas (about 40x50cm) and I usually paint quite large.

I just couldn’t get comfortable with the composition.

Plus, during the second sitting, which was photographed by Mirella Frangella, I radically changed Shakrah’s pose and completely repainted her face.

But we convened for a third sitting last week and it came together, finally. WIP Portrait of Shakrah Yves by Suzanne Forbes first and second sittings 2018

Here are the results of the first two sittings, above.

Really different right?? It’s not done yet, but Shakrah’s time-traveler beauty is emerging. In the ten months since we last worked on this picture, Shakrah and I have spent time hanging out, and I have come to know her face much better. I was truly feeling like her character and her beauty weren’t captured by the portrait to date, and seriously considering abandoning it. Plus, the pink velvet salon chair she was sitting on was destroyed by a giant hacker during our New Year’s Day epic brunch, so we needed to use a different chair!

But she was up for posing, after my work hiatus caused by the bus accident and after her very busy year, and I decided to see how it went. Because I know her face better, when I returned to the painting, I could see what was salvageable and good about the second iteration, and build on it. And we decided to remove her headpiece, even though she made it and it is beautiful, because its scale overpowered the small painting.

I’m glad I didn’t give up on this one! I posted the latest on my Instagram and one of my Patrons commented,

Portrait of Shakrah after third sitting detail by Suzanne Forbes April 29 2019 2

“Thank you for sharing your frustrations as a professional artist. It gives the rest of us newbies perspective and that we too should keep trying.”

I was glad to be of service, and also surprised. I started earning money as an artist when I was sixteen, so I’ve been working within my own insecurities and frustration my whole life. That’s why it’s WORK!

I guess I assume everybody knows that professional artists struggle constantly with not being as good as they want! Or not being able to resolve a piece! Or not being able to capture someone or something beautiful!

That’s the greatest frustration to me, that I can never capture the beauty of my subjects the way I see it.

I will never be able to show you exactly how beautiful and luminous and unique you are before me, but I will get closer and closer til the day I die, Goddess willing.

And I am able to do this because of the help of my Patrons on Patreon who provide the monthly sponsorship that allows me to tell women’s stories and grow as an artist!

 

Back to work! Portrait of Daria, second sitting.

Work in progress portrait of Daria second sitting close up April 9 2019 by Suzanne ForbesI took an eight-day Make-Cation, where all I did was bricolage and assemblage.

Work in progress portrait of Daria April 9 2019 by Suzanne ForbesIt was so relaxing and fun! So I was strong and ready to dive in the second sitting with Daria.

To the left you can see the portrait about halfway through our second sitting, after an hour or so.

It is easier painting someone you know well, someone you have spent hundreds of hours with. It doesn’t actually feel easier, but better results happen without being aware of how.

So this challenging foreshortened facial view, with Daria’s head bent over her ipad, and part of her face obscured by her hanging hair, was very doable.

 

I expect we will finish in one more sitting!

You can see the first sitting here and Daria’s website and Instagram here. Her witchy boots are starting to emerge, below! I still need to paint in her jewelry and tattoos.

As always, this portrait is painted alla prima (without any preliminary drawing or underpainting), in straight-from-the-tube acrylic mixed only on the canvas. I am continuing to tone my canvas with acrylic paint to an even 50% grey before painting and absolutely loving the results as it increases my speed even more. The large painting seen below is about five hours total work.Work in progress portrait of Daria second sitting April 9 2019 by Suzanne Forbes