Painting, or not painting, Ian in Berlin.

I am very new to using watercolors.

unfinished-failed-watercolor-do-not-share-editedThat means I sometimes makes mistakes, and with a watercolor you can quickly reach a point of no return.

One of our friends from the Bay Area, a very handsome and dashing fellow, was in town. I was super excited to paint him, as I’d never had a chance in Oakland.

He came over, dressed in a sharp suit, and I gave him some wine (we still have tons left from the housewarming) and set to work. He posed extremely well, with great brio, but I couldn’t get a light source that worked. And once I started painting, the situation devolved.

I can draw myself or paint myself out of just about any corner in an additive-subtractive medium; my knowledge of anatomy, structure and values is sufficient to recover from most wrong directions. But with watercolor, you can’t go very far down the wrong road. unfinished-failed-watercolor-do-not-share-edited-1

An old friend of mine, a master watercolor painter, once said, “I’ve never won an argument with a watercolor.”

I tried everything I could think of to resolve the portrait, including opaque white to recover lost lights, but it was a no-go. Eventually I called it and we started over. I asked my model to change his pose, I changed the light source, and I switched to drawing, only lightly tinted at the end with watercolor. I captured his Leyendecker profile this time.Ian September 24 2016 by Suzanne Forbes

So I was able to produce a decent likeness that had a good sense of the sitter, but only by divergent means. I scanned the horrific failure, excerpted here, but only my Patrons get to see it 🙂

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