I have no idea what I’ll do with it when it’s done. Who cares, it’s the making of it that’s the incredible joy.
Maybe we’ll have a Midsummer dinner party and I’ll wear it, maybe I’ll get a red wig and go to some comic thing as Victorian Gothic Poison Ivy.
This is my third heavily beaded/embroidered corset project, and I’ve learned a few things. Such as to do the heavy beading on a sheer fabric on a hoop first, to save wear and tear on my hand/wrist and reduce the amount of crappy random stitchery on the back. (You can see the previous two corsets here. The blue mermaid one is the same corset model as this one.)
I learned this from the generous and amazing website of Games of Thrones textile artist Michele Carragher. She creates the incredible, breathtaking detail of the costumes for GoT and other productions.
I love Michele Carragher’s work and the way she is so generous in sharing her process.
I love her story because although she has a degree from the London College of Fashion she also has had a somewhat meandering career and is suddenly achieving great success well into her professional life. I wonder if she has a helper like I do?
An off-the-rack corset like this one from Orchard Corset has only a 10-12″ difference between waist and hips, so I have to modify it to add an additional four inches at the hips. That will be the next stage, after I finish seasoning it. I don’t usually bother to season corsets, because I’m lazy, I have a very corset-shaped body and I know exactly how to buy an OTR corset that fits me really well. (Don’t be like me! Season your corset!) In this case however I want to make sure changes in the shape happen before there’s additional decorative stitching, so as not to strain it. I started the beading first though, cause I needed its comforting, trancelike pleasure.
Although my daytime PTSD symptoms are much better now that the anniversary of Rob’s death and San Diego has passed, I’m still having sleep trouble. I have been kicking my husband awake fighting off nightmare assailants. I have to be very careful about how much I embroider since the tendonitis problems of 2013, but I’m clocking as much as I can.